| Photos (see all 3 | slideshow) |
| Jean-Louis Trintignant | ... | Silence | |
| Klaus Kinski | ... | Tigrero, a.k.a. Loco | |
| Frank Wolff | ... | Sheriff Burnett | |
| Luigi Pistilli | ... | Pollicut | |
| Vonetta McGee | ... | Pauline | |
| Mario Brega | ... | Martin, Pollicut's Assistant | |
| Carlo D'Angelo | ... | Governor | |
| Marisa Merlini | ... | Regina | |
| Maria Mizar | |||
| Marisa Sally | |||
| Raf Baldassarre | ... | One-Eyed Bounty Hunter | |
| Spartaco Conversi | ... | Walter, Leader of the Outlaws | |
| Remo De Angelis | |||
| Mirella Pamphili | ... | Saloon Girl | |
| listado alfabético del resto del reparto: | |||
| Fortunato Arena | ... | Outlaw (uncredited) | |
| Bruno Corazzari | ... | Charlie, Bounty Hunter (uncredited) | |
| Loris Loddi | ... | Silence as Child (uncredited) | |
| Benito Pacifico | ... | Coach Driver (uncredited) | |
| Mimmo Poli | ... | Barman (uncredited) | |
| Claudio Ruffini | ... | Bounty Hunter (uncredited) | |
| Giulia Salvatori | ... | Child on Sled (uncredited) | |
Dirigida por | |||
| Sergio Corbucci | |||
Créditos del guión(in alphabetical order) | ||
| Mario Amendola | screenplay | |
| Lewis E. Ciannelli | English version | |
| Bruno Corbucci | screenplay | |
| Sergio Corbucci | screenplay | |
| John Hart | English language version | |
| Vittoriano Petrilli | screenplay | |
| André Tranché | French version | |
Música original por | |||
| Ennio Morricone | |||
Fotografía por | |||
| Silvano Ippoliti | |||
Dirección artística | |||
| Riccardo Domenici | (as Riccardo Dominici) | ||
Diseño de vestuario por | |||
| Enrico Job | |||
Departamento de maquillaje | |||
| Marcella De Marzi | .... | hair stylist | |
| Lamberto Marini | .... | makeup artist | |
Dirección de producción | |||
| Giovanni A. Giurgola | .... | production supervisor | |
| Marcello Papaleo | .... | production manager | |
Ayudante de dirección | |||
| Filiberto Fiaschi | .... | assistant director | |
Art Department | |||
| Enrico Simi | .... | assistant set decorator | |
Departamento de sonido | |||
| Romano Pampaloni | .... | sound recordist | |
Efectos especiales | |||
| Eros Bacciucchi | .... | special effects (as Eros Baciucci) | |
Especialistas | |||
| Bruno Ukmar | .... | head stunt man | |
Camera and Electrical Department | |||
| Renato Doria | .... | camera operator | |
| Eugenio Saluzzi | .... | camera operator | |
| Enrico Sasso | .... | camera operator | |
Costume and Wardrobe Department | |||
| Antonio Palombi | .... | wardrobe assistant | |
Editorial Department | |||
| Amedeo Salfa | .... | assistant editor | |
Music Department | |||
| Bruno Nicolai | .... | conductor | |
Otros miembros del equipo | |||
| Anna Maria Bifarini | .... | script supervisor | |
| Lewis E. Ciannelli | .... | dialogue director | |
| Nicola Venditti | .... | production assistant | |
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| Heaven | Per qualche dollaro in più | Don Daredevil Rides Again | Django | C'era una volta il West |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
The spaghetti western is a hybrid creature in many ways. it mixes the great American legend by demystifying it with European pessimism. It plays the landscapes and its inhabitants as ambiguous vehicles of destiny and violence (the background often conveys the mood more than the characters, as the films of Corbucci and Leone demonstrate). And although Fistfull of Dollars is mean and lean, it remains a pale copy of Kuroswa's superior Yojimbo. Despite it's beautiful opera, Once upon a Time in the West is too elegant. despite its biting humor and epic scope, the Good, the Bad and the Ugly is too playful...
What we have here, is nothing less than the ultimate essence of the Spaghetti Western: irony, cruelty, tenderness, beauty, violence, larger than life characters... and chaos. the chaos is as present in the general mood as it is in Corbucci's wild and messy camera-work (from beautiful panoramas to crash zooms and close ups that accentuate the villains' ugliness).
The story is straight and simple but allows for great characters as the mute bounty hunter Silence (Trintignant, conveying impossible emotion with nothing but his haunting eyes) travels to a snowy town to bring down the killer of his client's husband and coincidentally fulfill a more personal vengeance. He is pitted against a range of pathetic and ugly villains, headed by a sleazy and psychotic Loco (Kinski, mesmerizing as the cruel but contained and playful killer).
All the while the nihilism and harshness of nature weigh over these characters as people freeze to death, a man drowns in a frozen lake and the survival of the fittest is demanded in a bloody fashion, leading to a devastating ending that seals this tight film together as a magnificently macabre opera of death. Unmissable.