Slaughterhouse-Five (1972)

Director:

George Roy Hill

Writers:

Kurt Vonnegut Jr. (novel)
Stephen Geller (screenplay)

Release Date:

15 marzo 1972 (USA)

Genre:

Comedy | Sci-Fi | Drama | War

Frase comercial:

A Man Becomes Unstuck In Time In The Film That Became A Classic.

Plot:

A man tells his story of how he became unstuck in time and abducted by aliens.

Plot Keywords:

Absurdism | Philadelphia Pennsylvania | Alien | Surreal | Time Travel

Awards:

Nominated for Golden Globe. Another 3 wins & 3 nominations

Comentarios de los usuarios:

'Unstuck in Time' makes for interesting narrative

Cast

Michael Sacks	...	Billy Pilgrim
Ron Leibman	...	Paul Lazzaro
Eugene Roche	...	Edgar Derby
Sharon Gans	...	Valencia Merble Pilgrim
Valerie Perrine	...	Montana Wildhack
Holly Near	...	Barbara Pilgrim
Perry King	...	Robert Pilgrim
Kevin Conway	...	Roland Weary
Friedrich von Ledebur	...	German Leader (as Friedrich Ledebur)
Ekkehardt Belle	...	Young German Guard (as Nick Belle)
Sorrell Booke	...	Lionel Merble
Roberts Blossom	...	Wild Bob Cody
John Dehner	...	Prof. Rumfoord
Gary Waynesmith	...	Stanley
Richard Schaal	...	Howard W. Campbell Jr.

También conocida como:

Matadero cinco (Spain) [es]

Duración:

104 min | Canada:93 min (Ontario - edited version)

País:

USA

Idioma:

English | German

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sonido:

Mono (Westrex Recording System) | 4-Track Stereo

Clasificación:

Canada:PA (Ontario - edited version) | Iceland:16 | Finland:K-16 | Norway:15 | Sweden:15 | USA:R | Australia:M | UK:X (original rating) | UK:15 (re-rating) (1988)

Filming Locations:

Downtown Airport - 2700 Airport Road, St. Paul, Minnesota, USA

Company:

Universal Pictures

Trivialidades:

Dirk Benedict auditioned for the part of Robert Pilgrim but director George Roy Hill preferred Perry King.

Quotes:

Paul Lazzaro: That corporal. He'll get back home after the war. He'll be a big hero. Dames'll be climbin' all over him. Couple of years go by, and one day there's gonna be a knock on his door and there'll be this stranger. "Paul Lazzaro sent me," the stranger will say and then he'll pull out a gun and shoot his pecker off. Stranger will give him a couple of seconds to think about who Paul Lazzaro is and what life's gonna be like without a pecker. Then he'll shoot him once in the guts and walk away. Yes.

Movie Connections:

Referenced in A Decade Under the Influence (2003)

'Unstuck in Time' makes for interesting narrative

I give this film a 7 out of 10.

It makes an eloquent statement about how traumatic moments in our life stay with us as if it ‘just happened yesterday'. What makes this film so appealing is how it depicts what would happen if you could jump around your entire life. When the future influences the past, it takes on a great significance. Billy Pilgrim is a humdrum Optometrist who nevertheless has an exciting life, surviving the bombing of Dresden in WW2, living through a plane crash, and being transported to another planet. Yet he maintains to be humble. As we follow Billy's life, the portrait of mediocre America is a touching contrast to the other moments that are frightening. He knows how he will die, and in the process becomes unafraid to live life to it's fullest. The inhabitants of the planet Tralfamador (??) say it is best to concentrate on the good moments in your life, and not so much on the bad. But they are still there, and you cannot erase that moment of your life. In essence, the true moral of this film is to accept all that has happened in your life. For if you don't, you deny the validity of your existence. When Billy finally writes about his adventures, others have a chance to learn about the world and themselves that would've otherwise been denied.

Technically, the film uses the moments where Billy jumps in time as meaningful transitions. It interweaves lessons learned from one part of his life and applies it to the present moment (whenever that is). The film's real treasures are the supporting characters that surround Billy. It also vividly transports you to WW2, a semi-autobiographical account of Kurt Vonnegut's real life experiences in Dresden. The film is filled with anecdotes that present the film's other main theme, that life is indeed ironic.

I was deeply touched by this film, with it's ability to whisk you from scenes of horror to amusing ‘Kodak moments'. The music poignantly represents these transitions, and helps to carry the film. In the end, you can accept his death, by having lived his life.