Apocalypse Now (1979)

Calificación de los usuarios:

8.6/10   

Director:

Francis Ford Coppola

Escritores:

John Milius (screenplay) and
Francis Ford Coppola (screenplay) ...

Fecha de Lanzamiento:

15 agosto 1979 (USA)

Género:

Acción | Drama | Guerra

Frase comercial:

The Horror. . . The Horror. . .

Plot:

During the on-going Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe.

Plot Keywords:

Army | Jungle | Colonel | Vietnam | Captain

Premios:

Won 2 Oscars. Another 13 wins & 32 nominations

Comentarios de los usuarios:

You love it, or you hate it....

Reparto

Marlon Brando	...	Colonel Walter E. Kurtz
Martin Sheen	...	Captain Benjamin L. Willard
Robert Duvall	...	Lieutenant Colonel Bill Kilgore
Frederic Forrest	...	Jay 'Chef' Hicks
Sam Bottoms	...	Lance B. Johnson
Laurence Fishburne	...	Tyrone 'Clean' Miller (as Larry Fishburne)
Albert Hall	...	Chief Phillips
Harrison Ford	...	Colonel Lucas
Dennis Hopper	...	Photojournalist
G.D. Spradlin	...	General Corman
Jerry Ziesmer	...	Jerry, Civilian
Scott Glenn	...	Lieutenant Richard M. Colby
Bo Byers	...	MP Sergeant #1
James Keane	...	Kilgore's Gunner
Kerry Rossall	...	Mike from San Diego

También conocida como:

Apocalypse Now Redux (International: English title) (longer version)
Apocalipsis now (Argentina) (Spain) [es]
Apocalipsis ahora (Venezuela) [es]
Apocalipsis now redux (Argentina) (longer version) [es]
Apocalypse Now (Uruguay) [es]
Apocalypse Now Re-Editada (Uruguay) (longer version) [es]

MPAA:

Rated R for disturbing violent images, language, sexual content and some drug use. (2001 director's cut)

Duración:

153 min | 202 min (Redux version)

País:

USA

Idioma:

Inglés | Francés | Vietnamita | Khmer

Color:

Color

Relación de Aspecto:

2.00 : 1

Sonido:

70 mm 6-Track (70 mm prints) | Dolby Digital (Redux version) | Dolby (35 mm prints) | DTS (Redux version)

Clasificación:

USA:R (certificate no. 25751) | Canada:18 (Nova Scotia) (Redux version) | Canada:18A (Alberta/British Columbia) (Redux version) | Canada:AA (Ontario) (Redux version) | Canada:AA (Ontario) (re-rating) (1992) | Canada:PA (Manitoba) | Canada:R (Nova Scotia/Ontario) (original rating) | Italy:VM14 | Hungary:16 | Italy:T (re-rating) (Redux version) | Philippines:R-18 | Brazil:16 | Argentina:18 | Australia:R | Canada:13+ (Quebec) | Chile:18 | Finland:K-15 (Redux version) | Finland:K-16 (original rating) | France:-12 | Germany:16 (bw) (Redux version) | Iceland:16 | Ireland:18 | Israel:PG | Netherlands:16 | New Zealand:R16 (Redux version) | Norway:15 (Redux version) | Norway:18 (original rating) | Peru:18 | Portugal:M/16 (Redux version) | Singapore:M18 (Redux version) (re-rating) | Singapore:R(A) (Redux version) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 (Redux version) | UK:18 (re-rating) (1985) | UK:X (original rating) | West Germany:16

Locaciones de Filmación:

Philippines

Compañía:

Zoetrope Studios

Trivialidades:

Jeff Bridges auditioned for the role of Willard.

Errores:

Errores Reales: Many M16 rifles are shown with 30-round magazines installed. These were rarely used in Vietnam. The standard magazine of the Vietnam era was shorter, and held 20 rounds.

Citas:

[first lines]
Willard: [voiceover] Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
Willard: When I was home after my first tour, it was worse. I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was home after my first tour, it was worse.
[grabs at flying insect]
Willard: I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay in this room, I get weaker, and every minute Charlie squats in the bush, he gets stronger. Each time I looked around the walls moved in a little tighter.

Conexiones de Película:

Referenced in Blade (1973)

Banda de Sonido:

Suzie Q

You love it, or you hate it....

As I peruse through the hundreds of comments that loyal readers of the IMDB have posted on this film, I find it very interesting how few ,"middle of the road" comments there are. Everyone either loves it, or they hate it. Having seen Apocalypse Now approximately 30 times, and having recently dissected it on DVD (how did we ever live without those magical digital machines?????), I can say without hesitation that I am one of those who have a very special place in my heart for this film. "Why would you like a film that's so confusing?" ask many of my associates. The answer is this: Forget the war, forget the brutality....This is a classic story of society protecting itself from those that refuse to fall in line with the status quo. Brando represents the individual that has his own way of getting the job done. They (Big Brother) sent him out to do the job, he does it too well, without adhering to the accepted "standards" of death and destruction (Am I the only one who's troubled by the fact that we have 'standards' for death and destruction????), so they send the "Conformity Police" out to eliminate the individual. Hmmmmmm....Draw any parallels between this and things you see every day? With the deepest respect to Mr. Coppola, whom I believe is one of the best directors of all time, I think he transcended his original intent of the movie, and probably didn't even realize it until after the movie was released. The subtle sub-text that permeates the entire movie has way too much to it to have been planned and portrayed; instead, it seems to have 'grown' itself, like some wild flower in the middle of a vegetable garden. Again I must reiterate: I think FF Coppola did a bang-up job on this entire production, as did the cast and crew, but the sum of the movie exceeds the individual efforts ten-fold. So if you haven't seen the movie, rent it, watch it, then watch it again, and maybe a few more times, and look for all the generic parallels to everyday life. Only then make a judgment on the quality of the film. Those of you that have seen it, watch it again with the mindset previously described. I think you may just have a whole new appreciation for the film. Or maybe not! No matter whether you love it or hate it, be sure and give credit to Coppola for his masterful story-telling style!