Walking the Edge (1985) User Reviews

Action-thriller above average

[gaus · 7/10 · 5 November 1999]

An exiting and sometimes violent action-thriller with good actors and a good story. Kwan plays a housewife who is married to a gangster (without knowing it). When her family is brutally murdered by some other gangsters, and she manages to escape, she swears revenge to those who killed her son. She seeks cover with a taxi-driver (Forster) who ends up helping her with her bloody revenge.

Good action from the 1980's (7 out of 10)

Pushed one too many times. Something has gotta break!

[lost-in-limbo · 7/10 · 1 February 2008]

Around this time vigilante/revenge films were the in-thing to cash-in on the movie market, but some kinda slipped passed the radar like "Rolling Thunder" and especially Nobert Meisel's solid, but tough little item "Walking the Edge". So before Robert Forster and Joe Spinell teamed up in William Lustig's "Vigilante", they together starred in this urban crime/revenge flick that is very well done for what was made on a minor budget and quick time frame. Holding a raw, taut edge the story was a little more thoughtful in the way it came across, unlike many rash and downright average exploitative revenge films that flooded the times. It's more talkative than expected. However it still had a punishing intensity, and moments of gutsy violence and suitably sardonic humour. Lending to the deep-rooted feel is Jay Chattaway's funky, upbeat blues score. Although what really makes the movie has got to be Forster's strong, detailed central performance, and likewise Spinell's excellently scummy head thug. Nancy Kwan has a potent presence too. The support cast; A Martinez, Wayne Woodson and James McIntire are reasonably fine.

Small 80s action-thriller

[parkerbcn · 6/10 · 11 June 2021]

This is a small action-thriller of the vigilante subgenre, so popular in the 80s, with the great Robert Foster being forced to help a woman to find revenge against the gang that murder her family. The villain is performed by the always creepy Joe Spinell and the movie manages to keep things interesting, even with its extreme low budget and very thin script. The acting of these two and the grittiness of the film is by far the best of it.

THANK GOODNESS FOR NANCY'S ZYGOMATIC BONES!!!

[sferber · 16 January 2003]

You've got to feel a little sorry for Nancy Kwan's character at the beginning of "Walking the Edge." She's just found out that her husband has been pushing drugs to school kids, and then watches as that husband and her young son are snuffed out by a quartet of L.A. thugs. She escapes from this carnage, only to suffer a mental breakdown and subsequent institutionalization. And that's just the first five minutes of what turns out to be a fairly standard revenge story, but one graced by fine acting from Robert Forster and the inimitable Ms. Kwan. Forster plays an average-Joe guy, the type he excels at; he's a part-time cabby and also a runner for a numbers racket. Like the Nancy Kwan character, life has pushed him around a bit too much lately: His old lady has been cheating on him, he can't muster the gumption to lean on bad debtors, and he doubts whether he will ever become a Big League pitcher, his dream. But when he gets involved with Nancy's revenge scheme, his life takes a sudden turn... I'd like to say that this movie was well-done fun, but the fact of the matter is, although I enjoyed it up to a point, I am still objective enough to know the smell of cheese when I sniff it. Yes, the acting is adequate, as is the editing, and the directing (by Ms. Kwan's husband), but still, something was missing for me. Perhaps it's the fact that the script contains an unbelievable amount of cursing and profanity. Now, don't get me wrong, I'm not a prude when it comes to language. But when every other sentence is "F that" and "Mother this," it gets a bit redundant. The next time I see this movie (if there is a next time), I think I'll try counting just how many obscenities there are. My rough guess would be around 350. In addition, the vengeance that Kwan and Forster take on the thugs at the end of the film is waaay to simply accomplished. Granted, these bad guys are a bunch of real goofballs, but Forster and Kwan have a much too easy time of it. Just about every character in this film is either a thug, a drug addict, a hooker...certainly no City of Angels, that's for sure! The film also features gory shots of shot-up victims, a drill-torture scene, multiple knifings, fisticuffs, and loud punk rock. This is a far cry from Fred and Ginger doing "The Continental," but for some people, hey, "That's Entertainment"! I'm trying to be objective here, but the fact of the matter is, the mere presence of Nancy Kwan in any movie is enough to guarantee me a fun time. Nancy, 44 years old in this movie--and more than twice her age in her yummy "Suzie Wong" debut--looks absolutely stunning. What a physiognomy! What zygomatic bones! The high point of this film, for me (and this should tell you something about the film in a nutshell), is when Nancy, injured after having had a hubcap "Frisbee'd" into her ribs, takes off her blouse and stands around in her bra. Does anyone out there know how to say "Be still, my quivering gonads" in Chinese?

"I'm not a coward, but I'm not a hero."

[Hey_Sweden · 6/10 · 14 July 2023]

Robert Forster is his ever-engaging self as Jason Walk, a ballplayer turned part time cabbie & part time numbers runner. He finds his life torn asunder when Christine Holloway (Nancy Kwan), a woman on a suicidal revenge mission, hires his cab. He lets her know in no uncertain terms that he's very unhappy about what she's gotten him into, and yet he is undeniably driven to protect her. The villain is a crime figure named Brusstar (Joe Spinell), who's murdered Christines' lowlife husband; their son also got killed in the crossfire.

"Walking the Edge" is no great shakes as revenge thrillers go, but it's certainly watchable. Forster really makes a lot of the difference, creating another average-Joe protagonist for whom you can easily root. Kwan is less satisfying, but she & Forster do have an interesting, antagonistic chemistry. (She actually has the nerve to accuse him of bungling her mission.). Spinell (who'd also acted with Forster in another revenge thriller, "Vigilante") is always good value; one of his main character traits is that he hates being addressed as "Bruce", and he frequently butts heads with McKee (Wayne Woodson), his number two guy who would like to be number one.

Also featuring other familiar faces such as A Martinez, Doug Toby, Luis Contreras, Ivy Bethune, Jacqueline Giroux, Aarika Wells, and Frankie Hill, this had a long road to the screen. It was filmed in 1982, but legal issues prevented it from being released until 1985.

Also notable for a typically strong Jay Chattaway score.

Six out of 10.

Robert Forster vehicle playing a cabbie who decides to deal out justice in his own hands against maniacal killers

[ma-cortes · 5/10 · 13 November 2013]

Violent film packs suspense , noisy action-packed , intrigue, thrills and lots of violence . They drove him to the edge, and on the edge there are no rules , all hell broke loose when they stopped .. . Regular crime thriller of the 80s that went on the ¨Vigilante genre¨ which Bronson had created as architect Paul Kersey turned avenger . A Los Angeles taxi driver named Jason (Robert Forster) , whom also works as a collector , crosses paths and later helps a distraught widow called Christine (Nacy Kwan) on the run from mobsters after a quartet of heinous hoodlums murder her family . The nasties stalk the couple who is submitted to a brutal hot pursuit and Jason protects her . Both of them get caught up in the crime underworld of the city . The taxi man takes the law into his own hands, searching vengeance on crooks, hoodlums and muggers . Jason seeks vendetta , shooting in cold blood , abusing on civil rights and killing mercilessly nasties. Finally, there happens a moving , edge-of-your-seat climax .

This exciting movie contains thrills , chills , suspense , noisy action-packed , gun-play and lots of violence and some gore , including obnoxious executions . It's certainly thrilling , though the morality may be questionable , even in this time, as the spectators were clearly on the Jason/Robert Forster side . This disgusting story looks increasingly passionless and mechanical and violence seems to be considered some moment excessive . Passable acting by Robert Forster as a yellow cab man as well as numbers runner for a local mobster , turned vigilante seeking to revenge and Nancy Kwan as a mature woman affected for the murder of her husband and son . Forster does what he can with this lousy screenplay and story . Acceptable support cast such as A Martinez as Tony , Jim Fitzpatrick as Body Guard , James McIntire as Jimmy and Joe Spinell as Brusstar . Crispy and screeching musical score by Jay Chattaway , usual composer of the 8os . The motion picture was middlingly directed by Norbert Meisel , husband's Nancy Kwan . This exciting but mediocre film belong to ¨Vigilante genre¨ whose main representations are ¨Charles Bronson's Death Wish¨ such as ¨Death wish II¨ ¨Death wish III¨ , ¨Death Wish 4 : The crackdown¨and ¨Death Wish: The face of death¨ and , of course , ¨Clint Eastwood's Dirty Harry¨ movies , such as ¨The enforcers¨, ¨Sudden impact¨ , ¨The dead pool¨ . Furthermore , other notorious movies on the ¨Revenger¨ genre that achieved their splendor in the eighties are the followings : ¨Exterminator¨ I and II with Robert Ginty ; ¨Dark Angel¨ with Betty Russell ; ¨Steele Justice¨ with Martin Kove ¨; ¨The Punisher¨ with Dolph Lundgren , ¨Joe Don Baker's Walking tall¨ saga ; ¨Lorenzo Lamas's Snake eater¨ saga , ¨Arnold's Raw Deal¨ , ¨Stallone's Cobra¨ and many others .

Solid slice of 80's urban exploitation sleaze

[Woodyanders · 8/10 · 4 May 2022]

Down on his luck L. A. cabbie Jason Walk (a typically excellent and engaging performance by Robert Forster) helps the desperate Christine Holloway (well played by Nancy Kwan) get revenge on a gang of vicious no-count hoodlums led by the sadistic Brusstar (Joe Spinell in top scuzzy and menacing form). Said gang are responsible for killing Christine's son and husband.

Director Norbert Meisel relates the gripping story at a constant pace, maintains a tough gritty edge throughout, offers a vivid evocation of the more seedy and dangerous side of Los Angeles, and delivers several moments of savage violence which pack a jolting punch.

Curt Allen's compact script presents a colorful array of sharply drawn characters along with lots of choice profane dialogue. Moreover, there are sturdy supporting contributions from A. Martinez as Jason's loyal and concerned best friend Tony, James McInire as the brutish Jimmy, Wayne Woodson as the slimy McKee, Aarika Wells as lusty barmaid Julia, Frankie Hill as sassy hooker Delia, and Luis Contreras as the hot-tempered Jesus. Kudos are also in order for Jay Chattaway's pulsating'n'propulsive score. An on the money B-grade flick.

Hampered by Low Budget and Uneven Acting

[Uriah43 · 4/10 · 22 July 2019]

After witnessing the murder of her husband and son at the hands of drug dealers, "Christine Holloway" (Nancy Kwan) is emotionally traumatized to the point that she is temporarily committed to a sanitarium to assist in her recovery. That being said, when she is eventually released she becomes obsessed with the idea of obtaining her revenge upon those who killed her family. Meanwhile, a taxi driver by the name of "Jason Walk" (Robert Forster) is also having his own personal problems which are only exacerbated with his other job as a collector for a local numbers racket. Unfortunately for him, things quickly go from bad to worse one day when he reluctantly picks up a woman in his taxi who asks to be taken to a couple of locations. Little does he realize that this same woman is about to shoot and kill two different men and that he is soon to be considered as an accessory to these murders. Now rather than reveal any more I will just say that this could have been a good crime-drama under the right circumstances but the apparent low budget and uneven acting greatly hampered that effort. Even so, I don't consider this to be a bad film by any means and for that reason I have rated it accordingly. Slightly below average.

"What the hell ya think this is? Some penny arcade, pissy white-jive nickel-dime 8-ball game?"

[moonspinner55 · 3/10 · 30 September 2017]

Fairly awful revenge flick casts Robert Forster as a former ball player-turned-cab driver, operating a vintage yellow-checker taxi in Los Angeles, who is hired by a smartly-dressed Asian woman packing heat. She's on a personal mission after seeing her husband and teenage son murdered by a low-life drug dealer and his goons. Seems the husband was dealing to kids behind her back and holding out on his 'friends'; now she's out to settle the score, and the cabbie finds himself sympathetic to her cause. Curt Allen's florid, overwritten dialogue doesn't appear to trip up the players (Forster, Nancy Kwan, A Martinez or cult character actor Joe Spinell), but after awhile it becomes clear Allen doesn't have any other talent beyond inventively stringing together f-bombs and n-words. The violence is standard for '80s B-grade trash, while the loving relationship between Forster and Kwan blossoms out of nowhere. *1/2 from ****

Routine vengeance melodrama

[lor_ · 15 February 2023]

My review was written in January 1985 after a Times Square screening.

Filmed in 1982 under the title "A Deadly Chase", "Walking the Edge" is an antiquated vengeance picture, harking back in most respects to the blaxploitation cycle of a decade earlier. Action prospects are modest for this indie acquisition released by Charles Band's Empire Pictures.

In a strong central performance (overcoming extreme deficiencies in Curt Allen's scriptingand Norbert Meisel's directing), Robert Forster toplines as an L. A. cabbie and numbers runner named Jason Wall, accidentally thrown in with femme-in-trouble Christine (Nancy Kwan), whom he adopts as a protector against gangsters led by the nasty Brusstar (typecast Joe Spinell). One of several irritating plot gaps has Christine suddenly resurfacing, after a violent teaser, opening which has Brusstar and cohorts kill her husband and son, to become a one-woman vengeance squad inolving cabbie Wall.

While harboring Christine at his house and continuing his daily numbers rounds, Wall gradually catches the revenge bug himself, particularly when his garage mechanic buddy Tony (A Martinez0 is brutally tortured and killed by Brusstar. Pic ends unsatisfyingly with star duo having successfully wiped out all the bad guys and facing a non-future.

Qualifying as a B-movie at least two decades after the Bs went out of fashion, "Edge" lacks the colorful casting and intriguing plot twists that made such pictures delightful.

Gore is substituted for exciting action setpieces and the vulgar dialog will need considerable laundering for tv use. Apart from Forster, who inserts sly touches to take the sting out of another sadistic anti-hero, acting honors go to Frankie Hill, stopping the show as a feisty prostitute who first castigaes Wall but later helps him out in a pinch.