Smokey and the Bandit (1977)

Calificación de los usuarios:

6.6/10   

Director:

Hal Needham

Escritores:

Hal Needham (story) &
Robert L. Levy (story) ...

Fecha de Lanzamiento:

27 mayo 1977 (USA)

Género:

Acción | Comedia | Crimen | Romance

Frase comercial:

Time to take to the road, for a quiet little drive in the country...or not.

Plot:

The Bandit is hired on to run a tractor trailer full of beer over county lines in hot pursuit by a pesky sheriff.

Plot Keywords:

Texas | Sheriff | Police | Trucker | Trans Am

Premios:

Nominated for Oscar. Another 1 nomination

Comentarios de los usuarios:

Smokey bacon!

Reparto

Burt Reynolds	...	Bandit
Sally Field	...	Carrie
Jerry Reed	...	Cledus
Mike Henry	...	Junior Justice
Paul Williams	...	Little Enos
Pat McCormick	...	Big Enos
Alfie Wise	...	Patrolman - Traffic Jam
George Reynolds	...	Branford
Macon McCalman	...	Mr. B
Linda McClure	...	Waynette
Susan McIver	...	Hot Pants
Laura Lizer Sommers	...	Little Beaver (as Laura Lizer)
Michael Mann	...	Branford's Deputy
Lamar Jackson	...	Sugar Bear
Ronnie Gay	...	Georgia Trooper

También conocida como:

Bandit, Bandit (Europe)
Dos pícaros con suerte (Argentina) (Venezuela) [es]
Los caraduras (Spain) [es]

Duración:

96 min

País:

USA

Idioma:

Inglés

Color:

Color (Technicolor)

Relación de Aspecto:

1.85 : 1

Sonido:

Mono

Clasificación:

Singapore:PG | Australia:M | Canada:PA (Ontario) | Canada:14A (Canadian Home Video rating) | Argentina:13 | Finland:K-16 | France:U | Norway:15 (re-rating) | Norway:16 (original rating) | Sweden:11 | UK:A (original rating) | UK:PG (video rating) (1987) | USA:PG (Approved No. 24818) | Iceland:L

Locaciones de Filmación:

Atlanta, Georgia, USA

Compañía:

Universal Pictures

Trivialidades:

When Hal Needham originally wrote the initial screenplay, he hired Jerry Reed to play the Bandit. But when Needham told Burt Reynolds about the film, Reynolds decided he wanted to do it and Reed was re-cast as the Snowman.

Errores:

Continuidad: In the first police chase when it is dark, Bandit dodges the smokey behind a small house of some kind. As he drives up from the front you can see one of his headlights is not working, yet shortly after when you see the car from the front its working again.

Citas:

Bandit: [commenting on Carrie's legs] Cowboys love fat calves.
Carrie: They're not fat!
Bandit: Well, they're bigger then mine.
Carrie: Do we really wanna talk about legs?
Bandit: Well, one of us wants to.
Carrie: Smart ass.

Conexiones de Película:

Referenced in Grindhouse (2007)

Banda de Sonido:

East Bound And Down

Smokey bacon!

"Snowman what's your 20, you got your ears on, comeback? We got a Smokey convoy on our tail moving eastbound and down, with the peddle to the metal and the thing to the floor". If any of that makes sense to you it means one of two things. Either you were a young male in the late seventies who dressed in cowboy boots and drove a trans-am... or you have seen the film Smokey and the Bandit.

Smokey sees classically trained thespian Burtrand Reynolds essay the role of the Bandit, a mythical, almost Quixotesque figure, who cuts across the American landscape in a black Pontiac firebird, the ultimate phallic representation of male dominance. The densely layered plot sees Bandit become involved in a quest of Arthurian proportions, attempting to do "what they say can't be done". As it goes, there's a drought in old Atlanta, and the fine townsfolk are gagging for some liquid refreshment for the upcoming monster-truck derby. Luckily, Bandit hears that there's beer in Texarkana, and sets out across country to bring it back... no matter what it takes.

Director Hal Needham, surely an auteur of Hitchcockian proportions, keeps the first act moving along at a steady pace, and there is always close attention paid to characterisation. However, it is in act two that things really get interesting, for no sooner has the Bandit and his ever-faithful slave... sorry, sidekick Snowman loaded up the truck with the brew... than they are set upon by a runaway bride (Sally Field), a fleet of southern law enforcers, and the formidable Sheriff Bufred T. Justice (Jackie Gleason), whose catchphrase "that sun' bitch" proved to be as lastingly funny as a dose of the clap. From this point on tension is cranked to eleven, with more jaw-dropping moments than the entire Indian Jones series combined. Don't believe me, take the scene where Bandit attempts to jump the bridge... if this doesn't have you standing on your seat screaming "go bandit go... yee-haw", then quite frankly nothing will.

Bandit is one no-nonsense jive-talker, an enduring character whose down with the kids (and the blacks), making him one fine example of a true southern gent. We never doubt our hero will fail at his mission, especially not with the benefit of hindsight, since Bandit managed to evade the law and return for the imaginatively titled Smokey and the Bandit II. Here his bounty was an African elephant that, understandably, had the hots for the moustachioed one. Then there was the third instalment, which had a script so bad Reynolds himself turned it down. Here the sh*t-kickers formula was repeated... just without the kick. Smokey and the Bandit is, admittedly, not high art. It's not even low art. But it does represent some kind of period piece, a history lesson, or the pinnacle of late seventies cinema.

Your enjoyment of the film depends on your first viewing experience. If like myself, you were a young boy growing up in the mid-eighties, you will have no doubt lived for the endless thrills, spills, car crashes and second-rate jokes that pepper Bandit, and its two sequels. It's easy to laugh at now, and a young audience will probably be left scratching their heads at the sight of Burt Reynolds mugging uncontrollably to the camera for ninety-minutes whilst Jerry Reed gets to 'sing' his good ol' boy theme tune 'East-bound and Down' for the one-millionth time, but there is a perverse pleasure in seeing bell-bottoms, grown men with CB radios and muscles cars the size of small houses, the likes of which most people won't have seen since 1982. 3/5