I clowns (1970) (TV)

Calificación de los usuarios:

7.2/10   

Director:

Federico Fellini

Escritores:

Federico Fellini (writer)
Bernardino Zapponi (writer)

Fecha de Lanzamiento:

26 diciembre 1970 (Italy)

Género:

Comedia

Plot:

Fellini exposes his great attraction for the clowns and the world of the circus first recalling a childhood...

Plot Keywords:

Clown | Circus | Childhood | Paris | Italy

Premios:

2 wins

Comentarios de los usuarios:

Payasos

Reparto

Federico Fellini	...	Himself
Riccardo Billi	...	Himself - Italian Clown
Tino Scotti	...	Himself - Italian Clown
Fanfulla	...	Himself - Italian Clown
Dante Maggio	...	Himself - Italian Clown
Galliano Sbarra	...	Himself - Italian Clown
Nino Terzo	...	Himself - Italian Clown
Giacomo Furia	...	Himself - Italian Clown
Carlo Rizzo	...	Himself - Italian Clown
Gigi Reder	...	Himself - Italian Clown
Alvaro Vitali	...	Himself (as The Troupe)
Anita Ekberg	...	Herself
Pierre Étaix	...	Himself
Annie Fratellini	...	Herself
Charlie Rivel	...	Himself

También conocida como:

Die Clowns (Alemania Occidental)
Les clowns (France) (theatrical title)
The Clowns (USA)
Fellini I Clowns (Argentina) [es]
Los clowns (Spain) [es]

Duración:

92 min

País:

Italy | France | Alemania Occidental

Idioma:

Italiano

Color:

Color (Technicolor)

Relación de Aspecto:

1.33 : 1

Sonido:

Mono

Clasificación:

Argentina:Atp | Finland:S | Sweden:Btl | UK:U | USA:G

Locaciones de Filmación:

Anzio, Rome, Lazio, Italy

Compañía:

Bavaria Film

Conexiones de Película:

Referenced in Alex in Wonderland (1970)

Payasos

A sentimental journey shot in France and Italy, searching the trace of the great clowns of yesterday, by one of the few filmmakers that showed his love for these performers in his own films, an affection that dates from a childhood experience in his hometown Rimini, which is lovingly recreated in the dream-like opening scene. Made for Italian television, the film shows Fellini meeting a few survivors, talking to clowns' relatives and friends, visiting white clowns, and recreating the style of the old art, as the funeral of a famous clown, that closes the documentary. He even finds and films Anita Ekberg, the star of his 1960 masterpiece, "La dolce vita" (I always thought he saw her a bit as a joke); but what I find curious is that his film crew seems to be integrated by a clownish crowd without make-up. Nino Rota contributed one of his most cheerful scores.