Japan Organized Crime Boss (1969) Poster

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7/10
Solid stuff, great Wakayama
daustin1 May 2003
Solidly entertaining and gritty Yakuza fare from the master, Fukasaku. Tsuruta is good as the man of honor who can't seem to leave the life behind. Don't watch this one for Bunta Sugawara and Noboru Andoh, their roles are very much supporting and don't amount to much more than extended cameos, albeit in Andoh's case, a great one. The man to watch here is Tomisaburo Wakayama, better known as Zatoichi the Blind Swordsman. Here he's out of control as the heroin shooting violent leader of an anarchistic Hawaiian-shirt wearing gang. His character here really steals the show, and it's a lot of fun to see him in a role so different from what I'm accustomed to.
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Good all round line up
mononoke119 May 2004
Good film from Fukasaku and you can see the style getting closer and closer to the seminal jingi naki tatakai (Battle without Honour) series. Many of the elements are there such as the documentary type style narration, the newspaper clippings etc. All these elements make it appear 'real' or jitsuryoku. Still have the concept of jingi and the whole ninkyo chivalry thing here though.

Tomisaburo Wakayama does indeed steal the show but he was not Zatoichi. The mistake is easily made as they are brothers. Zatoichi is played buy Shintaro Katsu, he never quite becomes this fat. Tomisaburo is also known for the kozure okami (Lone Wolf) series, which are also a joy to watch.
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"Once a yakuza, always a yakuza"
chaos-rampant2 June 2008
This terribly underseen yakuza film by the great Japanese master of the genre may very well rank among the top gangster films of the 60's. It begins in Fukasaku's trademark style with the use of narration and stills explaining the rise to power of Osaka's Danno Family. The rest of the story revolves around gangland wars in Yokohama. All the stylistic hallmarks that would later appear in The Yakuza Papers are present here in all their gritty glory. The hyperkinetic action, the scheming and machinations of opposing families, the numerous gunfights that are never clean or glorified, the realistic approach to violence, themes of upholding one's honour and doing one's duty.

A more sympathetic light is cast on the old school yakuzas as opposed to the new emerging families and alliances who have no disregard for honour and loyalty, only securing their benefits and staying out of the public spotlight at whatever cost. The cast all turn in great performances, with Koji Tsuruta and the great Tomisaburo Wakayama really putting their all in it. Fans of Lone Wolf and Cub in particular will get a kick out of witnessing Wakayama play the mad dog leader of a small group of yakuza hooligans. Diametrically opposite to his restrained, laconic Ogami Itto from Misumi's classic chambara series. There's nothing much to add really. Another tour de force by the great director. Fans of his work will love it.
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