A Midsummer Night's Sex Comedy (1982)

Calificación de los usuarios:

6.5/10   

Director:

Woody Allen

Guionista:

Woody Allen (written by)

Fecha de Lanzamiento:

16 julio 1982 (USA)

Género:

Comedia | Romance

Frase comercial:

Six characters in search of love [Video]

Plot:

A wacky inventor and his wife invite two other couples for a weekend party at a romantic summer house in the 1900s countryside.

Plot Keywords:

Inventor | Summer | Doctor | Love | Remake

Premios:

1 nomination

Comentarios de los usuarios:

Woody Conjures Sex Magick!

Reparto

Woody Allen	...	Andrew
Mia Farrow	...	Ariel
José Ferrer	...	Leopold (as Jose Ferrer)
Julie Hagerty	...	Dulcy
Tony Roberts	...	Maxwell
Mary Steenburgen	...	Adrian
Adam Redfield	...	Student Foxx
Moishe Rosenfeld	...	Mr. Hayes
Timothy Jenkins	...	Mr. Thomson
Michael Higgins	...	Reynolds
Sol Frieder	...	Carstairs
Boris Zoubok	...	Purvis
Thomas Barbour	...	Blint
Kate McGregor-Stewart	...	Mrs. Baker

También conocida como:

Comedia sexual en una noche de verano (Argentina) [es]
La comedia sexual de una noche de verano (Spain) [es]

Duración:

88 min

País:

USA

Idioma:

Inglés

Color:

Color (Technicolor)

Sonido:

Mono

Clasificación:

Singapore:NC-16 | Iceland:12 | Australia:M | Canada:PG (Ontario) | Netherlands:12 | Argentina:13 | Finland:K-12 | France:U | Sweden:11 | UK:15 | USA:PG | West Germany:12

Locaciones de Filmación:

Columbia University - Broadway & 116th Street, Manhattan, New York City, New York, USA

Compañía:

Orion Pictures Corporation

Trivialidades:

Woody Allen wrote the screenplay in 2 weeks.

Errores:

Personal o Equipo Visible: About thirteen minutes into the movie, a crew member is visible crouched by a tree, as a deer runs through the woods.

Citas:

Ariel: How's your marriage?
Andrew: My marriage is fine.
Ariel: Ya?...
Andrew: It's not working but it's fine.

Conexiones de Película:

Referenced in Can She Bake a Cherry Pie? (1983)

Banda de Sonido:

Violin Concerto in E Minor, Opus 64

Woody Conjures Sex Magick!

Bergman meets Shakespeare meets Kafka in this wonderful, perplexing and mystical film, not a hit when originally released but definitely one of Allen's most accomplished works, and a prototype for mature later films such as HUSBANDS AND WIVES. Everyone in this film is great at being full of themselves, tripping over their egos and neuroses and trying like hell to escape their lives by running away, into the woods or each others' arms. Allen gets a chance to air his beloved ad-nauseum philosophizing, which tends towards nihilism but has elements of naive mysticism as well. There is, indeed, a sense of deep magic in this film, of supernatural forces being an unseen dynamic partner in human affairs. For Allen, a lifelong atheist, this is virtually a religious confession! A very, very interesting film that holds up real well.