Les demoiselles de Rochefort (1967)

Calificación de los usuarios:

7.7/10   

Directors:

Jacques Demy
Agnès Varda

Guionista:

Jacques Demy (written by)

Fecha de Lanzamiento:

11 abril 1968 (USA)

Género:

Comedia | Drama | Musical | Romance

Frase comercial:

...they're Singing and Dancing in the Streets

Plot:

Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano...

Plot Keywords:

Love | Twins | Piano | Dance | Painter

Premios:

Nominated for Oscar.

Comentarios de los usuarios:

A ray of cinematic sun

Reparto

Catherine Deneuve	...	Delphine Garnier
George Chakiris	...	Etienne
Françoise Dorléac	...	Solange Garnier (as Françoise Dorleac)
Jacques Perrin	...	Maxence
Michel Piccoli	...	Simon Dame
Jacques Riberolles	...	Guillaume Lancien
Grover Dale	...	Bill
Geneviève Thénier	...	Josette (as Geneviève Thenier)
Henri Crémieux	...	Subtil Dutrouz (as Henri Cremieux)
Pamela Hart	...	Judith
Leslie North	...	Esther
Patrick Jeantet	...	Boubou Garnier
Gene Kelly	...	Andy Miller
Danielle Darrieux	...	Yvonne Garnier
René Bazart	...	Pépé

También conocida como:

The Young Girls of Rochefort (USA)
Las señoritas de Rochefort (Argentina) (Spain) [es]

Duración:

120 min | Argentina:128 min | Germany:122 min | Japan:127 min | Sweden:126 min | USA:125 min

País:

France

Idioma:

Francés | Inglés

Color:

Color (Eastmancolor)

Relación de Aspecto:

2.20 : 1

Sonido:

70 mm 6-Track (70 mm prints)

Clasificación:

Singapore:PG | Australia:G | Argentina:Atp | Finland:S | France:U | Sweden:Btl | USA:G | Hong Kong:I

Locaciones de Filmación:

Rochefort, Charente-Maritime, France

Compañía:

Madeleine Films

Trivialidades:

Jacques Demy planned to make more extensive references to his earlier movie Les parapluies de Cherbourg (1964) by casting Nino Castelnuovo, the hero of that film, as Bill. When Castelnuovo proved unavailable, Demy had to change the script.

Citas:

Delphine: Did he have a camera?
Solange: No.
Delphine: Then how did you know he was an American?

Conexiones de Película:

Apareció en Les soeurs fâchées (2004)

Banda de Sonido:

Chanson De Simon

A ray of cinematic sun

It's hard to put your finger on exactly what it is about the atmosphere of Jacques Demy's musicals that's so - well - appealing, but "The Young Girls of Rochefort" opens with a pretty big clue: the dancers assemble on what looks like a funny kind of suspension bridge, when suddenly the platform lifts off (as does Michel Legrand's music), to float over the water to the other side. The kids (including "West Side Story"'s George Chakiris) dance away as they drift along in mid-air, giving us the perfect metaphor for what Demy's about to offer: a sunny bagatelle that sets you free from gravity, but which is clearly - well - a little mechanical.

Or perhaps "artificial" is a better word - Demy's always straightforward about what he's doing, and the play of artifice in "Rochefort" is one of its peculiar charms. He doesn't seem to care that the gorgeous Catherine Deneuve and her real-life sister, Francoise Dorleac, aren't really dancers (or that even the "real" dancers are sometimes slightly out of sync) - they simply carry on with their numbers through sheer star power and happy sang-froid. As do their characters - what might count as tragedy in an American musical is always merely accepted in Demy ("The Umbrellas of Cherbourg" being the ultimate example). Only "Rochefort" is about tragedies constantly being averted or diverted - if "Umbrellas" was drenched in a perpetual rain shower, "Rochefort" is pure sun.

Gene Kelly is also on hand to do a few cameos as Francoise's love interest - and his main dance is a charming, quick-time take on what he used to do on a much broader canvas. George Chakiris is, as we remember from "West Side Story", a charming dynamo; Danielle Darrieux is her usual sublime self; and keep an eye out for a young Michel Piccoli as the ardent Monsieur Dam. Michel Legrand's score, again as usual, relies a bit too heavily on its big theme - but it's also about as jazzily sophisticated as musical scores ever got. The choreography doesn't offer any breakthroughs, but there are some charming sequences which are nearly as through-danced as "Umbrellas" was through-sung.

Altogether a charmer - big wigs, even bigger hats, and an exquisite pastel palette - what's not to like?