Blade Runner (1982)

Calificación de los usuarios:

8.3/10   

Director:

Ridley Scott

Escritores:

Hampton Fancher (screenplay) and
David Webb Peoples (screenplay) ...

Fecha de Lanzamiento:

25 junio 1982 (USA)

Género:

Acción | Ciencia-Ficción | Suspenso

Frase comercial:

A Futuristic Vision Perfected [2007 Final Cut]

Plot:

Deckard, a blade runner, has to track down and terminate 4 replicants who hijacked a ship in space and have returned to earth seeking their maker.

Plot Keywords:

Replicant | Future | Vision Of The Future | Cyberpunk | Technology

Premios:

Nominated for 2 Oscars. Another 9 wins & 14 nominations

Comentarios de los usuarios:

A compelling, thematically-deep SF film

US TV Schedule:

Sun. July 5	3:56 PM	SCIFI
Tue. July 7	11:27 AM	SCIFI

Reparto

Harrison Ford	...	Rick Deckard
Rutger Hauer	...	Roy Batty
Sean Young	...	Rachael
Edward James Olmos	...	Gaff
M. Emmet Walsh	...	Bryant
Daryl Hannah	...	Pris
William Sanderson	...	J.F. Sebastian
Brion James	...	Leon Kowalski
Joe Turkel	...	Dr. Eldon Tyrell
Joanna Cassidy	...	Zhora
James Hong	...	Hannibal Chew
Morgan Paull	...	Holden
Kevin Thompson	...	Bear
John Edward Allen	...	Kaiser
Hy Pyke	...	Taffey Lewis

También conocida como:

Blade Runner: The Final Cut (International: English title) (DVD title)
Blade Runner (Argentina) (Spain) [es]
El cazador implacable (Venezuela) [es]

MPAA:

Rated R for violence and brief nudity (definitive cut); Rated R for violence. (1991 version)

Duración:

117 min

País:

USA | Hong Kong

Idioma:

Inglés | Alemán | Cantonés | Japonés | Húngaro

Color:

Color (Technicolor)

Relación de Aspecto:

2.20 : 1

Sonido:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Clasificación:

Canada:13+ (Quebec) | Canada:A (Nova Scotia) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Italy:T | USA:R (Definitive Cut) | Germany:12 (re-rating) (2007) | Brazil:14 | West Germany:16 (f) | Portugal:M/12 | Ireland:15A | New Zealand:M | Denmark:15 (original rating) | Spain:13 | UK:15 (video rating) (1986) | Argentina:16 | Australia:M | Chile:18 | Finland:K-16 | France:-12 | Ireland:15 | Israel:PG | Japan:R-15 (director's cut) | Netherlands:16 (director's cut) | Norway:15 | Peru:18 | Singapore:NC-16 | South Korea:18 | Sweden:15 | UK:AA (original rating) | USA:R | Norway:16 (original rating) | Iceland:16

Locaciones de Filmación:

2nd Street Tunnel, Downtown, Los Angeles, California, USA

Compañía:

Ladd Company, The

Trivialidades:

The brand of cigarettes smoked by the characters Rachael, Holden, and Pris are Boyard, French cigarettes.

Errores:

Sin sincronía de Audio o Visual: When Deckard asks Racheal if Tyrel's owl is artificial, she replies "Of course it is." However, her lips movements do not match what we hear. This is because when the scene was filmed, actress Sean Young answered the question by saying "Of course not." Director Ridley Scott changed this in post-production because he wanted to establish that Tyrell could make perfect imitations of living things.

Citas:

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.

Conexiones de Película:

Referenced in Vendetta dal futuro (1986)

Banda de Sonido:

BLADE RUNNER

A compelling, thematically-deep SF film

This is truly one of the greatest science fiction films ever made, one that requires a thinking viewer in order to understand and appreciate it. The director's cut is the recommended one to see as it omits a somewhat distracting narration and avoids an unnecessary Hollywood-style ending that is at odds with the rest of the film's tone.

A true science fiction story or film is about ideas, not spaceship battles, futuristic gadgets, or weird creatures. "Blade Runner" fully qualifies as this in its examination of the impact of technology on human society, existence, and the very nature of humanity itself. These themes are set in a fairly basic detective story that moves slowly but gradually builds power as the viewer is immersed in a dystopian futuristic Los Angeles.

Harrison Ford fans accustomed to the normally dynamic roles that he plays may be dissatisfied with the seemingly lifeless lead character that he portrays here as the replicant-hunting detective known as a "blade runner". They should be, for this dissatisfaction is part of the film experience, part of the dehumanized existence in the story's setting. However, as the story unfolds, we see Ford's character, Rick Deckard, slowly come alive again and recover some humanity while pursing four escaped replicants.

The replicants, genetically-engineered human cyborgs, that Deckard must hunt down and kill are in many ways more alive than Deckard himself initially. Their escape from an off-world colony has an explicit self-directed purpose, whereas Deckard's life appears to have none other than his job, one that he has tried to give up. By some standards, Deckard and the replicants have thin character development. However, this is a deeply thematic and philosophical film, and as such the characters are the tools of the story's themes. Each character reflects some aspect of humanity or human existence, but they lack others, for each is broken in ways that reflect the broken society in which they live and were conceived/created.

There are several dramatic moments involving life-and-death struggles, but most of these are more subdued than in a normal detective story plot. The film's power is chiefly derived through its stunning visual imagery of a dark futuristic cityscape and its philosophical themes.

Among the themes explored are the following: - The dehumanization of people through a society shaped by technological and capitalistic excess. - The roles of creator and creation, their mutual enslavement, and their role reversal, i.e., the creation's triumph over its creator. - The nature of humanity itself: emotions, memory, purpose, desire, cruelty, technological mastery of environment and universe, mortality, death, and more. - Personal identity and self-awareness. - The meaning of existence.

If you are not someone who naturally enjoys contemplating such themes, the film's brilliance may be lost on you. The climax involves a soliloquy that brings many of the themes together in a simple yet wonderfully poetic way. Anyone who "gets" the film should be moved by this; others will sadly miss the point and may prefer watching some mindless action flick instead.

"Blade Runner" is a masterpiece that deserves recognition and long remembrance in film history.