| Photos (see all 76 | slideshow) |
| Mon. May 26 | 8:00 PM | WGNSAT |
| Sylvester Stallone | ... | Rocky Balboa | |
| Talia Shire | ... | Adrianna 'Adrian' Pennino | |
| Burt Young | ... | Paulie Pennino | |
| Carl Weathers | ... | Apollo Creed | |
| Burgess Meredith | ... | Mickey Goldmill | |
| Thayer David | ... | Jergens | |
| Joe Spinell | ... | Gazzo | |
| Jimmy Gambina | ... | Mike | |
| Bill Baldwin | ... | Fight Announcer (as Bill Baldwin) | |
| Al Silvani | ... | Cut Man (as Al Salvani) | |
| George Memmoli | ... | Ice Rink Attendant | |
| Jodi Letizia | ... | Marie | |
| Diana Lewis | ... | TV Commentator | |
| George O'Hanlon | ... | TV Commentator | |
| Larry Carroll | ... | TV Interviewer | |
| Stan Shaw | ... | Dipper | |
| Don Sherman | ... | Bartender | |
| Billy Sands | ... | Club Fight Announcer | |
| Pedro Lovell | ... | Spider Rico | |
| DeForest Covan | ... | Apollo's Corner | |
| Simmy Bow | ... | Club Corner Man | |
| Tony Burton | ... | Apollo's Trainer | |
| Hank Rolike | ... | Apollo Corner Man | |
| Shirley O'Hara | ... | Secretary | |
| Kathleen Parker | ... | Paulie's Date | |
| Frank Stallone | ... | Timekeeper | |
| Lloyd Kaufman | ... | Drunk | |
| Jane Marla Robbins | ... | Owner of Pet Shop | |
| Jack Hollander | ... | Fats | |
| Joe Sorbello | ... | Bodyguard | |
| Christopher Avildsen | ... | Chiptooth | |
| Frankie Van | ... | Club Fight Referee | |
| Lou Fillipo | ... | Championship Fight Announcer | |
| Paris Eagle | ... | Fighter | |
| Frank Stallone | ... | Streetcorner Singer (as Frank Stallone Jr.) | |
| Robert L. Tangrea | ... | Streetcorner Singer | |
| Peter Glassberg | ... | Streetcorner Singer | |
| William E. Ring | ... | Streetcorner Singer | |
| Joseph C. Giambelluc | ... | Streetcorner Singer | |
| Joe Frazier | ... | Himself | |
| Butkus Stallone | ... | Dog | |
| listado alfabético del resto del reparto: | |||
| John G. Avildsen | ... | Orange Thrower In Market / Voiceovers (uncredited) | |
| Bobby Cassidy | ... | Ringside Police Officer (uncredited) | |
| Michael Dorn | ... | Apollo Creed's bodyguard (uncredited) | |
| Arnold Johnson | ... | Extra (uncredited) | |
| Robert Leh | ... | Reporter (uncredited) | |
| Stu Nahan | ... | Fight Commentator (uncredited) | |
| Frank Pesce | ... | Extra on Street (uncredited) | |
| Lavelle Roby | ... | Mary Anne Creed (uncredited) | |
Dirigida por | |||
| John G. Avildsen | |||
Créditos del guión(in alphabetical order) | ||
| Sylvester Stallone | written by | |
Producida por | |||
| Robert Chartoff | .... | producer | |
| Gene Kirkwood | .... | executive producer | |
| Irwin Winkler | .... | producer | |
Música original por | |||
| Bill Conti | |||
Fotografía por | |||
| James Crabe | |||
Montaje por | |||
| Scott Conrad | |||
Casting | |||
| Caro Jones | |||
Diseño de producción por | |||
| William J. Cassidy | (as Bill Cassidy) | ||
Dirección artística | |||
| James H. Spencer | |||
Decorados | |||
| Ray Molyneaux | (as Raymond Molyneaux) | ||
Departamento de maquillaje | |||
| Michael Westmore | .... | makeup designer (as Mike Westmore) | |
Dirección de producción | |||
| Hal W. Polaire | .... | executive in charge of production (as Hal Polaire) | |
| Ted Swanson | .... | production manager | |
Ayudante de dirección | |||
| Fred T. Gallo | .... | first assistant director (as Fred Gallo) | |
| Steve Perry | .... | second assistant director | |
Art Department | |||
| Mike Miner | .... | props | |
| David Nichols | .... | visual consultant | |
Departamento de sonido | |||
| Ray Alba | .... | post-production sound | |
| Gene Ashbrook | .... | sound mixer (as B. Eugene Ashbrook) | |
| John Farrell | .... | looping editor | |
| Bert Schoenfeld | .... | post-production sound (as Burt Schoenfeld) | |
| Harry W. Tetrick | .... | sound | |
| Bud Alper | .... | sound (uncredited) | |
| Lyle J. Burbridge | .... | sound (uncredited) | |
| William L. McCaughey | .... | sound (uncredited) | |
| Donald C. Rogers | .... | sound (uncredited) | |
Especialistas | |||
| Jimmy Nickerson | .... | stunt coordinator (as Jim Nickerson) | |
| Glory Fioramonti | .... | stunts (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| Gray Johnson | .... | stunts (uncredited) | |
| Gene LeBell | .... | stunts (uncredited) | |
| Bennie Moore | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Garrett Brown | .... | special camera effects | |
| Richard J. Edesa | .... | first assistant camera (as Dick Edessa) | |
| Gene Kearney | .... | key grip | |
| Ross A. Maehl | .... | electrical gaffer (as Ross Maehl) | |
| Elliott Marks | .... | still photographer | |
| Jack Willoughby | .... | camera operator | |
| Lou Angeli | .... | dolly grip (uncredited) | |
| Ralf D. Bode | .... | director of photography: second unit (uncredited) | |
| Mike Chevalier | .... | camera operator (uncredited) | |
| Aristides Pappidas | .... | gaffer: second unit (uncredited) | |
| Serge Poupis | .... | first assistant camera: additional camera (uncredited) | |
| Kit Whitmore | .... | focus puller: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Robert Cambel | .... | costumer | |
| Joanne Hutchinson | .... | costume supervisor | |
Editorial Department | |||
| Richard Halsey | .... | supervising editor | |
| Janice Hampton | .... | assistant film editor | |
| Geoffrey Rowland | .... | assistant film editor | |
Music Department | |||
| Joe Tuley | .... | music editor (as Joseph Tuley Jr.) | |
Transportation Department | |||
| Mike Grover | .... | transportation captain | |
Otros miembros del equipo | |||
| Joan Arnold | .... | production secretary | |
| Dale Benson | .... | location manager | |
| Janet Crosby | .... | assistant to producer (as Janet Crosy) | |
| Jimmy Gambina | .... | technical advisor | |
| Gloria Gonzales | .... | assistant to producer | |
| Lloyd Kaufman | .... | pre-production supervisor | |
| David Kramer | .... | publicist | |
| Joseph Letizia | .... | liaison: Philadelphia (as Joe Letizia) | |
| Bonnie Prendergast | .... | script supervisor | |
| Carol Rosenstein | .... | assistant to director | |
| Marge Rowland | .... | location auditor | |
| Sylvester Stallone | .... | boxing choreographer | |
| Steve Sayre | .... | assistant fight choreographer (uncredited) | |
![]() |
![]() |
![]() |
![]() |
![]() |
| Rocky II | Rocky III | Rocky Balboa | Rocky V | Rocky IV |
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
"Rocky" is about a man. It is the story of a man who exceeds past all normal expectations and makes the most out of what he is doing. What is he doing? Boxing. Why? As Rocky says in the film, "You have to be a moron to want to box."
Rocky is played by Sylvester Stallone, whose only other film before "Rocky" was "Weekend at Kitty and Stud's," and, as you can probably guess by the title, it was an X-rated movie. But Stallone gives just about the best performance of his career here. Before he started getting into recycled action movies and unfunny comedies, the man had talent, as seen shining through in "Rocky." Somewhere along the way he lost that talent, but it's pretty evident that he had it at one time.
Stallone wrote the script, which is about a down-on-his-luck Philadelphia man named Rocky Balboa. Rocky is your average tough-guy you see walking down the street, but this film takes a closer look INTO the guy walking past you, and not AT the guy walking past you.
He lives in a beat-up, old apartment, infested with roaches, and he barely makes enough money to support himself. His job? Rocky retrieves money for loan sharks. His real job, however, is to break the loaners' thumbs if they don't pay up. He's a muscle man.
After he returns from his "job" every day, he takes time to do what he has been doing for the past six years, which is boxing. Then, after that, he takes a trip to the local pet store to see the love of his life, Adrian, who works there. He constantly tries to impress her and talk to her, but she is shy and literally does not talk much throughout the entire film.
But things change for Rocky after heavyweight champion Apollo Creed (Carl Weathers) decides that he wants to make a big performance on the 4th of July. He wants to appear nice by letting a regular Joe Schmoe fight him in the ring. All for show, of course. As he is looking through a book of local boxers, he points his finger at the letters THE Italian STALLION, a.k.a. Rocky. He says that fighting an Italian is perfect. "An Italian found America," Creed says. If he fights an Italian-American on the 4th of July, it will be symbolic and will also make Creed look good.
But Rocky doesn't realize this is all for show. When he receives word that Apollo Creed wishes to fight him in the ring, Rocky begins to train long and hard with Burgess Meredith, which results in the famous scene where Rocky runs up an entry of stairs in Philly with the music "Gonna Fly Now" playing in the background. This scene is spoofed by films world-wide, and it's one of the cornerstones in film history. You will see it all the time. It's just one of those film moments that are marked down in history.
The most entertaining thing about "Rocky" is how innocent Sylvester Stallone comes across in his role as Rocky. You feel for him when he is trying to impress Adrian and she shrugs him off. The scene where her brother invites Rocky over, and Rocky keeps saying, "Are you sure she knows I'm coming?" is a sign of how the guy has been put down. And then when she comes over to his apartment, he acts nice and talks to her. He's not trying any moves on her. He just enjoys being with her. Rocky is a bit of an idiot, as he himself admits, but he's a sweet idiot.
And the end, when Rocky fights Apollo Creed, is amazing. A nobody who actually stands a chance against the heavyweight champion of the world. Creed and Rocky are being battered by each other. Creed goes into the opposite corner as Rocky, and one of Creed's managers says, "This guy thinks this thing is for real -- knock him out!" You feel sorry for Rocky there, because he is giving the fight all he's got, when it was just a publicity stunt from the beginning, but he didn't even realize it.
Things like that are what make "Rocky" what it has become over the years. It is a great film, and it has many classic moments that you will see spoofed in films all the time. You should probably see it just for that fact.
But the truth is, if you take away all the underlying intricacies, "Rocky" is just the story of a simple guy who gets a chance to do something amazing, and he gives it all he's got. I think we've all gone through something like that before, and if so, you will be able to identify with "Rocky" all the more.