The 1970s were the heyday of variety shows. It seemed everybody who was anybody had one. Carol Burnett, Dean Martin, Tom Jones, Engelbert Humperdinck, Johnny Cash, Glen Campbell, Sonny & Cher, the Captain & Tennille and the Jacksons all had them. There were other, short-lived summer replacements and specials like Tony Orlando & Dawn, Shields & Yarnell, Barry Manilow, Lola Falana, Olivia Newton-John and, though it pains me to recall them, the Starland Vocal Band and Pink Lady & Jeff. And then there was Donny & Marie with their immaculate pearly whites. Could it get any more wholesome? (And, yes, I admit it, I did have a huge crush on Marie.)
If you weren't cool enough (or old enough) to be out boogieing at Studio 54 or whatever the hot club was in your town, then maybe you were one of the millions who tuned in every Friday night at 8. Assuming you didn't prefer the edgier humor of Sanford & Son and Chico & the Man. Curiously, Redd Foxx once guest-starred on D&M, so he was competing with himself that week!
To me, the first season was the best. Though I haven't seen the show in over a quarter century, it still comes back to me. They always stuck to the formula and for D&M in the Bicentennial year, it worked. The show would fade in to the pair, one facing the camera, the other facing to the side. One would slowly sing a few words to a song, then they would alternate positions and the other would take over. After a few lines, cue the band as the two kick into full pop duet mode before announcing the week's guest. Then the ice skaters with their Busby Berkeley Meets Ice Capades choreography and overhead camera. And finally D&M skate out to greet the studio and TV audiences and trade banter. After that teaser and a commercial break, a few comedy skits and musical numbers before the infamous "I'm a little bit country, I'm a little bit rock & roll" segment about 25 minutes into the hour, where they had separate, glitzy mini-stages and bands. A few more skits, the musical finale and then the weekly farewell, "May tomorrow be a perfect day. May you find love and laughter along the way..." Guests ranged from the obscure to the hot stars of the moment, for instance, the aforementioned Olivia fresh off her box office smash, Grease.
There were changes in the second season, notably Marie getting a shorter hairstyle. In the third, her hair became shorter still and she began sporting an outrageous Bob Mackie-designed wardrobe. The ratings started to slip. By the fourth and final season, when the show moved to the Osmonds' own newly-built Utah facility and became virtually unrecognizable, it wasn't worth watching anymore. The show had lost its kitsch value (something the Krofft brothers specialized in) and become too overproduced for its own good. Oh, well. It was fun while it lasted.
If you weren't cool enough (or old enough) to be out boogieing at Studio 54 or whatever the hot club was in your town, then maybe you were one of the millions who tuned in every Friday night at 8. Assuming you didn't prefer the edgier humor of Sanford & Son and Chico & the Man. Curiously, Redd Foxx once guest-starred on D&M, so he was competing with himself that week!
To me, the first season was the best. Though I haven't seen the show in over a quarter century, it still comes back to me. They always stuck to the formula and for D&M in the Bicentennial year, it worked. The show would fade in to the pair, one facing the camera, the other facing to the side. One would slowly sing a few words to a song, then they would alternate positions and the other would take over. After a few lines, cue the band as the two kick into full pop duet mode before announcing the week's guest. Then the ice skaters with their Busby Berkeley Meets Ice Capades choreography and overhead camera. And finally D&M skate out to greet the studio and TV audiences and trade banter. After that teaser and a commercial break, a few comedy skits and musical numbers before the infamous "I'm a little bit country, I'm a little bit rock & roll" segment about 25 minutes into the hour, where they had separate, glitzy mini-stages and bands. A few more skits, the musical finale and then the weekly farewell, "May tomorrow be a perfect day. May you find love and laughter along the way..." Guests ranged from the obscure to the hot stars of the moment, for instance, the aforementioned Olivia fresh off her box office smash, Grease.
There were changes in the second season, notably Marie getting a shorter hairstyle. In the third, her hair became shorter still and she began sporting an outrageous Bob Mackie-designed wardrobe. The ratings started to slip. By the fourth and final season, when the show moved to the Osmonds' own newly-built Utah facility and became virtually unrecognizable, it wasn't worth watching anymore. The show had lost its kitsch value (something the Krofft brothers specialized in) and become too overproduced for its own good. Oh, well. It was fun while it lasted.
