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2001: A Space Odyssey (1968)

 -  Mystery | Sci-Fi  -  15 May 1968 (UK)
8.3
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Ratings: 8.3/10 from 317,064 users   Metascore: 86/100
Reviews: 1,602 user | 250 critic | 14 from Metacritic.com

Humanity finds a mysterious, obviously artificial, object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.

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(screenplay), (screenplay), 1 more credit »
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Title: 2001: A Space Odyssey (1968)

2001: A Space Odyssey (1968) on IMDb 8.3/10

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Top 250 #105 | Won 1 Oscar. Another 18 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Daniel Richter ...
...
...
...
Sean Sullivan ...
Douglas Rain ...
HAL 9000 (voice)
Frank Miller ...
Bill Weston ...
...
Aries-1B Lunar Shuttle Captain (as Edward Bishop)
Glenn Beck ...
Alan Gifford ...
Ann Gillis ...
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Storyline

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by Larry Cousins

Plot Summary | Plot Synopsis

Taglines:

Still The Ultimate Trip. [2001 re-release] See more »

Genres:

Mystery | Sci-Fi

Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

15 May 1968 (UK)  »

Also Known As:

How the Solar System Was Won  »

Box Office

Budget:

$10,500,000 (estimated)

Gross:

$56,715,371 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut) | (TCM print)

Sound Mix:

(35 mm magnetic prints)| (70 mm prints)| (2001 re-release)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

After seeing a documentary called To the Moon and Beyond (not listed on IMDb) at the 1964 New York World's Fair, Stanley Kubrick hired one of its special effects technicians, Douglas Trumbull, to work on this film. Trumbull developed a process called Slitscan photography to create the wild, kaleidoscopic images Bowman experiences going through the Stargate. It involved moving the camera rapidly past different pieces of lighted artwork, with the camera shutter held open to allow for a streaking effect. The overall effect gave the audience the sense of plunging into the infinite. Trunbull was later hired by ABC to produce the famous opening sequence for the ABC "Movie of the Week" using the same slitscan technique used for 2001. See more »

Goofs

When the Earth Shuttle stewardess enters the passenger cabin and moves towards Heywood Floyd, she stumbles on the walkway. The nature of the misstep reveals that she is not weightless. See more »

Quotes

[first lines]
Aries-1B stewardess: Here you are, sir, main level please.
See more »

Crazy Credits

"Thus Spake Zarathustra" is the only musical piece in the film whose conductor and orchestra are not mentioned in the closing credits. For all other pieces, the orchestra which plays it, and the conductor who leads it, are given screen credit. See more »

Connections

Referenced in The Cell (2000) See more »

Soundtracks

Atmospheres
(1961)
Music by György Ligeti
Performed by Southwest German Radio Orchestra (as the Southwest German Radio Orchestra)
Conductor Ernest Bour
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
My god, it's full of stars
20 April 2003 | by (Canada) – See all my reviews

For all those bewildered by the length and pace of this film ("like, why does he show spaceships docking for, like, 15 minutes?"), here's a word you might want to think about:

Beauty.

Beauty is an under-rated concept. Sure, you'll often see nice photography and so on in films. But when did you last see a film that contains beauty purely for the sake of it? There is a weird belief among cinemagoers that anything which is not plot or character related must be removed. This is depressing hogwash. There is nothing wrong with creating a beautiful sequence that has nothing to do with the film's plot. A director can show 15 minutes of spaceships for no reason than that they are beautiful, and it is neither illegal nor evil to do so.

'2001' requires you to watch in a different way than you normally watch films. It requires you to relax. It requires you to experience strange and beautiful images without feeling guilty that there is no complex plot or detailed characterization. Don't get me wrong, plots and characters are good, but they're not the be-all and end-all of everything. There are different KINDS of film, and to enjoy '2001' you must tune your brain to a different wavelength and succumb to the pleasure of beauty, PURE beauty, unfettered by the banal conventions of everyday films.

"All art is quite useless" - Oscar Wilde.


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