| Photos (see all 1 | slideshow) |
| Gastone Moschin | ... | Ugo Piazza | |
| Barbara Bouchet | ... | Nelly Bordon | |
| Mario Adorf | ... | Rocco Musco | |
| Frank Wolff | ... | Police Commissioner | |
| Luigi Pistilli | ... | Mercuri (Fonzino in US version) | |
| Ivo Garrani | ... | Don Vincenzo | |
| Philippe Leroy | ... | Chino (Kino in US version) | |
| Lionel Stander | ... | Americano (Mikado in US version) | |
| Mario Novelli | ... | Pasquale Tallarico | |
| Giuseppe Castellano | ... | Nicola | |
| Salvatore Arico | |||
| Fernando Cerulli | |||
| Giulio Baraghini | |||
| listado alfabético del resto del reparto: | |||
| Franco Beltramme | |||
| Rossella Bergamonti | |||
| Ernesto Colli | ... | Alfredo Bertolon | |
| Alberto Fogliani | |||
| Imelde Marani | |||
| Sergio Serafini | |||
| Mira Vidotto | (as Diomira Vidotto) | ||
| Artemio Antonini | ... | The American's Henchman (uncredited) | |
| Bruno Bertocci | ... | Corriere (uncredited) | |
| Salvatore Billa | ... | Gum-Chewing Henchman in Office (uncredited) | |
| Fernando Di Leo | ... | Man at phone booth (uncredited) | |
| Michael Forest | ... | Police Commissioner (voice) (uncredited) | |
| Gilberto Galimberti | ... | American's Henchman (uncredited) | |
| Edward Mannix | ... | Rocco Musco (voice) (uncredited) | |
| Gastone Pescucci | ... | Police officer (uncredited) | |
| Ted Rusoff | ... | Chino (voice) (uncredited) | |
| Robert Spafford | ... | Ugo Piazza (voice) (uncredited) | |
| Mauro Vestri | ... | Police officer (uncredited) | |
Dirigida por | |||
| Fernando Di Leo | |||
Créditos del guión | ||
| Fernando Di Leo | (story, screenplay and dialogue) | |
| Giorgio Scerbanenco | book | |
Producida por | |||
| Armando Novelli | .... | producer | |
Música original por | |||
| Luis Enríquez Bacalov | |||
| Osanna | |||
Fotografía por | |||
| Franco Villa | |||
Montaje por | |||
| Amedeo Giomini | |||
Diseño de producción por | |||
| Francesco Cuppini | |||
Diseño de vestuario por | |||
| Francesco Cuppini | |||
Departamento de maquillaje | |||
| Antonio Mura | .... | makeup artist | |
Dirección de producción | |||
| Pietro Ceccarelli | .... | production manager (as Lanfranco Ceccarelli) | |
| Vincenzo Salviani | .... | production supervisor | |
Ayudante de dirección | |||
| Franco Lo Cascio | .... | assistant director | |
Departamento de sonido | |||
| Goffredo Salvatori | .... | sound | |
Camera and Electrical Department | |||
| Enrico Biribicchi | .... | assistant camera | |
| Claudio Morabito | .... | camera operator | |
Costume and Wardrobe Department | |||
| Marcella Moretti | .... | seamstress | |
Otros miembros del equipo | |||
| Luciano Appignani | .... | production secretary | |
| Sormani | .... | tapestry | |
| Vivalda Vigorelli | .... | continuity | |
| Recent Posts (updated daily) | User |
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| ORIGINAL soundtrack? | lohengrin_3-1 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Italy section | Add this title to MyMovies |
Fernando Di Leo's "Milano Calibro 9" is an incomparably brilliant masterpiece of Italian Crime cinema and, without doubt, one of the greatest gangster films ever brought to screen. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am considered "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is pure perfection in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, contains an enormous amount of social criticism, the performances, the excellent atmosphere and non-stop suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which ranks among my favorite films of all-time.
Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
"Milano Calibro 9" is a film that delivers an astonishingly real atmosphere like hardly another. The storyline is one of the most compelling ones ever in crime cinema, and it goes in hand with brilliant characters, astonishing suspense, raw atmosphere and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is excellent as the erratic and irascible gangster Rocco, a role that fits him like a glove, and the great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is (alongside Fulci's Giallo-masterpiece "Don't Torture A Duckling") her most memorable role. This is also a political film and director Di Leo is not shy to throw in a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love films. This is an absolute masterpiece in all regards, and, to me personally, "Milano Calibro 9" is arguably THE greatest Crime flick ever made! The ingenious opening scene alone is more memorable than most films get in two hours. Brilliant Beyond Comparison! 10/10