The Night Porter (1974)
Il portiere di notte (original title)Reference View | Change View
- R
- 1h 58min
- Drama
- 01 Oct 1974 (USA)
- Movie
A concentration camp survivor rekindles her sadomasochistic relationship with her lover, a former SS officer - now working as a night porter at a Vienna hotel - but his former Nazi associates begin stalking them.
Director:
Writers:
Awards:
- 2 nominations.
- See more »
Photos and Videos
Cast verified as complete
Dirk Bogarde | ... |
Max [Maximilian Theo Aldorfer]
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Charlotte Rampling | ... |
Lucia
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Philippe Leroy | ... |
Klaus
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Gabriele Ferzetti | ... |
Hans
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Giuseppe Addobbati | ... |
Stumm
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Isa Miranda | ... |
Countess Stein
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Nino Bignamini | ... |
Adolph
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Marino Masé | ... |
Atherton
(as Marino Mase')
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Amedeo Amodio | ... |
Bert
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Piero Vida | ... |
Day Porter
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Geoffrey Copleston | ... |
Kurt
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Manfred Freyberger | ... |
Dobson
(as Manfred Freiberger)
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Ugo Cardea | ... |
Mario
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Hilda Gunther | ... |
Greta
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Nora Ricci | ... |
The Neighbor
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Piero Mazzinghi | ... |
Concierge
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Kai-Siegfried Seefeld | ... |
Jacob
(as Kai S. Seefeld)
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Rest of cast listed alphabetically: | |||
Anthony Forwood | ... |
Opera Audience (uncredited)
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Luigi Antonio Guerra | ... |
Bit role (uncredited)
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Carlo Mangano | ... |
Porter (uncredited)
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Directed by
Liliana Cavani |
Written by
Liliana Cavani | ... | (screenplay) & |
Italo Moscati | ... | (screenplay) |
Barbara Alberti | ... | (collaborator on the screenplay) & |
Amedeo Pagani | ... | (collaborator on the screenplay) |
Liliana Cavani | ... | (story) & |
Barbara Alberti | ... | (story) & |
Amedeo Pagani | ... | (story) |
Charlotte Rampling | ... | (collaboration) (uncredited) |
Dirk Bogarde | ... | (collaboration) (uncredited) |
Anthony Forwood | ... | (collaboration) (uncredited) |
Produced by
Esa De Simone | ... | production |
Robert Gordon Edwards | ... | production |
Joseph E. Levine | ... | executive producer (uncredited) |
Paola Tallarigo | ... | producer (uncredited) |
Music by
Daniele Paris |
Cinematography by
Alfio Contini | ... | director of photography |
Editing by
Franco Arcalli |
Editorial Department
Ernesto Novelli | ... | color supervisor |
Elvio Sordoni | ... | assistant: Mr. Arcalli |
Edoardo Romani | ... | first assistant editor (uncredited) |
Art Direction by
Nedo Azzini | ||
Jean Marie Simon |
Set Decoration by
Osvaldo Desideri |
Costume Design by
Piero Tosi | ... | (costumes designed by) |
Makeup Department
Iole Cecchini | ... | hairdressing (as Jole Cecchin) / makeup artist (as Jole Cecchin) |
Cesare Paciotti | ... | hairdressing / makeup artist |
Euclide Santoli | ... | hairdressing / makeup artist |
Production Management
Umberto Sambuco | ... | production manager |
Second Unit Director or Assistant Director
Franco Cirino | ... | assistant director |
Johannes Freisinger | ... | assistant director: Vienna (as Johann Freisinger) |
Mario Garriba | ... | second assistant director |
Paola Tallarigo | ... | assistant director |
Art Department
Maria-Teresa Barbasso | ... | assistant art director (uncredited) |
Sound Department
Fausto Ancillai | ... | sound mixer |
Roberto Arcangeli | ... | effects |
Michael Billingsley | ... | sound editor |
Robert Rietty | ... | post synchronisation director |
Eugenio Rondani | ... | sound |
Decio Trani | ... | boom operator |
Fernando Caso | ... | sound effects editor (uncredited) |
Alvaro Gramigna | ... | foley artist (uncredited) |
Visual Effects by
Ivan Tozzi | ... | digital color grading restoration |
Camera and Electrical Department
Francesco Bellomo | ... | still photographer (as Franco Bellomo) |
Vittorio Chessari | ... | chief grip |
Domizio Ercolani | ... | chief electrician |
Giancarlo Granatelli | ... | assistant camera |
Sandro Tamborra | ... | camera operator |
Mario Tursi | ... | still photographer |
Costume and Wardrobe Department
Maria Fanetti | ... | wardrobe mistress |
Alberto Verso | ... | assistant: Mr. Tosi |
Music Department
Karl Böhm | ... | conductor: "Die Zauberflöte" (as Karl Bohm) |
Daniele Paris | ... | conductor |
Script and Continuity Department
Maria Luisa Rosen | ... | continuity |
Additional Crew
Dino Di Dionisio | ... | production unit |
Otto Boris Dworak | ... | production secretary: Vienna (as Otto Dworak) |
Roberto Edwards | ... | production secretary |
Joseph E. Levine | ... | presenter |
Raffaele Mottola | ... | dialogue coach |
Umberto Sambuco | ... | production unit |
Cesare Barbetti | ... | voice dubbing: Amedeo Amodio: Italian version (uncredited) |
Gianfranco Bellini | ... | voice dubbing: Italian version (uncredited) |
Charles Borromel | ... | voice dubbing: english version (uncredited) |
Cicely Browne | ... | voice dubbing: Isa Miranda (uncredited) |
David de Keyser | ... | voice dubbing: Gabriele Ferzetti (uncredited) |
Vittoria Febbi | ... | voice dubbing: Charlotte Rampling: Italian version (uncredited) |
Charles Howerton | ... | voice dubbing: Geoffrey Copleston (uncredited) |
Nino Lembo | ... | jewellery (uncredited) |
Pino Locchi | ... | voice dubbing: Philippe Leroy: Italian version (uncredited) |
Gianni Marzocchi | ... | voice dubbing: Marino Masé: Italian version (uncredited) |
Renato Mori | ... | voice dubbing: Geoffrey Copleston: Italian version (uncredited) |
Raffaele Mottola | ... | additional dialogue (uncredited) |
Edmund Purdom | ... | voice dubbing: Philippe Leroy (uncredited) |
Robert Rietty | ... | voice dubbing (uncredited) |
Giuseppe Rinaldi | ... | voice dubbing: Dirk Bogarde: Italian version (uncredited) |
Lydia Simoneschi | ... | voice dubbing: Isa Miranda: Italian version (uncredited) |
Piero Tiberi | ... | voice dubbing: Kai-Siegfried Seefeld: Italian version (uncredited) |
Production Companies
Distributors
- Italnoleggio Cinematografico (1974) (Italy) (theatrical) (as Ital Noleggio Cinematografico S.p.A.) (dubbed) (for)
- Les Artistes Associés (1974) (France) (theatrical)
- AVCO Embassy Pictures (1974) (United States) (theatrical)
- AVCO Embassy (1974) (United Kingdom) (theatrical)
- Les Artistes Associés S.A.B. (1974) (Belgium) (theatrical)
- Twentieth Century Fox (1974) (Australia) (theatrical)
- United Artists (A-Asia) (1974) (Australia) (theatrical)
- Film AB Corona (1975) (Sweden) (theatrical)
- Kinematografi Zagreb (1975) (Yugoslavia) (theatrical)
- Nippon Herald Films (1975) (Japan) (theatrical) (subtitled) (censored)
- TOBIS Film (1975) (West Germany) (theatrical)
- Triangel Produksjon A/S (1975) (Norway) (theatrical)
- United Artists (1975) (New Zealand) (theatrical) (dubbed)
- Condor Filmes (1976) (Brazil) (theatrical)
- Diasa (1976) (Spain) (theatrical)
- Filmes Castello Lopes (1976) (Portugal) (theatrical)
- Killic Film (1976) (Turkey) (theatrical)
- Valio-Filmi (1976) (Finland) (theatrical)
- Alpha Video Limited (1982) (United Kingdom) (VHS) (Intervision Video sub -label)
- Intervision Video (1982) (United Kingdom) (VHS)
- Nelson Entertainment (1982) (United States) (video) (laserdisc)
- Embassy Home Entertainment (1984) (United States) (VHS)
- Video Collection International (1987) (United Kingdom) (VHS)
- France 3 (1988) (France) (tv) (dubbed version)
- PolyGram Video (West Germany) (VHS) (Label Arena)
- Vestron Video International (Japan) (VHS)
- Columbia TriStar Films Pty. Ltd. (1990) (Australia) (theatrical) (re-release)
- Castle Home Video (1992) (United Kingdom) (VHS)
- RCA/Columbia-Hoyts Home Video (1992) (Australia) (VHS)
- 4 Front Video (1995) (United Kingdom) (VHS)
- Aya Pro (1997) (Japan) (theatrical) (subtitled)
- The Criterion Collection (1997) (United States) (video) (laserdisc)
- The Criterion Collection (2000) (United States) (DVD)
- Istituto Luce (2002) (Italy) (DVD) (PAL)
- New Line Home Vídeo (2002) (Brazil) (DVD)
- Primer Plano Film Group (2003) (Argentina) (theatrical)
- Primer Plano Film Group Video (2003) (Argentina) (VHS)
- The Criterion Collection (2004) (United States) (DVD)
- Atlantic Film (2005) (Sweden) (DVD)
- Future Film (2005) (Finland) (DVD)
- Pony Canyon (2005) (Japan) (DVD)
- Anchor Bay Entertainment (2006) (United States) (DVD)
- ZYX Music (2006) (Germany) (DVD) (PAL)
- Homescreen (2009) (Netherlands) (DVD)
- Kino Film (2009) (South Korea) (DVD)
- Umbrella Entertainment (2011) (Australia) (DVD)
- Umbrella Entertainment (2011) (Australia) (tv)
- Umbrella Entertainment (2011) (Australia) (video) (VOD)
- Platform Entertainment (2012) (United Kingdom) (DVD) (PAL)
- Soul Media (2012) (Finland) (Blu-ray)
- Wild Side Vidéo (2012) (France) (Blu-ray) (DVD)
- Creative Films (2013) (Spain) (Blu-ray) (DVD)
- California Pictures (2014) (World-wide)
- The Criterion Collection (2014) (United States) (Blu-ray) (DVD)
- Broadway (2015) (Japan) (DVD)
- Imagica BS (2016) (Japan) (tv) (subtitled) (New Master)
- Mon Inter Comerz (2017) (Spain)
- Yleisradio (YLE) (2019) (Finland) (tv)
- Chain Production (2020) (United Kingdom) (Blu-ray) (VOD)
- Cult Films (2020) (United Kingdom) (Blu-ray) (VOD)
- The Criterion Channel (2020) (United States) (tv) (digital)
- The Criterion Channel (2021) (United States) (tv) (digital)
- Leonine Studios (2022) (Germany) (DVD) (release through)
- Weltkino Filmverleih (2022) (Germany) (DVD) (and Blu-ray)
- C.B. Films Video (Spain) (VHS)
- Imagica TV (2016) (Japan) (Blu-ray)
- Jovem Pan Home Vídeo (Brazil) (VHS)
- Kadokawa (2016) (Japan) (Blu-ray)
- L'Espresso Cinema (Italy) (VHS)
- Nordic Video (Finland) (VHS)
- VTC-Video (Finland) (VHS)
Special Effects
Other Companies
- CAM (music publisher)
- Deutsche Grammophon (by: The Magic Flute is a Stereo Recording)
- International Recordings (sound)
- Studio Longardi (press relations)
- Anna Mode (costumes)
- Tirelli Costumi (costumes)
- Rotunno (costumes)
- Rocchetti (wigs)
- Pompei (shoes)
- Sanchini (set decoration)
- Cinecittà (filmed at)
- S.E.T. (set construction)
- Cine Audio Effects (sound post-production)
- Nino Lembo (jewelry)
Storyline
Plot Summary |
Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dirk Bogarde), currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship.
Written by Ed Sutton |
Plot Keywords | |
Taglines | The Most Controversial Picture of Our Time! See more » |
Genres | |
Parents Guide | View content advisory » |
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Did You Know?
Trivia | Sir Dirk Bogarde considered retiring from acting after making this movie, which he found to be a draining experience. See more » |
Goofs | In the flashbacks, Max is wearing the War Merit Cross First Class with Swords upside down on his SS uniform. See more » |
Movie Connections | Edited into Bellissimo: Immagini del cinema italiano (1985). See more » |
Soundtracks | Don Juan See more » |
Quotes |
Hans:
I'm only here to ask you some questions on behalf of myself and the others, and to have a look at you. Look, I could have come at another time to see him too, but, I don't need to speak to him. I don't need to speak to him... in front of you. Useless. With this business of the trial, he's... become too diffident. Lucia: He's right. Hans: What do you mean? Lucia: Because then for the first time he saw you all clearly. Nothing's changed, has it? Hans: You're wrong. We've all had our trials. Now we are cured and live in peace with ourselves. Lucia: There's no cure. Hans: It is you who are ill. Otherwise, you wouldn't be with somebody who made you... Lucia: That's my affair. Hans: Very well. But nevertheless, your mind is disturbed. That's why you're here, fishing up the past. Lucia: Max is more than just the past. [Lucia crawls under a table] Hans: Listen. Why don't you go to the police? If you want to, I'll take you. Hm? Lucia: Dr. Fogler, I remember you so well. You gave a lot of orders. Hans: Then you can't have forgotten that your Max was an obedient Sturmscharführer. Remember? Lucia: I don't remember. Hans: I certainly can't oblige you to remember if you don't want to. [clears his throat] Hans: I'm only here to ask you to testify, to find out... if the situation in which you find yourself is of your own choice. Lucia: I'm all right here. Hans: Yes. You both want to live in peace, right? One lives in peace... when one is in harmony with one's close friends, when one respects an agreement. Tell Max that. We could have denounced him to the police for the murder of Mario. But we didn't. Max is ill. He mustn't be too far away from us! He's locked you up here. We could go to the police about that, too, no? Lucia: I'm here of my own free will. This chain is because of you, so none of you can take me away. Hans: If we wanted to carry you off, would this chain stop us? You poor fool. A chain can be cut. None of us is thinking of violence. Lucia: Hmm, I know how your, your witnesses end up. Max told me. [Lucia crawls out from under the table, away from Hans] Hans: Max doesn't know what he's saying or doing. His mind is disordered. Lucia: [crawling into the bathroom] Get out. Go away. Go away! [slams the door] Hans: If you change your mind, if the chain grows heavy... call me. See more » |