| Photos (see all 20 | slideshow) |
| Burt Lancaster | ... | Mel Bakersfeld | |
| Dean Martin | ... | Capt. Vernon Demerest | |
| Jean Seberg | ... | Tanya Livingston | |
| Jacqueline Bisset | ... | Gwen Meighen | |
| George Kennedy | ... | Joe Patroni | |
| Helen Hayes | ... | Ada Quonsett | |
| Van Heflin | ... | D. O. Guerrero | |
| Maureen Stapleton | ... | Inez Guerrero | |
| Barry Nelson | ... | Capt. Anson Harris | |
| Dana Wynter | ... | Cindy Bakersfeld | |
| Lloyd Nolan | ... | Harry Standish | |
| Barbara Hale | ... | Sarah Bakersfeld Demerest | |
| Gary Collins | ... | Cy Jordan | |
| John Findlater | ... | Peter Coakley | |
| Jessie Royce Landis | ... | Mrs. Harriet DuBarry Mossman | |
| Larry Gates | ... | Commissioner Ackerman | |
| Peter Turgeon | ... | Marcus Rathbone | |
| Whit Bissell | ... | Mr. Davidson | |
| Virginia Grey | ... | Mrs. Schultz | |
| Eileen Wesson | ... | Judy Barton | |
| Paul Picerni | ... | Dr. Compagno | |
| Robert Patten | ... | Capt. Benson | |
| Clark Howat | ... | Bert Weatherby | |
| Lew Brown | ... | Reynolds | |
| Ilana Dowding | ... | Roberta 'Robbie' Bakersfeld | |
| Lisa Gerritsen | ... | Libby Bakersfeld (as Lisa Gerritson) | |
| James Nolan | ... | Father Steven Lonigan (as Jim Nolan) | |
| Patty Poulsen | ... | Joan | |
| Ena Hartman | ... | Ruth | |
| Malila Saint Duval | ... | Maria | |
| Sharon Harvey | ... | Sally | |
| Albert Reed | ... | Lt. Ned Ordway | |
| Jodean Lawrence | ... | Marie Patroni (as Jodean Russo) | |
| Nancy Ann Nelson | ... | Bunnie | |
| Dick Winslow | ... | Mr. Schultz | |
| Lou Wagner | ... | Schuyler Schultz | |
| Janis Hansen | ... | Sister Katherine Grace | |
| Mary Jackson | ... | Sister Felice | |
| Shelly Novack | ... | Rollings | |
| Chuck Daniel | ... | Parks | |
| Charles Brewer | ... | Diller | |
| listado alfabético del resto del reparto: | |||
| Fletcher Allen | ... | Operations man (uncredited) | |
| Merry Anders | ... | (uncredited) | |
| Michael Bell | ... | Bus Driver (uncredited) | |
| William Boyett | ... | Jack (uncredited) | |
| Cathleen Cordell | ... | (uncredited) | |
| Elliott Gould | ... | Voice (uncredited) | |
| Sandra Gould | ... | Passenger (uncredited) | |
| Joe Gray | ... | Passenger (uncredited) | |
| Harry Harvey | ... | First passenger told to remove glasses (black frames, thick lenses) (uncredited) | |
| Thomas Browne Henry | ... | Passenger who comes out of bathroom behind Guerrero (uncredited) | |
| William Hudson | ... | Mr. Donovan, passenger (uncredited) | |
| Walter Woolf King | ... | Cindy's father (uncredited) | |
| Damian London | ... | Praying father (uncredited) | |
| Marco López | ... | Passenger (uncredited) | |
| Celia Lovsky | ... | Starboard window passenger in first class (uncredited) | |
| Barbara Morrison | ... | Passenger (uncredited) | |
| John Nolan | ... | Passenger (uncredited) | |
| William H. O'Brien | ... | Waiter at men's club (uncredited) | |
| Quinn K. Redeker | ... | Randall (uncredited) | |
| Leoda Richards | ... | White-haried lady on Dais (uncredited) | |
| Marion Ross | ... | Passenger (uncredited) | |
| Benny Rubin | ... | Passenger rubbing his face (uncredited) | |
| Mark Russell | ... | Passenger (uncredited) | |
| Michael Stearns | ... | Obnoxious Passenger 21-D (uncredited) | |
Dirigida por | |||
| George Seaton | |||
| Henry Hathaway | (uncredited) (winter outdoor scenes) | ||
Créditos del guión | ||
| Arthur Hailey | novel "Airport" and | |
| George Seaton | written by | |
Producida por | |||
| Ross Hunter | .... | producer | |
| Jacques Mapes | .... | associate producer | |
Música original por | |||
| Alfred Newman | |||
Fotografía por | |||
| Ernest Laszlo | (director of photography) | ||
Montaje por | |||
| Stuart Gilmore | |||
Dirección artística | |||
| E. Preston Ames | |||
| Alexander Golitzen | |||
Decorados | |||
| Mickey S. Michaels | |||
| Jack D. Moore | |||
Diseño de vestuario por | |||
| Edith Head | |||
Departamento de maquillaje | |||
| Larry Germain | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Dirección de producción | |||
| Raymond Gosnell | .... | unit production manager | |
Ayudante de dirección | |||
| Donald Roberts | .... | assistant director | |
| Harvey S. Laidman | .... | assistant director (uncredited) | |
Art Department | |||
| Larry Clark Bird | .... | assistant property master | |
Departamento de sonido | |||
| David H. Moriarty | .... | sound | |
| Ronald Pierce | .... | sound | |
| Waldon O. Watson | .... | sound | |
Efectos especiales | |||
| James B. Gordon | .... | special photographic effects | |
| Don Weed | .... | special photographic effects (as Don W. Weed) | |
| Linwood G. Dunn | .... | special photographic effects (uncredited) | |
| Cecil Love | .... | special photographic effects (uncredited) | |
Visual Effects | |||
| Scott Dougherty | .... | digital restoration producer: Cinesite (uncredited) | |
| Jerry Pooler | .... | digital restoration supervisor (uncredited) | |
| Tiffany Smith | .... | digital restoration coordinator: Cinesite (uncredited) | |
Especialistas | |||
| Lightning Bear | .... | stunts (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Nick Cravat | .... | stunts (uncredited) | |
| Carol Daniels | .... | stunts (uncredited) | |
| Donna Garrett | .... | stunts (uncredited) | |
| Joe Gray | .... | stunts (uncredited) | |
| Don Nagel | .... | stunts (uncredited) | |
| Dean Smith | .... | stunts (uncredited) | |
| Bud Walls | .... | stunts (uncredited) | |
| Bob Yerkes | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Loyal Griggs | .... | second cinematographer | |
| Earl C. Williman | .... | rigging gaffer | |
Music Department | |||
| Alfred Newman | .... | conductor | |
| Arnold Schwarzwald | .... | music editor | |
Otros miembros del equipo | |||
| Lee Danielson | .... | technical advisor: Air Traffic Control (as Captain Lee Danielson) | |
| John N. Denend | .... | technical advisor | |
| Betty A. Griffin | .... | script supervisor (as Betty Abbott) | |
| Robert Werden | .... | unit publicist (uncredited) | |
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| The English Patient | Shelter | Airport 1975 | Sky Giant | Airport '77 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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Is amuses me how easily many here can offer condemnation of this film. If you condemn it by reason that it doesn't capture the viewer in a way that say The Maltese Falcon or Vertigo did then perhaps I can understand.
It seems however that most of the harsh words are coming from the youngsters without much desire to even know what real films were like. I suppose it's not entirely their fault. I mean an action film to them has to involve no less than 55% CGI effects, 25% scantily clad, or outright nude actresses, oh! and more times than not a totally unrealistic plot.
But you see many years back in the early 70s and beyond they didn't have CGI to make up for lacking plots and poor acting. And at that point and time you couldn't really show full nudity so you couldn't rack them into theaters that way either (note the first scene with the lovely Miss. Bissett where she emerges from the shower and barely flashes just the side of her breast. That was probably pretty racy for the time).
So since you can't have any cheap outs like you can today, Gee Whiz! you had to have a real plot and have the ability to act! Lancaster has always been a favorite and he did act very well in this film. Youngsters see the likes of Dean Martin and George Kennedy and don't know what to think because all they've ever known was a Hollywood that produces computer generated fluff. Frankly guys if your idea of an action movie is watching Speed then you need to widen your horizon (no offense to the great Dennis Hopper).
Airport was not as in depth as the book, this is true. Seldom will you find a screenplay to be written with the same depth. Do you know why? Because you can't make the film last for 9 hours!
I know this is more a rebuttal that an outright review of the movie, but it amazes me how some of the CGI junkies have room to talk when it comes to offering their disdain for films with some of the most historic actors in history. This movie is totally entertaining and works well. And the idea some whine because it may not be 'PC' by today's standards is nothing more than extremist liberal drivel. Dino womanizing is apparently an offensive no-no. But today you can show something 50 times as bad and because its more modern and allegedly more acceptable by this standard, no one blinks. Amazing.