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The Last Waltz (1978)
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Revisión
Calificación de los usuarios:
Fecha de Lanzamiento:
26 abril 1978 (USA) másFrase comercial:
It Started as a Concert. It Became a Celebration. [original theatrical] másPremios:
2 wins & 3 nominations másComentarios de los usuarios:
Out of the Shadow of Woodstock másReparto
(Descripción general del reparto)| Robbie Robertson | ... | Himself - Lead Guitar / Vocal (as The Band) | |
| Rick Danko | ... | Himself - Bass & Violin & Vocal (as The Band) | |
| Richard Manuel | ... | Himself - Piano / Keyboards / Drums / Vocal (as The Band) | |
| Levon Helm | ... | Himself - Drums / Mandolin / Vocal (as The Band) | |
| Garth Hudson | ... | Himself - Organ / Accordion / Saxophone / Synthesizers (as The Band) | |
| Eric Clapton | ... | Himself - Performer | |
| Neil Diamond | ... | Himself - Performer | |
| Bob Dylan | ... | Himself - Performer | |
| Joni Mitchell | ... | Herself - Performer | |
| Neil Young | ... | Himself - Performer | |
| Emmylou Harris | ... | Herself - Performer | |
| Ringo Starr | ... | Himself - Performer | |
| Paul Butterfield | ... | Himself - Performer | |
| Dr. John | ... | Himself - Performer | |
| Van Morrison | ... | Himself - Performer |
Más detalles
Parents Guide:
Add content advisory for parentsDuración:
117 minPaís:
USAColor:
ColorRelación de Aspecto:
1.85 : 1 másSonido:
DolbyClasificación:
Finland:S (cut) | Canada:PG (Ontario) | Netherlands:AL | UK:U | South Korea:12 | USA:PG (Approved No. 25097) | Brazil:Livre | Australia:M | Singapore:PG | Sweden:BtlLocaciones de Filmación:
Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA másCosas divertidas
Trivialidades:
During his opening guitar solo in "Further On Up the Road", Eric Clapton's guitar strap came off. To compensate while he fixed it, Robbie Robertson spontaneously played a brief solo of his own. másCitas:
Richard Manuel: [describing how The Band got its name] Well, we were The Hawks.Robbie Robertson: And everything was fine, we were sailing along, and all of a sudden, one day The Hawks meant something else altogether.
Richard Manuel: And it was right in the middle of that whole psychedelia. Chocolate Subway, Marshmallow Overcoat. Those kind of names, you know?
Robbie Robertson: When we were working with Bob Dylan and we moved to Woodstock, everybody referred to us as the band. He called us the band, our friends called us the band, our neighbors called us the band.
Richard Manuel: We started out with The Crackers. We tried to call ourselves The Honkies. Everybody kind of backed off from that. It was too straight. So we decided just to call ourselves The Band.
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Discutir película con otros usuarios en Foro de IMDb para The Last Waltz (1978)| Recent Posts (updated daily) | User |
|---|---|
| dylan question | jayc-8 |
| 'Jawbone' | ApostleofWonka |
| Rick Danko question | the_grim_retard69 |
| Does Neil Diamond say...? | ras1979 |
| ALMOST a good movie. | fabcasper |
| Shooting Script | dallastetarenko |
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Enlaces Relacionados
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| IMDb Documental section | IMDb USA section | Add this title to MyMovies |












Martin Scorsese's documentary has been labelled a time capsule of an era, and whilst this type of reference usually sounds overstated, there is no doubting the accomplishment of this film as an event. Many use the documentary 'Woodstock: 3 Days of Peace and Music' as the ultimate example of a music-doco, but whilst the music in The Last Waltz is actually on par with the great performances of Woodstock (bar Jimi Hendrix[there's no substitute]), the thing which elevates The Last Waltz is the photography.
This was the first music doco to be shot on 35mm and watching the concert, you'd think that each performance was carefully choregraphed over a few weeks of shooting rather than over one night. Special thanks must be given to Cinematogrpaher Michael Chapman for his efforts on this film. The look of the film is what elevates it's overall appeal, because the music was always going to be epic, especially with the cavalcade of great names performing. This is just great filmmaking from contemporary cinema's most accomplished filmmaker. And how about that haunting theme that both starts and ends the film. Just great.