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Eileen Ryan, an actress who appeared on Broadway and in films and TV shows in collaborations with her late husband, actor-director Leo Penn, and her two-time Oscar-winning son, Sean Penn, died Sunday at her home in Malibu, a publicist announced. She was 94.
Survivors also include another son, composer-songwriter Michael Penn. Her youngest boy, actor Chris Penn, died in 2006.
Ryan gave up her acting career — once turning down the lead in a John Frankenheimer-directed film — to become a full-time mother. However, she returned to take small parts in such projects as At Close Range (1986), where she played the grandmother of characters portrayed by Sean and Christopher.
One of three sisters, Eileen Annucci was born in New York on Oct. 16, 1927. She made her Broadway debut in 1953 in Sing Till Tomorrow, then worked alongside Judith Anderson, George C. Scott and Larry Hagman in 1958 in Comes a Day.
Eileen Ryan, an actress who appeared on Broadway and in films and TV shows in collaborations with her late husband, actor-director Leo Penn, and her two-time Oscar-winning son, Sean Penn, died Sunday at her home in Malibu, a publicist announced. She was 94.
Survivors also include another son, composer-songwriter Michael Penn. Her youngest boy, actor Chris Penn, died in 2006.
Ryan gave up her acting career — once turning down the lead in a John Frankenheimer-directed film — to become a full-time mother. However, she returned to take small parts in such projects as At Close Range (1986), where she played the grandmother of characters portrayed by Sean and Christopher.
One of three sisters, Eileen Annucci was born in New York on Oct. 16, 1927. She made her Broadway debut in 1953 in Sing Till Tomorrow, then worked alongside Judith Anderson, George C. Scott and Larry Hagman in 1958 in Comes a Day.
- 10/10/2022
- by Mike Barnes
- The Hollywood Reporter - Movie News
Actor Eileen Ryan, the mother of actors Sean Penn and Christopher Penn and musician Michael Penn, died Sunday at her home, just a week short of her 95th birthday.
Ryan, born Eileen Annucci, met fellow actor Leo Penn in 1957 at rehearsals for The Iceman Cometh, a Circle in the Square production (Leo Penn had taken over for Jason Robards). The two were married within a few months, a marriage that lasted 41 years until Leo Penn’s death in 1998.
Related: Hollywood & Media Deaths 2022: A Photo Gallery
From her first TV appearance in 1955’s Goodyear Television Playhouse, Ryan had a steady and prolific acting career for decades, with guest roles on The Twilight Zone, The Detectives, Ben Casey, Marcus Welby, M.D., Little House on the Prairie, Ally McBeal, and Grey’s Anatomy, among many others. On the big screen, she often appeared in the her sons’ various projects, including At Close Range,...
Ryan, born Eileen Annucci, met fellow actor Leo Penn in 1957 at rehearsals for The Iceman Cometh, a Circle in the Square production (Leo Penn had taken over for Jason Robards). The two were married within a few months, a marriage that lasted 41 years until Leo Penn’s death in 1998.
Related: Hollywood & Media Deaths 2022: A Photo Gallery
From her first TV appearance in 1955’s Goodyear Television Playhouse, Ryan had a steady and prolific acting career for decades, with guest roles on The Twilight Zone, The Detectives, Ben Casey, Marcus Welby, M.D., Little House on the Prairie, Ally McBeal, and Grey’s Anatomy, among many others. On the big screen, she often appeared in the her sons’ various projects, including At Close Range,...
- 10/10/2022
- by Greg Evans
- Deadline Film + TV
Joan Hotchkis, veteran stage and screen actor known for ABC’s “The Odd Couple” and “Legacy,” died Sept. 27 of congestive heart failure in Los Angeles, according to her daughter Paula Chambers. She was 95.
Hotchkis starred opposite William Windom in the NBC sitcom “My World and Welcome to It,” and played the on-again/off-again girlfriend of Jack Klugman’s Oscar Madison in “The Odd Couple.” As a playwright, she wrote 1974’s “Legacy,” a one-woman play about an upper-class housewife who deteriorates mentally. The following year, she wrote and starred in the film adaptation of “Legacy,” which won the best newcomer award at the Tehran International Film Festival.
Born on Sept. 21, 1927, in Los Angeles, Hotchkis was the last surviving child of civic leaders Preston Hotchkis and Katharine Bixby, who led the Metropolitan Water District and the California Historical Society.
After earning a B.A. in psychology from Smith College and an M.
Hotchkis starred opposite William Windom in the NBC sitcom “My World and Welcome to It,” and played the on-again/off-again girlfriend of Jack Klugman’s Oscar Madison in “The Odd Couple.” As a playwright, she wrote 1974’s “Legacy,” a one-woman play about an upper-class housewife who deteriorates mentally. The following year, she wrote and starred in the film adaptation of “Legacy,” which won the best newcomer award at the Tehran International Film Festival.
Born on Sept. 21, 1927, in Los Angeles, Hotchkis was the last surviving child of civic leaders Preston Hotchkis and Katharine Bixby, who led the Metropolitan Water District and the California Historical Society.
After earning a B.A. in psychology from Smith College and an M.
- 10/4/2022
- by Michaela Zee
- Variety Film + TV
Mark Miller, the prolific actor and screenwriter writer best known for Please Don’t Eat The Daisies and Guestward, Ho! has died. His daughter, actress Penelope Ann Miller, confirmed the news on Twitter. He was 97.
Miller portrayed college professor Jim Nash on Please Don’t Eat the Daisies, which ran from 1965-1967 and then in syndication. The NBC-MGM sitcom, which ran for 58 half-hour episodes, was loosely based on the theatrical film of the same name starring Doris Day and David Niven. The series did well initially, but its ratings took a hit in Season 2 when it was moved opposite The Jackie Gleason Show.
Miller had substantial runs on other big shows, most notably Desilu’s Guestward Ho! on ABC in 1960. He played one half of a New York City couple, the Hootens, who relocate to a dude ranch in New Mexico. Guestward Ho! ran for one season alongside The Donna Reed Show on Thursday evenings.
Miller portrayed college professor Jim Nash on Please Don’t Eat the Daisies, which ran from 1965-1967 and then in syndication. The NBC-MGM sitcom, which ran for 58 half-hour episodes, was loosely based on the theatrical film of the same name starring Doris Day and David Niven. The series did well initially, but its ratings took a hit in Season 2 when it was moved opposite The Jackie Gleason Show.
Miller had substantial runs on other big shows, most notably Desilu’s Guestward Ho! on ABC in 1960. He played one half of a New York City couple, the Hootens, who relocate to a dude ranch in New Mexico. Guestward Ho! ran for one season alongside The Donna Reed Show on Thursday evenings.
- 9/14/2022
- by Tom Tapp
- Deadline Film + TV
Soon after ABC made “Marcus Welby, M.D.” the closer of its Tuesday night lineup in 1969, the freshman drama series proved to be one of the network’s biggest hits up to that point. It ended up being the most-Emmy-nominated program of 1970 and won the Best Drama Series award as well as acting trophies for leading man Robert Young and supporting player James Brolin. One year later, it became the first ABC property to rank as the number-one show on television.
“Marcus Welby, M.D.” starred Young and Brolin as a pair of doctors whose conflicting treatment methods formed the basis of the series’ initial plot. Both men made history with their 1970 victories, with the former becoming the oldest winner in his category at 63 and the latter becoming the youngest in his at 29. Five decades later, they have both moved to third place on their respective lists, and both land in 10th...
“Marcus Welby, M.D.” starred Young and Brolin as a pair of doctors whose conflicting treatment methods formed the basis of the series’ initial plot. Both men made history with their 1970 victories, with the former becoming the oldest winner in his category at 63 and the latter becoming the youngest in his at 29. Five decades later, they have both moved to third place on their respective lists, and both land in 10th...
- 9/4/2022
- by Matthew Stewart
- Gold Derby
Soon after ABC made “Marcus Welby, M.D.” the closer of its Tuesday night lineup in 1969, the freshman drama series proved to be one of the network’s biggest hits up to that point. It ended up being the most-Emmy-nominated program of 1970 and won the Best Drama Series award as well as acting trophies for leading man Robert Young and supporting player James Brolin. One year later, it became the first ABC property to rank as the number-one show on television.
“Marcus Welby, M.D.” starred Young and Brolin as a pair of doctors whose conflicting treatment methods formed the basis of the series’ initial plot. Both men made history with their 1970 victories, with the former becoming the oldest winner in his category at 63 and the latter becoming the youngest in his at 29. Five decades later, they have both moved to third place on their respective lists, and both land in 10th...
“Marcus Welby, M.D.” starred Young and Brolin as a pair of doctors whose conflicting treatment methods formed the basis of the series’ initial plot. Both men made history with their 1970 victories, with the former becoming the oldest winner in his category at 63 and the latter becoming the youngest in his at 29. Five decades later, they have both moved to third place on their respective lists, and both land in 10th...
- 9/4/2022
- by Matthew Stewart
- Gold Derby
It’s been half a century since Johnny Carson hosted the 24th Emmy ceremony on CBS on May 14, 1972. It was a year in which now-classic comedies battled it out and records were set, PBS had its first strong showing, Oscar-winning actresses were rivals and daytime-themed Emmys were awarded for the first time. Read on for our Emmys flashback 50 years ago to 1972.
Norman Lear‘s groundbreaking sitcom “All in the Family” had won Best Comedy Series for its freshman season in 1971; it held onto that title for its second year, and would win again in 1973 and 1978. The biggest competition for this award was another groundbreaking comedy that had premiered the year before, “The Mary Tyler Moore Show,” which would eventually claim victory in 1975, 1976 and 1977. The remaining nominees were “The Odd Couple,” also in its second season, and “Sanford and Son,” for its freshman outing. “All in the Family” and “Mtm” would...
Norman Lear‘s groundbreaking sitcom “All in the Family” had won Best Comedy Series for its freshman season in 1971; it held onto that title for its second year, and would win again in 1973 and 1978. The biggest competition for this award was another groundbreaking comedy that had premiered the year before, “The Mary Tyler Moore Show,” which would eventually claim victory in 1975, 1976 and 1977. The remaining nominees were “The Odd Couple,” also in its second season, and “Sanford and Son,” for its freshman outing. “All in the Family” and “Mtm” would...
- 6/28/2022
- by Susan Pennington
- Gold Derby
Before “All in the Family” debuted, there was a profound gap between real life and what was being depicted on TV series.
In his autobiography “Even This I Get to Experience,” Norman Lear wrote, “Until ‘All in the Family’ came along, TV comedy was telling us there was no hunger in America, we had no racial discrimination, there was no unemployment or inflation, no war, no drugs, and the citizenry was happy with whomever happened to be in the White House.”
When Lear and Bud Yorkin pitched “All in the Family” to CBS, that network’s executives were looking for something different — but maybe not That different.
A week before the un-publicized sitcom debuted on Jan. 12, 1971, Variety’s Les Brown summed up the first four months of the new season for the three networks. Brown wrote that CBS had a lock on “the rural middle-American viewership” with its “rustic sitcoms,...
In his autobiography “Even This I Get to Experience,” Norman Lear wrote, “Until ‘All in the Family’ came along, TV comedy was telling us there was no hunger in America, we had no racial discrimination, there was no unemployment or inflation, no war, no drugs, and the citizenry was happy with whomever happened to be in the White House.”
When Lear and Bud Yorkin pitched “All in the Family” to CBS, that network’s executives were looking for something different — but maybe not That different.
A week before the un-publicized sitcom debuted on Jan. 12, 1971, Variety’s Les Brown summed up the first four months of the new season for the three networks. Brown wrote that CBS had a lock on “the rural middle-American viewership” with its “rustic sitcoms,...
- 1/12/2021
- by Tim Gray
- Variety Film + TV
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