Cherry, Harry & Raquel! (1970)

Calificación de los usuarios:

5.3/10   

Director:

Russ Meyer

Escritores:

Russ Meyer (story)
Tom McGowan (writer) ...

Fecha de Lanzamiento:

1972 (Belgium)

Género:

Acción | Comedia | Crimen | Suspenso

Frase comercial:

Busting Out...

Plot:

Harry (a corrupt sheriff) and his Chicano deputy hunt an Apache who is about to go to the authorities with the news Harry is smuggling marijuana...

Plot Keywords:

Sheriff | Desert | Nurse | Apache | Erotica

Comentarios de los usuarios:

Meyer shot a movie and lost half of it

Reparto

Larissa Ely	...	Raquel
Linda Ashton	...	Cherry
Charles Napier	...	Harry
Bert Santos	...	Enrique
Frank Bolger	...	Mr. Franklin (as Franklin H. Bolger)
Uschi Digard	...	Soul (as Astrid Lillimor)
Michelle Grand	...	Millie
John Milo	...	Apache
Michaelani	...	Doctor Lee
Robert Aiken	...	Tom
John Koester	...	Gas Station Attendant
Daniel Roberts	...	Delivery Boy

También conocida como:

Megavixens
Three Ways to Love

Duración:

71 min

País:

USA

Idioma:

Inglés

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

Mono

Clasificación:

France:-16 | UK:18 (video rating) (1997) | UK:X (original rating) | USA:X | West Germany:18

Compañía:

Eve Productions

Trivialidades:

Uschi Digard's lines are in Swedish.

Errores:

Anacronismos: Flashback scene to a late Forties/early Fifties grocery store was filmed in late Sixties supermarket parking lot, complete with late model cars.

Citas:

Narrator: Cherry and Raquel. Byproducts of our society, pretty toys to play with, superficial in their makeup but so necessary to our way of life.

Conexiones de Película:

Apareció en Twisted Sex Vol. 15 (1996) (V)

Banda de Sonido:

Toys Of Our Time

Meyer shot a movie and lost half of it

Russ Meyer is a genius at cutting films. And from other examples of his work you can tell he had the whole multi, jump cut vision in his head. Shooting plenty of coverage to get the whole hyper-active, ceaselessly interesting story told. But Cherry, Harry and Raquel was completely shot when the lab ruined over half the footage. Meyer was forced to improvise and Uschi Digart became the scene padding "Muse". The afterword narration becomes a completely overboard retelling of the whole movie. But for all those sad concessions to losing whatever Meyer might have made of this story, it's one of my favorites. Charles Napier absolutely rules. He must have double the muscles in his forehead and scalp than the ordinary mortal as evidenced by some of the mugging he does in this flick. Meyer's kinetic film cutting was far ahead of it's time. The climactic final shoot out is just bloody and macho and totally hilarious stuff.