Above: Spanish poster by José María Cruz Novillo for The Garden of Delights.When the great Spanish filmmaker Carlos Saura died in February at the age of 90, I searched through his posters to find a suitable piece to post as a tribute and came across several very stylized, diagrammatic designs for his early ’70s films. They turned out to be the work of José María Cruz Novillo, an artist I surprisingly hadn't been aware of previously, but who, I have since found out, is a titan of Spanish graphic design.Above: José María Cruz Novillo (right) with his son Pepe in front of a wall of his film posters. Photo: Fernando Sánchez.Cruz Novillo, who is still working at the age of 86 (in partnership with his architect son Pepe), could rightfully be called the Saul Bass of Spain. Like Bass, he excels in both film marketing and logo design. Since...
- 5/5/2023
- MUBI
Spanish film-maker best known for his satire Bienvenido, Mister Marshall!
During the Franco years, the survival of independent cinema in Spain was thanks to the "Three Bs" — Luis Buñuel, Juan Antonio Bardem and Luis García Berlanga. The last of these irreverent, original film-makers, who has died aged 89, Berlanga was pivotal in reviving the Spanish film industry after the end of the civil war, despite his many tussles with Franco's censors.
In 1953 he established himself with ¡Bienvenido, Mister Marshall! (Welcome, Mr Marshall!), a masterful comedy about the hopes of Spanish villagers that the Marshall Plan will make them rich. In 1961 Plácido, a satire about a poor man invited to dinner in a wealthy household on Christmas Eve, was nominated for the Oscar for best foreign-language film. But his caustic brand of comedy probably reached its apogee in 1963's El Verdugo (The Executioner) about a young man desperate to get a job...
During the Franco years, the survival of independent cinema in Spain was thanks to the "Three Bs" — Luis Buñuel, Juan Antonio Bardem and Luis García Berlanga. The last of these irreverent, original film-makers, who has died aged 89, Berlanga was pivotal in reviving the Spanish film industry after the end of the civil war, despite his many tussles with Franco's censors.
In 1953 he established himself with ¡Bienvenido, Mister Marshall! (Welcome, Mr Marshall!), a masterful comedy about the hopes of Spanish villagers that the Marshall Plan will make them rich. In 1961 Plácido, a satire about a poor man invited to dinner in a wealthy household on Christmas Eve, was nominated for the Oscar for best foreign-language film. But his caustic brand of comedy probably reached its apogee in 1963's El Verdugo (The Executioner) about a young man desperate to get a job...
- 11/14/2010
- The Guardian - Film News
Spanish everyman actor who flourished in the country's post-Franco renaissance
The Spanish actor José Luis López Vázquez, who has died aged 87, was so much a part of Spanish cinema for six decades, appearing in almost 250 films between 1948 and 2007, that it seems inconceivable without him. Short and bald, with a little moustache, bearing a certain resemblance to Groucho Marx, he often embodied the average Spaniard. "I was an insignificant person, and I stayed that way," López explained.
As most of López's career was synchronous with Francisco Franco's 36-year repressive regime, when it was almost impossible for Spain to create a vibrant film industry and for talented film-makers to express themselves freely, the majority of his films were conveyor-belt comedies and melodramas, strictly for home consumption. Nevertheless, in the 1950s and 60s, despite restrictions, a distinctive Spanish art cinema managed to emerge, led primarily by the directors Juan Antonio Bardem, Luis García Berlanga and Carlos Saura,...
The Spanish actor José Luis López Vázquez, who has died aged 87, was so much a part of Spanish cinema for six decades, appearing in almost 250 films between 1948 and 2007, that it seems inconceivable without him. Short and bald, with a little moustache, bearing a certain resemblance to Groucho Marx, he often embodied the average Spaniard. "I was an insignificant person, and I stayed that way," López explained.
As most of López's career was synchronous with Francisco Franco's 36-year repressive regime, when it was almost impossible for Spain to create a vibrant film industry and for talented film-makers to express themselves freely, the majority of his films were conveyor-belt comedies and melodramas, strictly for home consumption. Nevertheless, in the 1950s and 60s, despite restrictions, a distinctive Spanish art cinema managed to emerge, led primarily by the directors Juan Antonio Bardem, Luis García Berlanga and Carlos Saura,...
- 11/12/2009
- by Ronald Bergan
- The Guardian - Film News
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