A year after Liberation Day, courtesy of the red-dust bacteria, the humanoid, lizard-like aliens develop a resistance to the micro-organism and try to regain control of the Earth--only now some humans are knowingly working with them.
The evil Diana, captured and set to stand trial for her crimes against the human race, is kidnapped by corrupt corporate magnate Nathan Bates, who wants to know the secrets of the Visitors' advanced ...
The Earth has been invaded by lizard-like beings from another planet called Visitors. A small resistance of rebels led by photojournalist Mike Donovan, Dr. Julie Parrish and mercenary Ham Tyler fight the Nazi-like reign. The aliens usually appear disguised as humans, and are led by Diana, their queen. Written by
Marty McKee <email@example.com>
The Visitors were implied in the original V to be at war with another alien species, but this angle is never mentioned in the ongoing series. See more »
[Nathan Bates is apparently collaborating with the Visitors]
We know Bates is in bed with Diana.
Really? I did not know that.
It's a figure of speech, Willie.
With Diana... one never knows.
See more »
Real-life newscaster Howard K. Smith, who has a recurring cameo in this series, is sometimes given a guest star credit on episodes in which he does not appear. See more »
Premiering in the Fall of 1984 (NBC, Oct.26, Fri 8-9p), just a few months after the mini-series sequel, 'V - The Final Battle', 'V' was now in the form of a weekly hour long sci-fi/action/adventure series.
In mid-season, (Feb. 1985), NBC re-vamped the sci-fi/soap opera, and moved it to a later time slot, yet it did little to save this embarrassment; any resemblance to Kenneth Johnson's original 1983 classic had been vaporized.
The most expensive and violent show on television at the time, 'V - The Series' was a critical and ratings disaster that will leave the viewer bewildered and in disbelief, yet strangely mesmerized.
Unintentionally hilarious and incredibly 80's, all nineteen episodes have a unique inane charm and many memorable moments. Every episode will entrance the viewer, largely based on sloppiness and the over-abundance of flaws.
True camp that's super-melodramatic and very funny, be on the lookout for 'Oswald', the (alien, or 'gaylien') gay-stock character, debuting in episode fifteen.
Quite possibly the worst sci-fi series, if not series, ever produced, one cannot help but to enjoy this train wreck.
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