| Gustavo Angarita | ... | Juan Sayago | |
| Sebastián Ospina | ... | Julian Moscote | |
| Jorge Emilio Salazar | ... | Pedro Moscote | |
| María Eugenia Dávila | ... | Mariana | |
| Lina Botero | ... | Sonia | |
| Enrique Almirante | ... | Mayor | |
| Carlos Barbosa | ... | Doctor | |
| Mónica Silva | ... | Sonia's Mother | |
| Héctor Rivas | ... | Don Julio | |
| Luis Chiape | |||
| Rodolfo Miravalles | |||
| Lucy Martínez | |||
| Edgardo Román | |||
| Nelly Moreno | |||
| Patricia Bonilla | |||
| listado alfabético del resto del reparto: | |||
| Alicia De Rojas | |||
Dirigida por | |||
| Jorge Alí Triana | |||
Créditos del guión(en orden alfabético) | ||
| Carlos Fuentes | dialogue | |
| Gabriel García Márquez | writer | |
Producida por | |||
| Gloria Zea | .... | producer | |
Música original por | |||
| Leo Brouwer | |||
| Nafer Durán | |||
Fotografía por | |||
| Mario García Joya | |||
Montaje por | |||
| Nelson Rodríguez | |||
Diseño de vestuario por | |||
| Miriam Dueñas | |||
Dirección de producción | |||
| Carolina Ángel | .... | production manager | |
| Gloria Gamba | .... | production manager | |
| Efraín Gamba Martínez | .... | production manager | |
Departamento de sonido | |||
| Raúl García | .... | sound | |
Cámara y Departamento Eléctrico | |||
| Mario García Joya | .... | camera operator | |
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| Sholay | Bad Boys | The Shawshank Redemption | Fury | Call Northside 777 |
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| Reparto y Personal Completos | Créditos de la compañía | IMDb Colombia section |
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This 1985 Colombian/Cuban production had a hard act to follow, its excellent 1965 precursor by the great Mexican director, Arturo Ripstein. This version OF TIEMPO DE MORIR is a worthy remake. Its mix of Cuban and Colombian characters (though discernible by most Latin-Americans) create a non-descript Latin American atmosphere, in equally non-descript Latin American locations. This is of course in line with the author's intentions, so this Pan-Latin American feel is felt almost as well in this film as in Garcia Marquez' books. The likewise pan-Latin American themes of machismo, family honor, Catholicism, law through gun power, oppressed women, and revenge are very well presented throughout the script and by the camera. This is a little-known Latin-American film worth watching.