| Fotos (ver todos los 49 | slideshow) | Videos |
| Paul Newman | ... | Luke | |
| George Kennedy | ... | Dragline | |
| J.D. Cannon | ... | Society Red | |
| Lou Antonio | ... | Koko | |
| Robert Drivas | ... | Loudmouth Steve | |
| Strother Martin | ... | Captain | |
| Jo Van Fleet | ... | Arletta | |
| Clifton James | ... | Carr | |
| Morgan Woodward | ... | Boss Godfrey | |
| Luke Askew | ... | Boss Paul | |
| Marc Cavell | ... | Rabbitt | |
| Richard Davalos | ... | Blind Dick | |
| Robert Donner | ... | Boss Shorty | |
| Warren Finnerty | ... | Tattoo | |
| Dennis Hopper | ... | Babalugats | |
| John McLiam | ... | Boss Keen | |
| Wayne Rogers | ... | Gambler | |
| Harry Dean Stanton | ... | Tramp (as Dean Stanton) | |
| Charles Tyner | ... | Boss Higgins | |
| Ralph Waite | ... | Alibi | |
| Anthony Zerbe | ... | Dog Boy | |
| Buck Kartalian | ... | Dynamite | |
| Joy Harmon | ... | The Girl | |
| listado alfabético del resto del reparto: | |||
| Joe Don Baker | ... | Fixer (uncredited) | |
| James Bradley | ... | (uncredited) | |
| James Gammon | ... | Sleepy (uncredited) | |
| Norman Goodwins | ... | Stupid blonde (uncredited) | |
| Chuck Hicks | ... | Chief (uncredited) | |
| Rance Howard | ... | Sheriff (uncredited) | |
| James Jeter | ... | Wickerman (uncredited) | |
| Kim Kahana | ... | Convict (uncredited) | |
| Robert Luster | ... | Jabo (uncredited) | |
| Donn Pearce | ... | Sailor (uncredited) | |
| John Pearce | ... | John (uncredited) | |
| Cyril 'Chips' Robinson | ... | Ben (uncredited) | |
| Eddie Rosson | ... | Luke's Nephew (uncredited) | |
| Rush Williams | ... | Patrolman (uncredited) | |
Dirigida por | |||
| Stuart Rosenberg | |||
Créditos del guión | ||
| Donn Pearce | (screenplay) and | |
| Frank Pierson | (screenplay) (as Frank R. Pierson) | |
| Donn Pearce | (novel) | |
Producida por | |||
| Gordon Carroll | .... | producer | |
| Carter De Haven Jr. | .... | associate producer | |
Música original por | |||
| Lalo Schifrin | |||
Fotografía por | |||
| Conrad L. Hall | (director of photography) (as Conrad Hall) | ||
Montaje por | |||
| Sam O'Steen | |||
Dirección artística | |||
| Cary Odell | |||
Decorados | |||
| Fred Price | |||
Diseño de vestuario por | |||
| Howard Shoup | |||
Departamento de maquillaje | |||
| Gordon Bau | .... | makeup supervisor | |
| Jean Burt Reilly | .... | supervising hair stylist | |
Dirección de producción | |||
| Arthur S. Newman Jr. | .... | unit manager (as Arthur Newman) | |
Ayudante de dirección | |||
| Hank Moonjean | .... | assistant director | |
Departamento de Arte | |||
| Craig Binkley | .... | set dresser (uncredited) | |
| Wes Webb | .... | carpenter (uncredited) | |
Departamento de sonido | |||
| Larry Jost | .... | sound | |
| Dan Wallin | .... | sound re-recording mixer (uncredited) | |
Especialistas | |||
| M. James Arnett | .... | stunts (uncredited) | |
| Chuck Hicks | .... | stunts (uncredited) | |
Cámara y Departamento Eléctrico | |||
| Michael A. Jones | .... | assistant chief lighting technician (uncredited) | |
| Michael A. Jones | .... | rigging gaffer (uncredited) | |
| Harry Sundby | .... | chief electrician (uncredited) | |
Departamento de Música | |||
| Barney Kessel | .... | musician: guitar, soundtrack (uncredited) | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
Otros miembros del equipo | |||
| Wayne Fitzgerald | .... | title designer (uncredited) | |
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| Black Mama, White Mama | The Liberation of L.B. Jones | Gone with the Wind | Escape from Alcatraz | Deliverance |
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IMDb Calificación de los usuarios:
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Cool Hand Luke is a great film that will last the ages. Newman's portrayal of the impulsive loner with the undying will is unforgettable, and Lucas Jackson may be one of the most memorable movie characters of all time. Luke's unfaltering spirit in the face of a life that never seems to deal him a fair hand will probably win you over sooner than later. A superb supporting cast, (including George Kennedy in his Oscar winning performance and Strother Martin ("what we got heehr is...failyuh to com-municate"), along with fine direction from Stuart Rosenberg catapult this timeless story, of an individual adrift in a vast and faceless world, towards classic status.
The basic plot line follows thus: Luke is arrested for the silliest of crimes and sent to prison (where the prisoners often work on a sort of chain gang, although largely without the chains). The atmosphere of the prison camp almost immediately begins to change after Luke's arrival, though not due to any conscious effort from his part. Just because he is who he is. At first, the other prisoners are hostile but they soon warm to him. They seem to begin feeling real camaraderie--perhaps even some unity.
Some of the most memorable scenes naturally stick in your mind: Luke's endless boxing match, the eggs (!), his escapes, and even when Luke is beaten by the prison captain...and, of course, the unforgettable smile. 10/10. A legendary performance from Newman and a true classic.