| Fotos (ver todos los 21 | slideshow) | Videos |
| Jane Fonda | ... | Gloria | |
| Michael Sarrazin | ... | Robert | |
| Susannah York | ... | Alice | |
| Gig Young | ... | Rocky | |
| Red Buttons | ... | Sailor | |
| Bonnie Bedelia | ... | Ruby | |
| Michael Conrad | ... | Rollo | |
| Bruce Dern | ... | James | |
| Al Lewis | ... | Turkey | |
| Robert Fields | ... | Joel | |
| Severn Darden | ... | Cecil | |
| Allyn Ann McLerie | ... | Shirl | |
| Madge Kennedy | ... | Mrs. Laydon | |
| Jacquelyn Hyde | ... | Jackie | |
| Felice Orlandi | ... | Mario | |
| Art Metrano | ... | Max (as Arthur Metrano) | |
| Gail Billings | ... | Lillian | |
| Lynn Willis | ... | Coley James | |
| Maxine Greene | ... | Agnes | |
| Mary Gregory | ... | Nurse | |
| Robert Dunlap | ... | College Boy | |
| Paul Mantee | ... | Jiggs | |
| Tim Herbert | ... | Doctor | |
| Tom McFadden | ... | Second Trainer | |
| Noble 'Kid' Chissel | ... | First Trainer (as Noble 'Kid' Chissell) | |
| listado alfabético del resto del reparto: | |||
| Ian Abercrombie | ... | Male Dancer #74 (uncredited) | |
| Hugh Bell | ... | Band Member (uncredited) | |
| Ronnie Bright | ... | Band Member (uncredited) | |
| Teddy Buckner | ... | Band Member (uncredited) | |
| Hadley Calliman | ... | Band Member (uncredited) | |
| Teddy Edwards | ... | Band Member (uncredited) | |
| Thurman Green | ... | Band Member (uncredited) | |
| Joe Harris | ... | Band Member (uncredited) | |
| Marilyn Hassett | ... | Dancer #75 (uncredited) | |
| Bobby Hutcherson | ... | Band Leader (uncredited) | |
| Ike Isaacs | ... | Band Member (uncredited) | |
| Peggy Adams Laird | ... | Dancer (uncredited) | |
| Harold Land | ... | Band Member (uncredited) | |
| Philo McCullough | ... | Audience Extra (uncredited) | |
| Beverlee McKinsey | ... | Dancer (uncredited) | |
| Cynthia Myers | ... | Undetermined Role (uncredited) | |
| Flower Parry | ... | Marathon Spectator (uncredited) | |
| Les Robertson | ... | Band Member (uncredited) | |
| Sheela Tessler | ... | Marathon Dancer (uncredited) | |
Dirigida por | |||
| Sydney Pollack | |||
Créditos del guión | ||
| Horace McCoy | (novel "They Shoot Horses, Don't They?") | |
| James Poe | (screenplay) and | |
| Robert E. Thompson | (screenplay) | |
Producida por | |||
| Robert Chartoff | .... | producer | |
| Johnny Green | .... | associate producer (as John Green) | |
| Theodore B. Sills | .... | executive producer | |
| Irwin Winkler | .... | producer | |
Música original por | |||
| Johnny Green | (music) (as John Green) | ||
Fotografía por | |||
| Philip H. Lathrop | (director of photography) | ||
Montaje por | |||
| Fredric Steinkamp | |||
Casting | |||
| Lynn Stalmaster | |||
| James Martell | (uncredited) | ||
| Jack Roberts | (uncredited) | ||
Diseño de producción por | |||
| Harry Horner | |||
Decorados | |||
| Frank R. McKelvy | (as Frank McKelvey) | ||
Diseño de vestuario por | |||
| Donfeld | |||
Departamento de maquillaje | |||
| Sydney Guilaroff | .... | hair stylist: Miss Fonda (as Sidney Guilaroff) | |
| Frank McCoy | .... | make up | |
| Ina Claire | .... | hair stylist: Miss York (uncredited) | |
| Carla Hadley | .... | hairdresser (uncredited) | |
| Shirley Kirby | .... | hairdresser (uncredited) | |
| Maggie O'Connor | .... | body makeup artist (uncredited) | |
| Lenore Weaver | .... | hairdresser (uncredited) | |
| Sherry Wilson | .... | hairdresser (uncredited) | |
Dirección de producción | |||
| Edward Woehler | .... | production manager | |
Ayudante de dirección | |||
| Al Jennings | .... | assistant director | |
| Joel Chernoff | .... | second unit director (uncredited) | |
| C.E. Dismukes | .... | assistant director (uncredited) | |
| Lynn Guthrie | .... | second assistant director (uncredited) | |
Departamento de Arte | |||
| Ben L. Goldman | .... | property master | |
| Mort Rabinowitz | .... | production illustrator | |
| Danny Beneducci | .... | props (uncredited) | |
Departamento de sonido | |||
| Norval D. Crutcher | .... | sound effects editor (as Norval Crutcher) | |
| Tom Overton | .... | sound | |
| Ora Hudson | .... | boom operator (uncredited) | |
| Brandon Kellogg | .... | recordist (uncredited) | |
| Tex Rudloff | .... | sound re-recording mixer (uncredited) | |
Efectos especiales | |||
| Blondie Anderson | .... | special effects (uncredited) | |
Especialistas | |||
| Chad Evans | .... | stunts (uncredited) | |
Cámara y Departamento Eléctrico | |||
| Duke Callaghan | .... | camera operator (as Duke Callahan) | |
| William Classen | .... | grip (uncredited) | |
| Richard Doran | .... | assistant camera (uncredited) | |
| Cliff King | .... | first assistant camera (uncredited) | |
| Craig Novak | .... | grip (uncredited) | |
| Art Say | .... | stills (uncredited) | |
| Barry Wexler | .... | grip (uncredited) | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
| Lee Wilson | .... | gaffer (uncredited) | |
Departamento de vestuario | |||
| Michael J. Harte | .... | costumer: men (as Mike Harte) | |
| Mina Mittelman | .... | costumer: women | |
| Vou Lee Giokaris | .... | wardrobe (uncredited) | |
| Violet B. Martin | .... | wardrobe (uncredited) | |
| Thalia Phillips | .... | wardrobe (uncredited) | |
| Bob Scott | .... | wardrobe (uncredited) | |
| Joe Somaruga | .... | wardrobe (uncredited) | |
| Ronald Wind | .... | wardrobe (uncredited) | |
Departamento de Edición | |||
| Don Guidice | .... | assistant film editor | |
Departamento de Música | |||
| Johnny Green | .... | orchestral arrangements (as John Green) | |
| Harry King | .... | music editor | |
| Randy Ravelen | .... | music coordinator | |
| Albert Woodbury | .... | orchestral arrangements | |
| Dan Wallin | .... | score mixer (uncredited) | |
Otros miembros del equipo | |||
| Herbert DuFine | .... | dialogue coach (as Herb Dufine) | |
| Mort Heilig | .... | production executive (as Morty Heilig) | |
| Phill Norman | .... | titles | |
| Tom Panko | .... | marathon dancers supervisor | |
| Emily Torchia | .... | unit publicist | |
| Joyce Webb | .... | script supervisor | |
| Noble 'Kid' Chissel | .... | technical advisor (uncredited) | |
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| Big Fish | It's a Wonderful Life | Johnny Got His Gun | The Heart of Me | Gone with the Wind |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
A brutally bleak screen adaptation of the pulpy Horace McCoy novella, about a Depression-era dance marathon where down-and-outers drive themselves to the brink of exhaustion to win the cash prize.
This film has become relevant again today in the age of reality T.V., where people tune in to watch strangers be humiliated, rejected and made fun of. Meanness and suffering sells today, and apparently it sold back then as well. The M.C. of the dance marathon, played wonderfully by Gig Young in one of his last (if not the last) film performances before the troubled actor murdered his wife and then killed himself, creates little narratives and dramas around each of the dancers, so that the audience can have their favorites to root for. Every once in a while, someone will show off a special talent, singing a song or hoofing a little dance number, and the audience will throw change at them, which the performer then frantically scrabbles up like a desperate pigeon. The cast of dancers is led by Jane Fonda, in a break-out role as Gloria, the jaded woman-of-the-world who's seen it all and doesn't want to see anymore; Susannah York, as a pretentious wannabe actress, who acts up a storm during a mesmerizing breakdown scene; Red Buttons, as an aging ex-serviceman who struggles to keep up with the young kids around him; and Bruce Dern and Bonnie Bedelia, as a sweet couple of country bumpkins who are desperate to win the cash for their unborn baby. And yes, that is Al Lewis (aka Grandpa Munster) lurking around in the background as one of the dance marathon officials.
Director Sydney Pollack vastly improves on the source material, making something much richer and deeper out of McCoy's lurid novella. He uses an edgy, jarring style that's suited perfectly to the material, and which he would never again display.
"They Shoot Horses, Don't They?" holds a sort of grisly fascination over its audience. Bleak as it is, it's also entertaining in a rather morbid way, making us feel like we're members of the audience watching this sick spectacle and making it that much harder for us to condemn the film audience without labeling ourselves as hypocrites.
Grade: A