The Year of Living Dangerously (1982)

Calificación de los usuarios:

7.0/10   

Director:

Peter Weir

Escritores:

C.J. Koch (novel)
C.J. Koch (screenplay)

Fecha de Lanzamiento:

21 enero 1983 (USA)

Género:

Drama | Romance | Guerra

Frase comercial:

A Love Caught In The Fire Of Revolution

Plot:

A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.

Plot Keywords:

President | Photographer | Foreign Correspondent | Political | Australian

Premios:

Won Oscar. Another 7 wins & 15 nominations

Comentarios de los usuarios:

Politics, Mysticism and Romance

Reparto

Mel Gibson	...	Guy Hamilton
Sigourney Weaver	...	Jill Bryant
Linda Hunt	...	Billy Kwan
Michael Murphy	...	Pete Curtis
Bill Kerr	...	Colonel Henderson
Noel Ferrier	...	Wally O'Sullivan
Bembol Roco	...	Kumar
Paul Sonkkila	...	Kevin Condon
Ali Nur	...	Ali
Dominador Robridillo	...	Betjak Man
Joel Agona	...	Palace Guard
Mike Emperio	...	Sukarno
Bernardo Nacilla	...	Dwarf
Domingo Landicho	...	Hortono
Hermino De Guzman	...	Immigration Officer

También conocida como:

El año que vivimos en peligro (Argentina) [es]
El año que vivimos peligrosamente (Spain) [es]

Duración:

115 min

País:

Australia

Idioma:

Inglés | Tagalog | Filipino | Indonesio

Color:

Color (Metrocolor)

Relación de Aspecto:

2.35 : 1

Sonido:

Mono

Clasificación:

Argentina:Atp | Iceland:16 | South Korea:12 | Australia:M | Finland:K-16 | Singapore:PG | Sweden:15 | UK:PG | USA:PG | West Germany:16

Locaciones de Filmación:

Artransa Park Film Studios, Mobbs Lane, Epping, Sydney, New South Wales, Australia

Compañía:

McElroy & McElroy

Trivialidades:

Peter Weir cast Linda Hunt in the role of Billy Kwan after failing to find a male actor who could play the part in the way he wanted.

Errores:

Anacronismos: Billy's still camera is a Nikon F2 Photomic, which was not released until 1971, while the film takes place in 1965.

Citas:

Billy Kwan: I would have given up the world for her. You wouldn't even give up one story.

Conexiones de Película:

Referenced in Between Two Worlds: The Making of 'Witness' (2005) (V)

Banda de Sonido:

Beim Schlafengehen

Politics, Mysticism and Romance

In "The Year of Living Dangerously" director Peter Weir attempts much and accomplishes most of his goals. It's a socio-political essay on the dangers of Western meddling in Third World countries. It's a fascinating view into the challenges of journalism in a volatile foreign country. It's a steamy romance involving two beautiful, intelligent characters. It's a distinctly Far Eastern morality play that seems to delight in yin/yang paradoxes. Plus it's one of the best films at evoking the mood, texture, and sensuality of life in Southeast Asia. Don't be too harsh on Weir for the lapses in historic accuracy and plotting, because it's a complicated, busy landscape he is painting here. The best things about the film are:

-Linda Hunt's amazing performance. Unlike other gender-bending performances (Julie Andrews in "Victor/Victoria", Dustin Hoffman in "Tootsie") you never once give any thought to the fact that this is a woman playing a man. It's a seamless transition and a performance of immense heart and honesty. The image of a distraught Billy pounding at his typewriter, pleading "What then must we do?" while an aria swells around him and the eyes of Jakarta's poor stare at him from his own photographs, is an incredibly moving scene.

-The atmosphere created by the combination of Russell Boyd's cinematography and Maurice Jarre's score. Take a look at the scene with Weaver walking through the streets of Jakarta in a tropical downpour. The effect is breathtaking.

-The chemistry between Gibson and Weaver. You can feel the heat between them. Unlike other posters here, I believe their romance is one of the film's strong points.

I agree that the ending is a bit of a letdown, but it doesn't diminish Weir's accomplishments. "The Year of Living Dangerously" is a startling unique film, and certainly one his best.