| Fotos (ver todos los 96 | slideshow) | Videos (see all 2) |
| Richard Dreyfuss | ... | Roy Neary | |
| François Truffaut | ... | Claude Lacombe | |
| Teri Garr | ... | Ronnie Neary | |
| Melinda Dillon | ... | Jillian Guiler | |
| Bob Balaban | ... | David Laughlin | |
| J. Patrick McNamara | ... | Project Leader | |
| Warren J. Kemmerling | ... | Wild Bill ('Major Walsh') (as Warren Kemmerling) | |
| Roberts Blossom | ... | Farmer | |
| Philip Dodds | ... | Jean Claude | |
| Cary Guffey | ... | Barry Guiler | |
| Shawn Bishop | ... | Brad Neary | |
| Adrienne Campbell | ... | Sylvia Neary | |
| Justin Dreyfuss | ... | Toby Neary | |
| Lance Henriksen | ... | Robert | |
| Merrill Connally | ... | Team Leader | |
| George DiCenzo | ... | Major Benchley | |
| Amy Douglass | ... | Implantee | |
| Alexander Lockwood | ... | Implantee | |
| Gene Dynarski | ... | Ike | |
| Mary Gafrey | ... | Mrs. Harris | |
| Norman Bartold | ... | Ohio Tollbooth Attendant | |
| Josef Sommer | ... | Larry Butler | |
| Rev. Michael J. Dyer | ... | Himself | |
| Roger Ernest | ... | Highway Patrolman | |
| Carl Weathers | ... | Military Policeman | |
| F.J. O'Neil | ... | ARP Project Member | |
| Phil Dodds | ... | ARP Musician | |
| Randy Hermann | ... | Frank Taylor (Returnee #1 Flt. 19) | |
| Hal Barwood | ... | Harry Wallclage (Returnee #2 Flt. 19) | |
| Matthew Robbins | ... | Matthew McMichaels (Returnee #3 Flt. 19) | |
| David Anderson | ... | Air Traffic Controller | |
| Richard L. Hawkins | ... | Air Traffic Controller | |
| Craig Shreeve | ... | Air Traffic Controller | |
| Bill Thurman | ... | Air Traffic Controller | |
| Roy E. Richards | ... | Air East Pilot | |
| Gene Rader | ... | Hawker | |
| Eumenio Blanco | ... | Federale | |
| Daniel Núñez | ... | Federale (as Daniel Nunez) | |
| Chuy Franco | ... | Federale | |
| Luis Contreras | ... | Federale | |
| James Keane | ... | Radio Telescope Team | |
| Dennis McMullen | ... | Radio Telescope Team | |
| Cy Young | ... | Radio Telescope Team | |
| Tom Howard | ... | Radio Telescope Team | |
| Richard Stuart | ... | Truck Dispatcher | |
| Bob Westmoreland | ... | Load Dispatcher | |
| Matt Emery | ... | Support Leader | |
| Galen Thompson | ... | Special Forces Trooper | |
| John Dennis Johnston | ... | Special Forces Trooper | |
| John Ewing | ... | Dirty Tricks #1 | |
| Keith Atkinson | ... | Dirty Tricks #2 | |
| Robert Broyles | ... | Dirty Tricks #3 | |
| Kirk Raymond | ... | Dirty Tricks #4 | |
| listado alfabético del resto del reparto: | |||
| Basil Hoffman | ... | Longly (uncredited) | |
| J. Allen Hynek | ... | Himself - Smoking Pipe at Landing Site (uncredited) | |
| Monty Jordan | ... | Special Forces Commander / Helicopter Pilot (uncredited) | |
| Stephen Powers | ... | UN Observer (uncredited) | |
| Howard K. Smith | ... | Himself - TV News Anchor (uncredited) | |
Dirigida por | |||
| Steven Spielberg | |||
Créditos del guión | ||
| Steven Spielberg | (written by) | |
| Hal Barwood | uncredited and | |
| Jerry Belson | uncredited and | |
| John Hill | uncredited and | |
| Matthew Robbins | uncredited | |
Producida por | |||
| Clark L. Paylow | .... | associate producer (as Clark Paylow) | |
| Julia Phillips | .... | producer | |
| Michael Phillips | .... | producer | |
Música original por | |||
| John Williams | |||
Fotografía por | |||
| Vilmos Zsigmond | |||
Montaje por | |||
| Michael Kahn | |||
Casting | |||
| Shari Rhodes | |||
| Juliet Taylor | (as Juliette Taylor) | ||
Diseño de producción por | |||
| Joe Alves | |||
Dirección artística | |||
| Daniel A. Lomino | (as Dan Lomino) | ||
Decorados | |||
| Phil Abramson | |||
Departamento de maquillaje | |||
| Edie Panda | .... | hair stylist | |
| Bob Westmoreland | .... | makeup supervisor | |
| Sharleen Rassi | .... | hair stylist (uncredited) | |
Dirección de producción | |||
| Clark L. Paylow | .... | unit production manager (as Clark Paylow) | |
| Baba Shaik | .... | production manager: India | |
| John Veitch | .... | executive in charge of production (uncredited) | |
Ayudante de dirección | |||
| Jim Bloom | .... | second assistant director | |
| Charles Myers | .... | assistant director (as Chuck Myers) | |
| Eric Stacey | .... | key second assistant director (uncredited) | |
Departamento de Arte | |||
| Sam Gordon | .... | property master | |
| George Jensen | .... | production illustrator | |
| Michael McMillen | .... | model maker | |
| Bill Parks | .... | construction manager | |
| Ken Swenson | .... | model maker (as Kenneth Swenson) | |
| Jor Van Kline | .... | model maker | |
| Robert E. Worthington | .... | model maker (as Robert Worthington) | |
| Stan Cockerell | .... | set dresser (uncredited) | |
| David Coleman | .... | assistant property master (uncredited) | |
Departamento de sonido | |||
| Neil Burrow | .... | sound effects editorial staff | |
| Gene S. Cantamessa | .... | production sound mixer (as Gene Cantamessa) | |
| Richard Friedman | .... | dialogue editorial staff (as Dick Friedman) | |
| Sam Gemette | .... | sound effects editorial staff | |
| Gary S. Gerlich | .... | sound effects editorial staff | |
| Robert Glass | .... | re-recording mixer | |
| David M. Horton | .... | sound effects editorial staff (as David Horton) | |
| Bill Jackson | .... | assistant dialogue staff | |
| Stephen Katz | .... | stereo sound supervisor: Dolby (as Steve Katz) | |
| Robert Knudson | .... | re-recording mixer (as Buzz Knudson) | |
| Don MacDougall | .... | re-recording mixer | |
| Richard Oswald | .... | sound effects editorial staff | |
| Robert A. Reich | .... | assistant dialogue staff | |
| Jack Schrader | .... | supervising dialogue editor | |
| Chester Slomka | .... | sound effects editorial staff (as Chet Slomka) | |
| Frank E. Warner | .... | supervising sound effects editor (as Frank Warner) | |
| Raul A. Bruce | .... | boom operator (uncredited) | |
| Ellis Burman | .... | sound restoration engineer (uncredited) | |
Efectos especiales | |||
| Roy Arbogast | .... | special mechanical effects | |
| George Polkinghorne | .... | mechanical special effects | |
| Douglas Trumbull | .... | special photographic effects supervisor | |
| Wayne Beauchamp | .... | special effects (uncredited) | |
| Kevin Pike | .... | special effects (uncredited) | |
Especialistas | |||
| Buddy Joe Hooker | .... | stunt coordinator | |
| Bobby Bass | .... | stunts (uncredited) | |
| Craig R. Baxley | .... | stunt driver (uncredited) | |
| Jerry Brutsche | .... | stunt driver (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Jeannie Epper | .... | stunts (uncredited) | |
| Buddy Joe Hooker | .... | stunts (uncredited) | |
| Monty Jordan | .... | utility stunts (uncredited) | |
| Stephen Powers | .... | stunts (uncredited) | |
Departamento de Animación | |||
| Carol Boardman | .... | animation staff | |
| Eleanor Dahlen | .... | animation staff | |
| Cy Didjurgis | .... | animation staff | |
| Tom Koester | .... | animation staff | |
| Bill Millar | .... | animation staff | |
| Harry Moreau | .... | animator | |
| Connie Morgan | .... | animation staff | |
| Robert Swarthe | .... | animation supervisor | |
Departamento de reparto | |||
| Sally Dennison | .... | additional casting | |
Departamento de vestuario | |||
| James Linn | .... | wardrobe supervisor (as Jim Linn) | |
Departamento de Edición | |||
| Charles Bornstein | .... | assistant film editor | |
| Charles Hinkle | .... | laboratory expeditor | |
| Joseph A. Ippolito | .... | editorial assistant (as Joseph Ippolito) | |
| Bob McMillian | .... | color consultant (as Robert M. McMillian) | |
| Barbara Morrison | .... | effects negative cutter | |
| Geoffrey Rowland | .... | assistant film editor | |
Departamento de Música | |||
| John Neal | .... | music score manager | |
| John Neal | .... | music scoring mixer | |
| Kenneth Wannberg | .... | music editor | |
| Tommy Johnson | .... | musician: tuba soloist (uncredited) | |
| Paul Salamunovich | .... | vocalist: harmonic chanting (uncredited) | |
| Jim Self | .... | musician: tuba, voice of the mother ship (uncredited) | |
| Herbert W. Spencer | .... | orchestrator (uncredited) | |
Departamento de Transporte | |||
| Bill Bethea | .... | transportation | |
| Chris Haynes | .... | production driver (uncredited) | |
Otros miembros del equipo | |||
| Larry Albright | .... | special consultant | |
| Peter Anderson | .... | special consultant | |
| Mona Thal Benefiel | .... | project coordinator: photographic effects | |
| Richard Bennett | .... | special consultant | |
| Judy Bornstein | .... | second assistant to producers | |
| Charlsie Bryant | .... | script supervisor | |
| Patrick Burns | .... | production staff (as Pat Burns) | |
| Colin Cantwell | .... | technical dialogue | |
| Kendall Cooper | .... | assistant to producers | |
| Don Dow | .... | laboratory technician | |
| Ken Ebert | .... | special consultant | |
| Al Ebner | .... | publicist | |
| Glenn Erickson | .... | project assistant | |
| Rick Fields | .... | assistant: Mr. Spielberg | |
| Joyce Goldberg | .... | production secretary | |
| Janet Healy | .... | production staff | |
| Robert Hollister | .... | technician | |
| Thomas Hollister | .... | laboratory technician (as Tom Hollister) | |
| Paul Huston | .... | special consultant | |
| J. Allen Hynek | .... | technical advisor (as Dr. J. Allen Hynek) | |
| Jerry Jeffress | .... | electronics design (as Jerry L. Jeffress) | |
| David Jones | .... | special consultant (as David M. Jones) | |
| Kevin Kelly | .... | special consultant | |
| Jim Lutes | .... | special consultant | |
| Alvah J. Miller | .... | electronics design | |
| Dennis Muren | .... | mothership photography | |
| Joe O'Har | .... | location manager | |
| Dan Perri | .... | title designer | |
| Carlo Rambaldi | .... | realization of 'extraterrestrial' | |
| George Randle | .... | special consultant | |
| Peter Regla | .... | electronics design | |
| Peggy Rosson | .... | production accountant | |
| Jeff Shapiro | .... | special consultant | |
| Robert Shepherd | .... | project manager: effects unit | |
| Gail Siemers | .... | production secretary | |
| Dan Slater | .... | electronics design | |
| Steve Warner | .... | location auditor | |
| Murray Weissman | .... | publicist | |
| Seth Winston | .... | intern: AFI | |
| Hoyt Yeatman | .... | project assistant | |
| Larry Albright | .... | mothership neonlight effects designer (uncredited) | |
| Noreen Beasley | .... | dialogue translator: French for F. Truffaut (uncredited) | |
| Norman Brokaw | .... | production counsel (uncredited) | |
| Norman Garey | .... | production counsel (uncredited) | |
| Steve Hinton | .... | pilot (uncredited) | |
| Pat Kingsley | .... | publicist (uncredited) | |
| Ralph McQuarrie | .... | conceptual artwork (uncredited) | |
| Scott Squires | .... | developer: cloud tank (uncredited) | |
| Kevin Von Feldt | .... | assistant: Clark Paylow (uncredited) | |
Gracias | |||
| Johnny Mathis | .... | special thanks | |
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| E.T.: The Extra-Terrestrial | Superman | Independence Day | Transformers | The Day the Earth Stood Still |
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Aventura section | IMDb USA section | Add this title to MyMovies |
Strange things are happening around the world; things that challenge the imagination and open the mind to possibilities almost beyond imagining. Things that only director Steven Spielberg can explain, which he does in his monumental epic of man's encounter with alien life, `Close Encounters of the Third Kind.' Planes lost in WWII suddenly appear in a Mexican desert; a long lost ship turns up in the middle of the Gobi Desert; and in Dharmsala, Northern India, hundreds of people are gathered together, singing--a short `tune' that consists of a mere five notes, over and over, repeatedly. When they are asked where they heard this tune, the throng, as one, dramatically thrust their hands into the air and point to the sky. And, indeed, in the skies all around the world, strange things are happening.
And even as these events are transpiring, one evening in Muncie, Indiana, the city is suddenly blacked out by an inexplicable power outage. Roy Neary (Richard Dreyfuss) is at home when it hits, and he is called in by the power company for which he works, then sent out in the darkness to an unfamiliar location. Lost, he sits in his pick-up truck at a railroad crossing, studying a map, when all at once he notices a `disturbance' around him. Mailboxes along the side of the road are clanging open and shut by themselves; then things inside his truck begin to move, subtly at first, then erupting and flying about as if caught up in a tornado--and then just as suddenly his truck is engulfed in a blinding light. He leans out the window for a look, but it's too bright and he has to pull back. Then just as abruptly, it all stops-- the disturbance, the light-- everything. And he looks out the window again; but this time he sees something. And though he doesn't realize it at the time, at that moment, his life changed forever.
In this wonderfully realized, highly imaginative film that is extremely well crafted and presented by Spielberg, he takes you along with Roy in the days that follow that strange occurrence in Muncie. Roy becomes lost in thought, drifting, unable to focus on anything, much to the consternation of his wife, Ronnie (Teri Garr). But he can't help himself; something-- an image-- has begun to form in his mind. He has no idea what it is or what it means, but it becomes an obsession, and slowly it begins to take shape: First in a handful of shaving cream, then in a plate of mashed potatoes, which he piles up and begins to sculpt with his fork, while Ronnie and his kids look on in bewilderment. But he can see it in his mind, and it's like a mountain-- a mountain shaped like a `tower.' And Roy isn't the only one. Around the world, others are being drawn to the same image in their minds, and it's a force that compels them, pushing them on to find whatever it is, a power so strong in cannot be denied or refused. They know only one thing: Whatever it is, it's important, and they have no choice but to follow where it may lead. And it becomes a great adventure, one in which they discover what Man has long suspected: We are not alone.
Richard Dreyfuss is perfectly cast as Neary, a regular guy-- he could be your neighbor or the man who comes to install your phone-- and gives a thoroughly convincing, introspective performance while creating a character with whom it is easy to relate and through whom you are able to share this unique adventure. Garr does a good job, as well, as Ronnie, the wife concerned with her husband's sudden and seemingly bizarre behavior, someone with whom you can certainly sympathize. Dillon delivers, too, as the single mother who suddenly finds herself caught up in these inexplicable and extraordinary events, and also turning in a memorable performance is the young Cary Guffey, as Barry, Jillian's son, who makes his own connection with the other-worldly visitors.
The supporting cast includes Francois Truffaut (Lacombe), Bob Balaban (Laughlin) and Lance Henriksen (Robert). An uplifting, positive motion picture, `Close Encounters of the Third Kind' is thoroughly entertaining, as well as thought provoking. Spielberg draws you in as few filmmakers can, with a great story and with characters who are readily accessible and with whom it is easy to identify-- all of which adds up to an absorbing, memorable and enjoyable experience, and a perfect example of the real magic of the movies. I rate this one 10/10.