A legend in lesbian cinema, Monika Treut has been making films for 30 years, starting with her 1985 narrative feature Seduction: The Cruel Woman (featuring Udo Kier – not bad for a debut film), and right through to this year’s Of Girls and Horses, a poetic coming-of-age tale that also serves as a celebration of nature’s transformational power. Along the way Treut has also explored the nonfiction realm, turning her lens on everything from gender identity (1999’s Gendernauts) to Taiwanese food (2012’s The Raw and the Cooked). Filmmaker was fortunate enough to catch up with the Hyena Films co-founder (along […]...
- 6/30/2015
- by Lauren Wissot
- Filmmaker Magazine - Blog
A legend in lesbian cinema, Monika Treut has been making films for 30 years, starting with her 1985 narrative feature Seduction: The Cruel Woman (featuring Udo Kier – not bad for a debut film), and right through to this year’s Of Girls and Horses, a poetic coming-of-age tale that also serves as a celebration of nature’s transformational power. Along the way Treut has also explored the nonfiction realm, turning her lens on everything from gender identity (1999’s Gendernauts) to Taiwanese food (2012’s The Raw and the Cooked). Filmmaker was fortunate enough to catch up with the Hyena Films co-founder (along […]...
- 6/30/2015
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
It's turning out to be a pretty good year for unexpected international co-productions -- check out the Mmp ep on the superb Israeli/Australian stop-motion animated film $9.99 if you don't believe me. Now Germany and Taiwan have joined forces, not for the exquisitely designed yet affordable home entertainment system you might expect, but for German director Monika Treut's mystery/fantasy/romantic hybrid, Ghosted. Over the years, Treut has built a reputation for work that dared to venture into the more esoteric realms of human sexuality. Her Seduction: The Cruel Woman was based on Leopold von Sacher-Masoch's Venus in Furs, while Gendernauts was a documentary that focused on people who challenged conventional notions of sexual identity. But with Ghosted, she backs away from the cutting edge for a more conventional love story -- albeit one from a lesbian perspective -- about a German artist...
- 7/29/2009
- by Dan Persons
- Huffington Post
Ghosted (Directed by Monica Treut and written by Astrid Stroner), It Came From Kuchar by Jennifer Kroot, and El Niño Pez (The Fish Child) are stand-out genre films by women playing at the 2009 Outfest Film Festival.
These award-winning women directors deal with subjects like murder, revenge, twisted love, unsolved murders, and the absolutely awesome B-movie industry in their films...
Writer-director Lucía Puenzo won awards - including two prizes at Cannes - and critical acclaim all over the world for Xxy, and now the Argentine filmmaker returns with a lesbian romance that’s also a Chabrol-esque mystery thriller and a scathing examination of class differences in the South American nation. Lala (Inés Efron, whose performance has inspired comparisons to the early film roles of both Sissy Spacek and Chloë Sevigny), the privileged daughter of a powerful judge, wants to run off with her Paraguayan lover La Guayi (Mariela Vitale), a maid...
These award-winning women directors deal with subjects like murder, revenge, twisted love, unsolved murders, and the absolutely awesome B-movie industry in their films...
Writer-director Lucía Puenzo won awards - including two prizes at Cannes - and critical acclaim all over the world for Xxy, and now the Argentine filmmaker returns with a lesbian romance that’s also a Chabrol-esque mystery thriller and a scathing examination of class differences in the South American nation. Lala (Inés Efron, whose performance has inspired comparisons to the early film roles of both Sissy Spacek and Chloë Sevigny), the privileged daughter of a powerful judge, wants to run off with her Paraguayan lover La Guayi (Mariela Vitale), a maid...
- 6/3/2009
- by Superheidi
- Planet Fury
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