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The Sugarland Express (1974)
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Revisión
Calificación de los usuarios:
Fecha de Lanzamiento:
5 abril 1974 (USA) másFrase comercial:
The true story of a girl who took on all of Texas...and almost won. másPlot:
Lou-Jean, a blonde woman, tells her husband, who is imprisoned, to escape. They plan to kidnap their own child... más | add synopsisPremios:
1 win & 2 nominations másComentarios de los usuarios:
Spielberg's Forgotten First Film másReparto
(Descripción general del reparto) | Goldie Hawn | ... | Lou Jean Poplin |
 | Ben Johnson | ... | Captain Harlin Tanner |
 | Michael Sacks | ... | Patrolman Maxwell Slide |
 | William Atherton | ... | Clovis Michael Poplin |
| Gregory Walcott | ... | Patrolman Ernie Mashburn |
| Steve Kanaly | ... | Patrolman Jessup |
| Louise Latham | ... | Mrs. Looby |
| Harrison Zanuck | ... | Baby Langston Poplin |
| A.L. Camp | ... | Mr. Alvin T. Nocker |
| Jessie Lee Fulton | ... | Mrs. Nocker |
| Dean Smith | ... | Russ Berry |
| Ted Grossman | ... | Dietz |
| Bill Thurman | ... | Hunter |
| Kenneth Hudgins | ... | Standby |
| Buster Daniels | ... | Drunk (as Buster Danials) |
Más detalles
Parents Guide:
Add content advisory for parentsDuración:
110 minPaís:
USAIdioma:
InglésColor:
Color (Technicolor)Relación de Aspecto:
2.35 : 1 másSonido:
Mono (Westrex Recording System)Clasificación:
Australia:M (video rating) | Iceland:12 | Brazil:12 | Portugal:M/12 | Argentina:13 | Australia:PG | Chile:14 | Finland:K-16 | France:U | Norway:15 (re-rating) | Norway:18 (original rating) | Spain:13 | Sweden:15 | UK:PG | USA:PG | West Germany:12 | Singapore:PGCosas divertidas
Errores:
Errores Reales: The Border Patrol is shown shooting at Clovis's car to prevent him from entering Mexico, when in actuality the Border Patrol has no authority, nor inclination, to stop anyone from leaving the country - their sole purpose is to protect the border against illegal entry into the United States. másCitas:
Clovis Poplin: We're in real trouble.Clovis Poplin: Say, I didn't mean what I said.
Maxwell Slide: What was that?
Clovis Poplin: When I called you a son of a bitch, I didn't mean it
Maxwell Slide: And you ain't no mental subject neither.
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After the success of Duel (which was really a TV movie) Sugarland Express (Spielberg's first feature film) flopped at the box office, though it received a reasonably warm critical response. In fact this is a great little movie for all kinds of reasons.
If you're interested in Spielberg as a director this is fascinating as it begins to lay out most of the themes that have driven his work ever since - family (especially divided and dysfunctional families), childhood, parenthood, outsiders, America and Americana etc. It's also a really interesting piece in terms of his developing style. This is the first Hollywood film in which cornflakes cameras were used allowing Spielberg to produce fantastically elaborate and fluid shots even in the confines of a car (see the superb 360 pan fixed on Ben Johnson's car when he first talks to the Poplins)- a kind of cinematography that has become a hall mark of Spielberg's, as have the rising crane shots and extended tracking shots that pepper the film. Spielberg skies and "God Light" (his term for shafts of light in mist/at night) also feature heavily.
It's also a really interesting if somewhat unrecognised influence on films like Thelma and Louise which seems to lift its basic structure and characters right out of this film. The way Ben Johnson's Captain Tanner equates to Harvey Keitel's police officer in Ridley Scott's film seems particularly close.
Fantastic performances all round too. Johnson, Horne and Atherton (a much under-used actor who as been largely wasted since, playing roles like the self serving journalist in the Die Hard films)particularly shine.
It's also very funny, sad and engaging from beginning to end. Can't recommend this one enough - especially if you're a Spielberg fan.