| Photos (see all 68 | slideshow) | Videos (see all 2 videos ) |
Dirigida por | |||
| David Lynch | |||
Créditos del guión | ||
| Frank Herbert | (novel) | |
| David Lynch | (writer)(television versions) (as Judas Booth) | |
Producida por | |||
| Dino De Laurentiis | .... | executive producer | |
| Raffaella De Laurentiis | .... | producer | |
| José López Rodero | .... | associate producer | |
Música original por | |||
| Steve Lukather | (as Toto) | ||
| David Paich | (as Toto) | ||
| Jeff Porcaro | (as Toto) | ||
| Mike Porcaro | (as Toto) | ||
| Steve Porcaro | (as Toto) | ||
Fotografía por | |||
| Freddie Francis | |||
Montaje por | |||
| Antony Gibbs | |||
Casting | |||
| Jane Jenkins | |||
Diseño de producción por | |||
| Anthony Masters | |||
Dirección artística | |||
| Pier Luigi Basile | (supervising art director) | ||
| Benjamín Fernández | (as Benjamin Fernandez) | ||
Decorados | |||
| Giorgio Desideri | |||
| Jorge Sainz | |||
Diseño de vestuario por | |||
| Bob Ringwood | |||
Departamento de maquillaje | |||
| Giannetto De Rossi | .... | creative makeup | |
| Mirella De Rossi | .... | chief hair stylist | |
| Luigi Rocchetti | .... | makeup artist | |
| Mara Rossi | .... | wig maker | |
| Mario Scutti | .... | makeup artist | |
| Mauro Tamagnini | .... | hair stylist | |
| Jean Ann Black | .... | makeup artist (uncredited) | |
| Christopher Tucker | .... | special makeup effects artist (uncredited) | |
Dirección de producción | |||
| Anuar Badin | .... | production supervisor | |
| Vicente Escrivá hijo | .... | production supervisor (as Vicente Escriva) | |
| Anselmo Parrinello | .... | production supervisor | |
Ayudante de dirección | |||
| José López Rodero | .... | first assistant director | |
| Ian Woolf | .... | dga trainee | |
| Víctor Albarrán | .... | first assistant director: second unit (uncredited) | |
| James Devis | .... | assistant director (uncredited) | |
| Ignazio Dolce | .... | second unit director (uncredited) | |
| Miguel Lima | .... | second assistant director (uncredited) | |
Departamento de sonido | |||
| Derek Brechin | .... | assistant sound editor | |
| Teresa Eckton | .... | sound editor | |
| Donald Flick | .... | foley editor | |
| John Haptas | .... | boom operator | |
| Lee Haxall | .... | assistant sound editor | |
| Ann Kroeber | .... | assistant sound editor | |
| Patricia Lee | .... | assistant sound editor | |
| Edward Malone | .... | assistant sound editor | |
| Steve Maslow | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Jerry Ross | .... | foley editor | |
| Leslie Shatz | .... | sound editor | |
| Alan Splet | .... | sound designer | |
| Nelson Stoll | .... | sound mixer | |
| Bill Varney | .... | sound re-recording mixer | |
| Les Wiggins | .... | sound editor | |
| Martin Maryska | .... | assistant sound editor (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Efectos especiales | |||
| John Baker | .... | special effects floor chief | |
| Antonio Balandin | .... | special effects assistant | |
| Jeff Clifford | .... | special effects floor chief | |
| Terence J. Cox | .... | special effects assistant (as Terry Cox) | |
| Yves De Bono | .... | special effects engineer | |
| Lyle Eckmeier | .... | special effects assistant | |
| Charles L. Finance | .... | special effects coordinator | |
| Rodney Fuller | .... | special effects floor chief | |
| Dino Galiano | .... | special effects floor chief | |
| Jeremy Gibbs | .... | special effects editor | |
| Dirck Halstead | .... | special photography | |
| John Hatt | .... | special effects electronic unit chief | |
| Steve Humphrey | .... | special effects assistant (as Stephen Humphrey) | |
| Andrew Kelly | .... | special effects assistant | |
| Terry Knowles | .... | special effects assistant | |
| Barry Nolan | .... | special photographic effects | |
| Antonio Parra | .... | special effects floor chief | |
| Carlo Rambaldi | .... | creature creator | |
| Stanley W. Sayer | .... | special photography consultant (as Stanley Sayer) | |
| Ronnie Skinner | .... | special effects rigger (as Ron Skinner) | |
| John K. Stirber | .... | special effects flying unit chief (as John Stirber) | |
| Phil Stokes | .... | special effects assistant (as Philip Stokes) | |
| Bruno Van Zeebroeck | .... | special effects assistant | |
| Kit West | .... | mechanical special effects | |
| Trevor Wood | .... | special effects assistant | |
| Gary Zink | .... | special effects assistant | |
Visual Effects | |||
| Tom Anderson | .... | blue screen unit | |
| Peter Bohanna | .... | model shop supervisor | |
| Mike Cobos | .... | creature modelmaker | |
| Ralph Cobos | .... | creature modelmaker | |
| Tom Connors | .... | creative sculptor | |
| Bryan Cooke | .... | optical lineup | |
| Syd Dutton | .... | matte painter | |
| Mark Freund | .... | optical printer operator | |
| Dennis Glouner | .... | matte photography | |
| Robert Habros | .... | optical technician | |
| Devorah Hardberger | .... | optical coordinator | |
| Patt Harrison | .... | optical coordinator | |
| Kevin Koneval | .... | blue screen unit | |
| John Kuhlman | .... | optical lineup | |
| Richard Malzahn | .... | visual effects: graphics | |
| Laurie Marems | .... | creative sculptor | |
| Ray Monahan | .... | optical printer operator | |
| Deborah J. O'Brien | .... | optical printer operator | |
| Bill O'Sullivan | .... | optical lineup | |
| Christine Overs | .... | model maker | |
| Mark Pokrzywnicki | .... | optical technician | |
| Dick Ramirez | .... | optical printer operator | |
| Gus Ramsden | .... | model maker | |
| Emilio Ruiz del Río | .... | foreground miniatures (as Emilio Ruiz del Rio) | |
| Frank Schepler | .... | creature operator (as Frank W. Shepler) | |
| Paolo Scipione | .... | creature operator | |
| Brian Smithies | .... | model unit supervisor | |
| Jacinto Soria | .... | model maker | |
| Charles Staffell | .... | front projection consultant | |
| Eric Swenson | .... | motion control | |
| Bill Taylor | .... | matte photography | |
| Steven Townsend | .... | creature operator | |
| Danielle Versè | .... | model maker | |
| Albert Whitlock | .... | additional special visual effects (as Albert J. Whitlock) | |
| Mark Whitlock | .... | assistant matte painter | |
| William Whitten | .... | creative sculptor | |
| David S. Williams Jr. | .... | optical lineup | |
| Steven Willis | .... | creature operator (as Steve Willis) | |
| Charles L. Finance | .... | visual effects coordinator (uncredited) | |
| Jammie Friday | .... | rotoscope: Van der Veer Photo Effects (uncredited) | |
| Michael Douglas Middleton | .... | visual effects still photographer (uncredited) | |
| Judith Miller | .... | conceptual model builder (uncredited) | |
| Christopher S. Ross | .... | model maker (uncredited) | |
Especialistas | |||
| Dickey Beer | .... | stunts (as Dickie Beer) | |
| Tony Brubaker | .... | stunts | |
| Will Harper | .... | stunts | |
| Richard Humphreys | .... | stunt coordinator | |
| Henry Kingi | .... | stunts (as Henri Kingi) | |
| Wayne Michaels | .... | stunts | |
| Kiyoshi Yamasaki | .... | fight coordinator (as Kiyoshi Yamazaki) | |
| Vic Armstrong | .... | stunts (uncredited) | |
| Richard Humphreys | .... | stunts (uncredited) | |
| Wendy Leech | .... | stunts (uncredited) | |
| Scott Wilder | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alan Annand | .... | focus puller | |
| Chic Anstiss | .... | camera operator (as Chick Anstiss) | |
| James Devis | .... | cinematographer: additional unit | |
| Frederick Elmes | .... | cinematographer: additional unit | |
| Ed George | .... | clapper loader | |
| Gordon Hayman | .... | camera operator | |
| Gerhard Hentschel | .... | camera maintenance | |
| Roy Larner | .... | supervising gaffer | |
| Ignazio Maccarone | .... | production electrician | |
| John Matthews | .... | best boy | |
| Shane O'Neill | .... | clapper loader | |
| Tim Ross | .... | focus puller | |
| Maria Schiavone | .... | gaffer | |
| George Whitear | .... | still photographer | |
| Ken Worringham | .... | camera operator | |
| Douglas Evan Hersh | .... | best boy electric (uncredited) | |
| René Marquéz | .... | electrician (uncredited) | |
Casting Department | |||
| Maggie Cartier | .... | casting: UK | |
Costume and Wardrobe Department | |||
| Thomas Casterline | .... | wardrobe supervisor | |
| Barbara Higgins | .... | wardrobe cutter | |
| Ana Maria Infante | .... | wardrobe mistress | |
| Mary Etta Lang | .... | wardrobe dyer | |
| Edward Percival | .... | wardrobe cutter | |
| Cyril Streeter | .... | wardrobe cutter | |
| Nadia Vitali | .... | wardrobe supervisor | |
| Mary E. Vogt | .... | wardrobe dresser (as Mary Vogt) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Debbie Harkness | .... | assistant cutter | |
| Aubrey Head | .... | negative timer | |
| Adam Masters | .... | apprentice film editor | |
| Kate Orr | .... | assistant cutter | |
| Penelope Shaw | .... | assistant editor | |
| Rosemarie Urioste | .... | apprentice film editor | |
| Roz Ward | .... | assistant cutter | |
| Patricia Lee | .... | assistant editor (uncredited) | |
| Carlos Puente | .... | assistant editor (uncredited) | |
Music Department | |||
| George Brand | .... | music editor | |
| Brian Eno | .... | composer: prophecy theme | |
| Roger Eno | .... | composer: prophecy theme | |
| Allyn Ferguson | .... | additional orchestrator | |
| Tom Knox | .... | score mixer | |
| Daniel Lanois | .... | composer: prophecy theme | |
| Shep Lonsdale | .... | score mixer | |
| Gilbert Marouani | .... | music consultant | |
| Marty Paich | .... | composer: additional music | |
| Marty Paich | .... | conductor | |
| Jeff Porcaro | .... | musician: drums | |
| Al Schmitt | .... | music coordinator | |
Transportation Department | |||
| Arturo Curiel | .... | driver | |
| Alfonso Paredes | .... | driver (uncredited) | |
| Carlos Ponce de León | .... | transportation captain (uncredited) | |
Otros miembros del equipo | |||
| Margaret Anderson | .... | dialect coach | |
| Ginette Angosse | .... | production assistant | |
| Yvonne Axeworthy | .... | script supervisor | |
| Len Barnard | .... | production accountant | |
| Jose Bolano | .... | chief puppeteer (as José Bolaño) | |
| Mary Breen-Farrelly | .... | accountant | |
| William Bryan | .... | suit master foamsmith (as William C. Bryan) | |
| Frances Bunch | .... | graphics technician | |
| Janis Bunch | .... | graphics technician | |
| Jeffrey A. Burks | .... | graphics technician | |
| Ann Busby | .... | legal consultant | |
| Rebecca Bush | .... | graphics technician | |
| Craig Campobasso | .... | production office assistant | |
| Jerry Cormier | .... | administrative staff | |
| Eduardo De La Grana | .... | assistant accountant | |
| Antonio del Amo | .... | chief puppeteer | |
| James Devis | .... | supervisor: additional unit | |
| Frederick Elmes | .... | supervisor: additional unit | |
| Damian Evans | .... | administrative staff | |
| Kevin Freemantle | .... | assistant accountant | |
| Gerald Green | .... | technical advisor | |
| Hester Hargett | .... | production assistant | |
| Michael Jones | .... | milliner | |
| Edward A. Kanto | .... | medical consultant | |
| Giuseppe La Rocca | .... | chief puppeteer | |
| Kuki López Rodero | .... | assistant: Mr. Lynch (as Kuki Lopez Rodero) | |
| Liz Lord | .... | graphics technician | |
| Angelo Marta | .... | chief puppeteer | |
| Antonio Marta | .... | chief puppeteer | |
| Michael Menzies | .... | post-production accountant | |
| Sherrye Mossuto | .... | production assistant | |
| January Nordman | .... | graphics technician | |
| Golda Offenheim | .... | production coordinator | |
| Don Post | .... | suit development | |
| Juan Clemente Prosper | .... | location manager (as Juan Clemente) | |
| Katie Rauch | .... | graphics technician | |
| Robert B. Schaefer | .... | title lettering designer (as Robert Schaefer) | |
| Tito Serini | .... | chief puppeteer | |
| Margy Stein | .... | administrative staff | |
| Anne Strick | .... | project coordinator | |
| Anne Strick | .... | unit publicist | |
| Val Van der Veer | .... | administrative staff | |
| Debbie Van Hoek | .... | office coordination accountant | |
| Umberto Ventura | .... | chief puppeteer | |
| Leslie Werner | .... | production assistant | |
| Megan Williams | .... | graphics technician | |
| Gerald Green | .... | technical advisor (uncredited) | |
| Harry Kopoian | .... | airport liaison: Mexico (uncredited) | |
| John Naulin | .... | still suits fabrication supervisor (uncredited) | |
| Mark Siegel | .... | creature maker (uncredited) | |
| Mark Siegel | .... | puppeteer (uncredited) | |
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| The Chronicles of Riddick | Star Wars: Episode II - Attack of the Clones | Star Wars: Episode III - Revenge of the Sith | Stargate | Star Wars |
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| Full cast and crew | Company credits | External reviews |
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Yeah, DUNE sure is the runt of the Lynch litter but there are still aspects of it that I really love, even for all its cockeyed, club-footed awkwardness.
I didn't see this movie for approximately a decade because it had the reputation, still held in most quarters, of being one of the most infamous bombs of recent memory. However, despite my initial indifference I caught it - by complete accident - on free-to-air TV one night and was immediately hooked from the first sight of its memorable, unexpected future-baroque production design. From that point on, being led through the strange world of the Emperor and his entourage on Kaitain, the oddly-garbed Bene Gesserit Sisterhood, and the Guild Navigator emissaries in all their variously-staged mutated splendour, I was hopelessly infatuated with all things DUNE.
Now, I am fully aware that by most conventional definitions DUNE is not a good film. Actually, since having read all the books in the DUNE saga I am astonished to think that anybody thought that such a property could ever be a commercially viable option for mainstream cinema. It has concepts that tend to demand your full attention, which is mostly box office poison. However I loved the sheer scope of it, the fact that I was being bombarded with scores of unfamiliar terms and concepts which to me had always been the essence of pure science fiction. That it made for a choppy and often confusing cinematic experience mattered to me not at all. I was too much in love with the idea of it all and the weird, alien ambiance which only Lynch could have given the movie. Atreides, Harkonnens, Mentats, Fremen, Sandworms - I just wanted more, more, more. Superb cast, alluring music, stunning visuals - all contributing to an uncommonly arresting, unquestionably unique, cinematic experience.
For all its failures I can't even imagine what any contemporary of Lynch might have done with the material. My point is this: David Lynch's DUNE, warts and all, made me excited enough to want to read all the books in Herbert's sprawling saga. These volumes had been around for years. I'd seen them gathering dust in my local public library yet I felt no compulsion to read them. After seeing DUNE I couldn't wait to rush down and grab them off the shelves. That's why I'll always defend the film and why I refuse to write it off as the disastrous failure that so many regard it to be. In my mind DUNE is a success because it completely sold me on Frank Herbert's universe - a no more strangely beautiful, intellectually stimulating nor fascinating one had I ever seen on film - and compelled me to go ever further into it. I do accept most of the criticisms that the casual moviegoer has of the film but I simply can't hate it.
In short, if you are curious about the film and are familiar with all the bad and discouraging press it has received over the years, yet remain a fan of exceptional fantasy or science fiction, do not be discouraged. You may find that it has elements that may just move you, bewilder you, or tantalise your imagination. You may come to agree, like a growing number of us, that it really is not so deserving of the excoriation that it has suffered at the hands - or pens - of its harshest critics. If you go into it with a forgiving mindset then you may be well rewarded. And then - if you haven't already - read the saga itself. It is formidably great!