Pretty Baby (1978)

Calificación de los usuarios:

6.5/10   

Director:

Louis Malle

Escritores:

Polly Platt (story)
Polly Platt (screenplay) ...

Fecha de Lanzamiento:

5 abril 1978 (USA)

Género:

Drama | Historia

Frase comercial:

In 1917, in the red-light district of New Orleans, they called her "Pretty Baby"

Plot:

A pre-teen girl grows up in a house of prostitution in the Storyville section of New Orleans in 1917.

Plot Keywords:

Prostitution | New Orleans | Virginity | Prostitute | Daughter

Premios:

Nominated for Oscar. Another 1 win & 1 nomination

Comentarios de los usuarios:

This Movie Is Based On Truth!

Reparto

Brooke Shields	...	Violet
Keith Carradine	...	Bellocq
Susan Sarandon	...	Hattie
Frances Faye	...	Nell
Antonio Fargas	...	Professor
Matthew Anton	...	Red Top
Diana Scarwid	...	Frieda
Barbara Steele	...	Josephine
Seret Scott	...	Flora
Cheryl Markowitz	...	Gussie
Susan Manskey	...	Fanny
Laura Zimmerman	...	Agnes
Miz Mary	...	Odette
Gerrit Graham	...	Highpockets
Mae Mercer	...	Mama Mosebery

También conocida como:

Niña bonita (Argentina) (Venezuela) [es]
La pequeña (Spain) [es]

Duración:

110 min

País:

USA

Idioma:

Inglés

Color:

Color (Metrocolor)

Relación de Aspecto:

1.85 : 1

Sonido:

Mono

Clasificación:

Germany:16 | Australia:M (DVD rating) | Netherlands:12 | Netherlands:16 | Canada:18+ (Quebec) | Finland:K-16 (1988) | Finland:K-18 (1978) | Argentina:18 | Australia:R | Canada:R | Chile:18 | France:-16 | Norway:18 (1978) | Sweden:15 | UK:18 | USA:R | Singapore:M18

Locaciones de Filmación:

Hattiesburg, Mississippi, USA

Compañía:

Paramount Pictures

Trivialidades:

Robert Redford was originally cast as Bellocq, but turned it down.

Citas:

[to the bordello customer who won the auction for her virginity]
Violet: I can feel the steam coming right through my dress.

Conexiones de Película:

Apareció en Geburtstagskinder der Nouvelle Vague (2007) (TV)

Banda de Sonido:

After the Ball

This Movie Is Based On Truth!

I'd like to point out that this movie is literally based on first hand recollections of a prostitute interviewed in Al Rose's definitive book on the subject: "Storyville", published many years ago. Anyone familiar with with the era knows that the photographer, E.J. Bellocq, was a real person who captured on glass plates forever the images of the young prostitutes of Storyville. These photographs are hauntingly beautiful in their own right, and the young Brooke Shields--as well as the beautiful Susan Sarandon--were a masterstroke of Malle to play the parts of mother and daughter prostitutes. The recollections in the book draw upon the actual fact that the mother who related the story actually took part in the deflowering of her daughter in the "House" as described, and that they went on to be a "team", a very common and desirable commodity in that day. Not mentioned-- but inferred to those who "read between the lines"-- was that the pony that young Violet casually rides in the backyard of the mansion in the beginning of the movie was actually an animal used to entertain the paying customers in "the circus" that certain women performed in ...for the"right price." Many of the photo sessions depicted in the film are loving recreations of surviving Bellocq prints. The women portraying the "girls" in the movie could have been working girls in "The District" had they lived back then. Some IMDb readers profess to be shocked by conditions in Storyville back then, but as the book recounts, it was all true, and many of the women actually did enjoy their livelyhood. It was the "bluenoses" to the rescue who saved them and the U.S. Navy from themselves, just as they would save the nation from "drink" a few years later. Although ragtime and jazz are touched on in the movie, Storyville was directly responsible for the likes of young Louis Armstrong--who ran coal from House to House--picking up the street melodies he heard and playing them on a cornet furnished to him--providentially--by the local orphanage, and for Ferdinand "Jelly Roll" Morton, pianist...and pimp...who played in only the best houses and claimed he invented the term "jazz" as applied to music after witnessing first hand all that "jassing-around" he saw in the bordellos of Storyville! Remarkeably, overlooked altogether is any mention of the composer of the tune "Pretty Baby," Professor Tony Jackson, a key figure of the Storyville saga, who should have been the character portrayed in the film but wasn't, and who was not even mentioned in the credits.

As for Bellocq himself not much is known except that he was slightly deformed and not interested in the ladies at all sexually-- the marriage to Violet merely a modern plot device--but he professed his deep fascination and reverence for them, thankfully, in other ways: his portraits. Without them, a poignant record of their lives,and that of The District, would be lost forever. All in all, the film is a wonderful paean to Bellocq, and the women he loved in his own way. I would urge all critics of this movie to seek out a copy of "Storyville, New Orleans" by Al Rose, or MOMA's "E.J. Bellocq: Storyville Portraits." They will really open yours eyes to what Louis Malle has recreated.