The Iron Commissioner (1978) Poster

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6/10
'Scuse me, while I punch this guy!
Bezenby17 October 2018
For one of three Stelvio Massi crime films of 1978, Maurizio Merli stars as Officer Joe Kickass of the Moustache Squad, and this time he's...only got one gang of kidnappers to deal with?

Okay, there's another plotline regarding the son of someone Maurizio nicked out for revenge, and although there's a few shootouts in this one, don't expect a high level of carnage because Massi is going for something a bit different here. Something a bit more personal as Maurizio in this one is a family man. Kind of. Well, he's divorced from Janet Agren and their son doesn't even call him Dad for reasons that aren't explained.

The thing is, while Maurizio is out trying to track down budget Klaus Kinski Franco Garofolo and Mariangela Giordano and give them a kicking for kidnapping, some young guy has turned up at the local police headquarters and taken his Moustache Squad hostage. This young guy used to have a dad who then killed himself in jail while awaiting trial, and this youngster thinks it's all Maurizio's fault. Hmm, and Maurizio just called his ex-wife to tell her he's not finished punching a criminal in the face yet, so why doesn't she bring the kid along to the police station and meet there? Trouble ahoy!

We've got a very streamlined plot here so there's no hierarchies of mobsters for Maurizio to punch his way through, although he does get his licks in throughout the film. I think this may be the first film I've ever watched where Ettor Manni is a good guy and not a mobster. Mariangela Giordano is always a welcome sight in any film and is good here as a criminal with a heart. Everyone else wins a 'good show, supporting cast' badge from me.

This must have been made cheap and quickly, but still entertains due to Maurizio's rage and pointing and the fast moving plot. Stelvio Massi is fast becoming my go to guy for a quick Eurocrime fix.
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6/10
Average but well paced
jjr-7647431 August 2021
Warning: Spoilers
One of so many police thrillers (poliziotechis) produced in Italy in the seventies. This one has a fairly decent cast, starting with the very reliable Maurizio Merli and solid direction from Stelvio Massi.

The plot however is thin, and it seems almost a running gag that everyone in the movie is heading for the one small police precinct office where the bad guy is piling up hostages, everyone but for the good guy who is repeatedly held up elsewhere.

So lazy afternoon watching at best.
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8/10
Standard, yet highly entertaining Merli crime film
Pycal2 August 2009
Pretty solid Merli/Massi collaboration. The plot is a simple one that centers on various kidnapping episodes. With each scenario, the stakes increase for Merli's character and he must race against the clock to resolve each standoff.

The film is very quick in pace and almost feels as if the events it depicts occur in real time. Despite some scenes of melodramatic family strife, the film remains highly entertaining and delivers the goods. Essentially, the film has all the elements one would expect from a Merli crimer: tense squib filled shootouts, orgies of bitch slapping, and (if I remember correctly) some brief car chases. Despite its somewhat unsatisfying ending, I highly recommend this film to any fans of Merli or Italian action cinema in general.
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10/10
great movie
OpinionGuy23 March 2008
Warning: Spoilers
This Film seems to be some kinda sequel to the Hunted City. Comissario Ferro comes from Rome to Milan. The violence is at a all time high. Gangsters dress up with some bizarre Carnival-masks. They use this outfit to liquidate some opponents. Ferro is no friend of such behavior and so he uses his gun the traditional way and lightens their masses a little bit.

Even though the ending is a bit disappointing, the film contains a great fight in a plastic-factory with lots a white plastic bottles. Visually nice! I like the documentary-style of Massis Camera very much. It makes the film so involving and real. His Experience in the Western-Genre as Camera operator in films like "C'e Sartana vendi la pistola..." and "Dio Perdoni la mia Pistola" sure comes in handy. Joan Collins had no trouble with face-surgery at that time.
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8/10
'Stelvio Massi's twin-fisted Eurocrime still delivers enjoyably slap-happy skell-thrashing!'
Weirdling_Wolf25 September 2022
The relatively obscure, aptly titled late 70s poliziottesco 'il Commissario Di Ferro' (1978) aka 'The Iron Commissioner' has the good fortune to feature the dangerously dishy, heroically hypertensive, distractingly chiselled champion of the underdog; that ferociously fleet-fisted, majestically macho Maurizio Merli, with the film's female eye candy being voluptuously provided by a delectable duo of exquisite Eurocult lovelies, the uncommonly juicy-looking Janet Agren, and the no less slaveringly sensuous screen siren Mariangela 'Burial Ground' Giordano!

Capably directed by Poliziotteschi maestro Stelvio Massi, his moderately undercooked 'il Commissario Di Ferrio', is, perhaps, not the most dynamic example of the genre, but it is not without charm, having a number of pleasingly indelicate scenes of Merli mayhem, and the righteously diggable crime-funk score by Lallo Gori is a delight! Not oft mentioned, but I have spent much of my misbegotten movie-obsessed life mentioning 'not oft mentioned' genre films, so, here we go again! Apparently 'il Commissario Di Ferro' was not a favourite of esteemed action maestro Merli, seemingly a problematic shoot, but, to be fair, when I first saw 'The Iron Commissioner' it robustly ticked MOST of my required Euro-crime boxes, even sans English subtitles! And appreciated on a more basic level, Massi's twin-fisted, late 70s poliziottesco still delivers enough of Maurizio Merli's Alpha-centric, serviceably slap-happy skell-thrashing to appease the more forgiving Merli fans who still relish his blissfully bellicose ouvre!!
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