| Fotos (ver todos los 8 | slideshow) |
| Gregory Peck | ... | Sam Varner | |
| Eva Marie Saint | ... | Sarah Carver | |
| Robert Forster | ... | Nick Tana | |
| Noland Clay | ... | Boy | |
| Russell Thorson | ... | Ned | |
| Frank Silvera | ... | Major | |
| Lonny Chapman | ... | Purdue | |
| Lou Frizzell | ... | Stationmaster | |
| Henry Beckman | ... | Sgt. Rudabaugh | |
| Charles Tyner | ... | Dace | |
| Richard Bull | ... | Doctor | |
| Sandy Brown Wyeth | ... | Rachel (as Sandy Wyeth) | |
| Joaquín Martínez | ... | Julio | |
| Boyd 'Red' Morgan | ... | Stage Driver Shelby (as Red Morgan) | |
| Nathaniel Narcisco | ... | Salvaje | |
| listado alfabético del resto del reparto: | |||
| Richard Farnsworth | ... | (uncredited) | |
| James Olson | ... | Cavalry Officer (uncredited) | |
Dirigida por | |||
| Robert Mulligan | |||
Créditos del guión | ||
| Alvin Sargent | (screenplay) | |
| Wendell Mayes | (adaptation) | |
| Theodore V. Olsen | (novel) | |
Producida por | |||
| Alan J. Pakula | .... | producer | |
Música original por | |||
| Fred Karlin | |||
Fotografía por | |||
| Charles Lang | (director of photography) | ||
Montaje por | |||
| Aaron Stell | |||
Casting | |||
| Lynn Stalmaster | |||
Dirección artística | |||
| Roland Anderson | |||
| Jack Poplin | |||
Decorados | |||
| Frank Tuttle | |||
Diseño de vestuario por | |||
| Seth Banks | (costumes: men) | ||
| Grace Harris | (costumes: ladies) | ||
Departamento de maquillaje | |||
| Del Armstrong | .... | makeup supervisor | |
| Naomi Cavin | .... | hair stylist | |
| Franz Prehoda | .... | makeup supervisor | |
Dirección de producción | |||
| Harry Caplan | .... | executive production manager (as Harry A. Kaplan) | |
| Jack Kirschner | .... | post-production supervisor | |
| Russell Saunders | .... | unit production manager (as Russ Saunders) | |
Ayudante de dirección | |||
| Don Kranze | .... | assistant director | |
Departamento de Arte | |||
| Gene Lauritzen | .... | construction coordinator (uncredited) | |
Departamento de sonido | |||
| Jack Solomon | .... | sound | |
Especialistas | |||
| Denny Arnold | .... | stunts (uncredited) | |
| Richard Farnsworth | .... | stunts (uncredited) | |
| Dean Smith | .... | stunt double: Trooper (uncredited) | |
| Buddy Van Horn | .... | stunt double: Varner (uncredited) | |
Departamento de vestuario | |||
| Dorothy Jeakins | .... | costumes: Eva Marie Saint | |
Departamento de Música | |||
| John Mick | .... | music editor | |
Otros miembros del equipo | |||
| Meta Rebner | .... | script supervisor | |
| Dominic Santarone | .... | caterer (uncredited) | |
| Ruth Santarone | .... | caterer (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| THE MISSING of its day. | Carycomic |
| on cable this month a lot | jamesroo |
| DVD? | ffattahi |
| This Western had a great potential! | matooriyan |
| my copy of this is off Cinemax | stanmajor |
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| How the West Was Won | The Kid from Arizona | The Outlaw Josey Wales | Too Much Beef | Billy Two Hats |
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Romance section | IMDb USA section | Add this title to MyMovies |
Not even listed as one of Gregory Peck's better films, I consider this to be one of the most exciting Westerns I have ever seen. The Stalking Moon, Jeremiah Johnson, High Noon,.. all three are Western Classics.
The movie begins slowly but the sense of foreboding builds throughout the film as Sam and his adopted family wait for the inevitable. Eva Marie Saint portrays an abused woman with spare dignity and understated grace, the little boy is great and Gregory Peck is a formidable presence, growing stronger in character and determination as his feelings for the woman and her son develop. Nathaniel Narsisco, as the Stalker is realistically and excruciatingly frightening as he silently tracks his prey.
Although almost 40 years old the movie holds up well even when compared to films like Clint Eastwood's Unforgiven.I have just read Roger Ebert's condemnation of this film and cannot believe that he and I differ so greatly as to its relative merits. How ever this is the man who loved "over the top" Donald Pleasance in "Will Penny" so one should not be surprised.