Koroshi no rakuin (1967)

Calificación de los usuarios:

7.3/10   

Director:

Seijun Suzuki

Escritores:

Hachiro Guryu (writer)
Takeo Kimura (writer)

Fecha de Lanzamiento:

15 junio 1967 (Japan)

Género:

Acción | Crimen | Drama

Plot:

The film's story centers on Hanada, a.k.a. "No. 3 Killer," the third-best hit man in Japanese organized crime...

Plot Keywords:

Dead Bird | Butterfly | Rice | Absurd Violence | Yakuza

Comentarios de los usuarios:

Suzuki dispenses with narrative convention in this acid-jazz noir-ish nightmare

Reparto

Jo Shishido	...	Hanada Goro
Mariko Ogawa	...	Mami Hanada
Anne Mari	...	Misako
Koji Nambara	...	No.1
Isao Tamagawa	...	Michihiko Yabuhara
Hiroshi Minami	...	Gihei Kasuga
listado alfabético del resto del reparto:
Iwae Arai
Franz Gruber	...	Western man
Kosuke Hisamatsu
Hiroshi Midorigawa
Tokuhei Miyahara
Hiroshi Naga
Takashi Nomura
Atsushi Yamatoya

También conocida como:

Branded to Kill (International: English title) (USA)

Duración:

98 min | Argentina:99 min | USA:91 min

País:

Japan

Idioma:

Japonés

Color:

Negro y Blanco

Relación de Aspecto:

2.35 : 1

Sonido:

Mono

Clasificación:

Germany:16 | Australia:M | Argentina:16 | Sweden:15 | UK:18

Compañía:

Nikkatsu

Trivialidades:

Director Seijun Suzuki was fired for deviating too far from the script.

Conexiones de Película:

Referenced in Ghost Dog: The Way of the Samurai (1999)

Suzuki dispenses with narrative convention in this acid-jazz noir-ish nightmare

Much has been made of how weird and off-beat Branded to Kill is. However it is important to consider it as part of Suzuki's progression through film-making. Before you can break the rules, you have to master them. Suzuki did so in several of his earlier pictures, from Underworld Beauty to Tattooed Life. And every time he was called to deliver a run of the mill yakuza flick, he infused it with his personal style. More and more he fractured the visual language of cinema every time, until he got rid of it or transformed it into a psychotic beast for Branded to Kill, revealing what lies beneath.

A plot synopsis would read something like this: Jo Shishido is killer Number #3 with ambitions of becoming Number #1. Who is Number #1? Does he even exist? That is until he's called to transport a client safely. The borders between realism and surrealism blur hopelessly at that point and what follows is a nightmarish concoction of beautiful set-pieces that lead up to his final confrontation with Number #1.

Saying that Branded to Kill is weird is an understatement. In turns fascinating, confusing, nonsensical, surrealist, psychotic, thrilling, poetic, nightmarish, confusing, tiring, mind-numbing and exhilarating, it defies description as much as it defies sense. The boundaries of time, space and logic are blurred and all you can do is experience the ride. It doesn't try to make much sense and apparently Suzuki made it up as he went along. The result was to be fired by Nikkatsu Studios for delivering a picture that "made no sense". I don't blame them really. Studios are businesses and Branded to Kill is not a movie with massive appeal. Ahead of its time in that aspect.

Filmed in beautiful black and white, with a languid jazzy score and a film-noir ambiance, Branded to Kill will certainly appeal to people with strange tastes. Don't go in expecting a yakuza action flick (although there are several gunfights and enough action to go along) or you'll be sorely disappointed. As an indication of the uncharted territories Branded to Kill's treads, I'll guesstimate that fans of Eraserhead-era Lynch, Koji Wakamatsu and Singapore Sling's style will appreciate it. I can't say "like it", because ultimately that's between the viewer and Branded to Kill to sort. Either way, it has to be experienced at least once. Just sit back and let the surreal absurdity of it all wash over you...