Prova d'orchestra (1978)

Calificación de los usuarios:

7.2/10   

Director:

Federico Fellini

Escritores:

Federico Fellini (story)
Federico Fellini (writer) ...

Fecha de Lanzamiento:

22 febrero 1979 (Italy)

Género:

Drama | Música

Frase comercial:

The Decline of the West in C# Major

Plot:

An orchestra assmbles for a rehearsal in an ancient chapel under the inquisive eyes of a TV documentary crew, but an uprising breaks out.

Plot Keywords:

Conductor | Orchestra | Classical Music | Chaos | Breaking The Fourth Wall

Premios:

1 win

Comentarios de los usuarios:

Intelligent, elegant, refined

Reparto

Balduin Baas	...	Conductor
Clara Colosimo	...	Harp player
Elizabeth Labi	...	Piano player
Ronaldo Bonacchi	...	Bassoon player
Ferdinando Villella	...	Cello player
Franco Iavarone	...	Bass tuba player (as Giovanni Javarone)
David Maunsell	...	First violin
Francesco Aluigi	...	Second violin
Andy Miller	...	Oboe player
Sibyl Mostert	...	Flute player
Franco Mazzieri	...	Trumpet player
Daniele Pagani	...	Trombone player
Luigi Uzzo	...	Violin player
Cesare Martignon	...	Clarinet player
Umberto Zuanelli	...	Copyist

También conocida como:

Federico Fellini's Orchestra Rehearsal (USA) (poster title)
Orchesterprobe (Alemania Occidental)
Orchestra Rehearsal (USA)
Ensayo de orquesta (Argentina) (Spain) [es]

Duración:

70 min

País:

Italy | Alemania Occidental

Idioma:

Italiano | Alemán

Color:

Color (Technicolor)

Sonido:

Mono

Clasificación:

UK:PG | Argentina:16 | Finland:K-12

Locaciones de Filmación:

Cinecittà Studios, Cinecittà, Rome, Lazio, Italy

Compañía:

Radiotelevisione Italiana

Errores:

Sin sincronía de Audio o Visual: When they are interviewing the first violinists, you can see that the harpist in the background is not playing but you can hear harp music playing.

Conexiones de Película:

Referenced in Cinecittà: La casa di F. Fellini (2004) (V)

Intelligent, elegant, refined

A rare jewel in Fellini's filmography.

While the unchained genius who broke off with Neorealism to build up his own personal brand of art reaches such absolute heights of delirium as in "Satyricon", "Casanova" or "E la nave va", here he is grave, pondered, sober, using a very fine irony to cast on his message about human society.

One can relate this movie rather to "I Clowns", "Roma" and "Amarcord". Splendid in everything, and deeply permeated by the Great Federico's bright mind. Some people go even to declare it the best Fellini ever - and it wouldn't be too easy to contradict them!