Irreverent satire of Biblical films and religious intolerance focuses on Brian, a Jew in Roman-occupied Judea. After joining up with an anti-Roman political organization, Brian is mistaken for a prophet, and becomes a reluctant Messiah. Written by
Scott Renshaw <email@example.com>
To receive a 'AA' certificate in the UK (allowing an age audience of under 18), the word "cunt" had to be removed from the sequence where John Cleese blames Brian for allowing the Romans to almost discover the secret hideout of the resistance. The word was dubbed to 'klutz' (although it is quite obvious to the audience what Cleese is saying). See more »
During the crucifixion scene, after the PFJ sing "For he's a jolly good fellow", you can see a very obvious double for John Cleese playing "Reg" amongst the PFJ when John Cleese enters the scene as the Centurion, looking to free Brian. See more »
Not necessarily laugh-out-loud every minute, but it's satirical edge and wit is as clever as the technical side of the film
Monty Python's follow-up to their cult smash Holy Grail was Life of Brian, a film that takes on (if not always with the utmost seriousness, then usually with a mix of silliness and slight intellectualism) the believers in religions, the zealous nature that belief brings out in people. I first saw the film in the theater upon its re-release last month, and I found it very funny, though not with the kind of belly laughs that I had on my first reaction to Holy Grail. It's not without it's scenes that stick out as some of Python's finest (the Stoning, Pilate's scenes, the Spaceship sequence), even as sometimes it goes a little too broad for comfort (part of the colisseum).
Yet, the great strengths that lie in Life of Brian are that 1) the writers and performers (Chapman, Cleese, Gilliam, Jones, Idle, Palin) bring their irreverent strengths to a fine point with the script and multiple roles. Even when a scene doesn't get the laughs it could've or should've, it turns out to be a scene brimming with a cleverness that could only exist in the "Python-esque" universe. 2) the director (Jones) and designer/animator (Gilliam) lay the groundwork for this realistic atmosphere of 33 A.D. and bring out what is the best in the acting, Pythons or otherwise (famous British comedian Spike Milligan has a role of note). Held over from the sets of Franco Zeferelli's Christ film, the Pythons use all these locations and settings and little details to spring out their wild, brilliant gags. The look of the film enriches the comedic elements, and the result is (arguably, of course) the troupe's best film. Not for all tastes by the way (Monty Python in general for me took some while to warm up to, but paid off once it worked). Grade: A
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