| Fotos (ver todos los 13 | slideshow) |
| Robert Mitchum | ... | Harry Kilmer | |
| Ken Takakura | ... | Tanaka Ken (as Takakura Ken) | |
| Brian Keith | ... | George Tanner | |
| Herb Edelman | ... | Wheat | |
| Richard Jordan | ... | Dusty | |
| Keiko Kishi | ... | Eiko (as Kishi Keiko) | |
| Eiji Okada | ... | Tono (as Okada Eiji) | |
| James Shigeta | ... | Goro | |
| Kyosuke Mashida | ... | Kato | |
| Christina Kokubo | ... | Hanako | |
| Eiji Go | ... | Spider (as Go Eiji) | |
| Lee Chirillo | ... | Louise | |
| M. Hisaka | ... | Boyfriend | |
| William Ross | ... | Tanner's Guard | |
| Akiyama | ... | Tono's Guard | |
| Harada | ... | Goro's Doorman |
Dirigida por | |||
| Sydney Pollack | |||
Créditos del guión | ||
| Paul Schrader | (screenplay) and | |
| Robert Towne | (screenplay) | |
| Leonard Schrader | (story) | |
Producida por | |||
| Michael Hamilburg | .... | co-producer | |
| Sydney Pollack | .... | producer | |
Música original por | |||
| Dave Grusin | |||
Fotografía por | |||
| Kozo Okazaki | (director of photography) (as Okazaki Kozo) | ||
Montaje por | |||
| Don Guidice | |||
| Thomas Stanford | |||
Diseño de producción por | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
Dirección artística | |||
| Yoshiyuki Ishida | (as Ishida Yoshiyuki) | ||
Diseño de vestuario por | |||
| Dorothy Jeakins | |||
Departamento de maquillaje | |||
| Garry Morris | .... | makeup artist | |
Dirección de producción | |||
| John R. Coonan | .... | production manager (as John Coonan) | |
| Isao Nagaoka | .... | unit production manager (as Nagaoka Isao) | |
| William Ross | .... | assistant production manager | |
| Yoshio Yamamoto | .... | unit production manager (as Yamamoto Yoshio) | |
Ayudante de dirección | |||
| Mike Abe | .... | assistant director | |
| Stephen B. Grimes | .... | second unit director (as Stephen Grimes) | |
| Michael D. Moore | .... | assistant director (as Michael Moore) | |
Departamento de Arte | |||
| Toshio Miyagawa | .... | props (as Miyagawa Toshio) | |
| Seiji Moori | .... | tattoo artist (as Mohri Seiji) | |
Departamento de sonido | |||
| Basil Fenton-Smith | .... | sound mixer (as Basil Fenton Smith) | |
| Arthur Piantadosi | .... | sound re-recording mixer | |
| Ed Scheid | .... | sound effects (as Edwin Scheid) | |
Efectos especiales | |||
| Tomoo Kasai | .... | special effects (as Kasai Tomoo) | |
| Richard Parker | .... | special effects | |
Especialistas | |||
| Bill Saito | .... | stunts (uncredited) | |
Cámara y Departamento Eléctrico | |||
| Bobby Byrne | .... | camera operator (as Robert Byrne) | |
| Duke Callaghan | .... | director of photography: american sequences | |
| Yoshiaki Masuda | .... | gaffer (as Masuda Yoshiaki) | |
| Tamio Matsuo | .... | assistant camera (as Matsuo Tamio) | |
| Haruhisa Murase | .... | grip (as Murase Haruhisa) | |
| Clifton Ralke | .... | assistant camera | |
Departamento de vestuario | |||
| Mamoru Mori | .... | wardrobe (as Mori Mamoru) | |
Departamento de Edición | |||
| Carol Ann Jackson | .... | assistant editor | |
| Ralph Sandler | .... | assistant editor | |
| Fredric Steinkamp | .... | supervising editor | |
Departamento de Música | |||
| Ted Whitfield | .... | music editor | |
Otros miembros del equipo | |||
| Kuroki Masami | .... | production personnel | |
| Phill Norman | .... | title designer | |
| Michie Ross | .... | production secretary | |
| Masao Sato | .... | assistant to executive producer (as Sato Masao) | |
| Gaylin P. Schultz | .... | production coordinator (as Gaylin Schultz) | |
| Takeshi Sugimoto | .... | production personnel (as Sugimoto Takeshi) | |
| Keiko Tsushima | .... | script girl (as Tsushima Keiko) | |
| Hope Williams | .... | script supervisor | |
| Seiji Yada | .... | production personnel (as Yada Seiji) | |
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| Batman Begins | The Fast and the Furious: Tokyo Drift | Lost in Translation | Black Rain | Into the Sun |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Acción section | IMDb USA section | Add this title to MyMovies |
I have to agree with the preponderance of viewers here who rate this as a neglected classic of the 70's. All aspects of the film - performances, script, and direction - raise this to the level of greatness. This is certainly among Mitchum's greatest performances - his subdued, world-weary toughness undergirds the movie. The story as has been noted, is a rich and multilayered one with a sadness that aspires to and quite nearly reaches the level of tragedy. It also must be noted that this is one of the most effective portrayals of Japanese culture on celluloid. The movie does not shrink from violence; the various scenes of assassination and slaughter could have been done by Peckinpah. The movie deserves a restoration and should be brought to tv in letterbox mode. (Are you listening, American Movie Classics?)