| Fotos (ver todos los 33 | slideshow) |
| Mon. July 13 | 1:00 AM | SPIKETV |
| Paul Newman | ... | Fast Eddie Felson | |
| Tom Cruise | ... | Vincent Lauria | |
| Mary Elizabeth Mastrantonio | ... | Carmen | |
| Helen Shaver | ... | Janelle | |
| John Turturro | ... | Julian | |
| Bill Cobbs | ... | Orvis | |
| Robert Agins | ... | Earl at Chalkie's | |
| Alvin Anastasia | ... | Kennedy | |
| Randall Arney | ... | Child World Customer #1 | |
| Elizabeth Bracco | ... | Diane at Bar | |
| Vito D'Ambrosio | ... | Lou at Child World | |
| Ron Dean | ... | Guy in Crowd | |
| Lisa Dodson | ... | Child World Customer #2 | |
| Donald A. Feeney | ... | Referee #1 | |
| Paul Geier | ... | Two Brothers / Stranger Player | |
| Carey Goldenberg | ... | Congratulating Spectator | |
| Joe Guastaferro | ... | Chuck the Bartender | |
| Paul Herman | ... | Player in Casino Bar | |
| Mark Jarvis | ... | Guy at Janelle's | |
| Lawrence Linn | ... | Congratulating Spectator | |
| Keith McCready | ... | Grady Seasons | |
| Jimmy Mataya | ... | Julian's Friend in Green Room | |
| Grady Mathews | ... | Dud | |
| Carol Messing | ... | Casino Bar Band Singer / Julian's Flirt | |
| Steve Mizerak | ... | Duke, Eddie's First Opponent | |
| Rick Mohr | ... | Congraulating Spectator | |
| Lloyd Moss | ... | Narrator, Resorts International | |
| Michael Nash | ... | Moselle's Opponent | |
| Mario Nieves | ... | Latin Guy #3 | |
| Miguel Nino | ... | Latin Guy #1 (as Miguel A. Nino) | |
| Andy Nolfo | ... | Referee #2 | |
| Ernest Perry Jr. | ... | Eye Doctor | |
| Jerry Piller | ... | Tom | |
| Iggy Pop | ... | Skinny Player on Road | |
| Richard Price | ... | Guy Who Calls Dud | |
| Juan Ramírez | ... | Latin Guy #2 | |
| Alex Ross | ... | Bartender Who Bets | |
| Peter Saxe | ... | Casino Bar Band Member | |
| Charles Scorsese | ... | High Roller #1 | |
| Rodrick Selby | ... | Congratulating Spectator | |
| Christina Sigel | ... | Waitress | |
| Harold L. Simonsen | ... | Chief Justice Tournament | |
| Fred Squillo | ... | High Roller #2 | |
| Brian Sunina | ... | Casino Bar Band Member | |
| Wanda Christine | ... | Casino Clerk (as Wandachristine) | |
| Forest Whitaker | ... | Amos | |
| Jim Widlowski | ... | Casino Bar Band Member | |
| Bruce A. Young | ... | Moselle | |
| listado alfabético del resto del reparto: | |||
| Stephen Burrows | ... | Pool freak (uncredited) | |
| Martin Scorsese | ... | Opening Voiceover (voice) (uncredited) | |
| Howard Vickery | ... | Vincent's Opponent with Beard and Glasses (uncredited) | |
| Lenny Wilson | ... | Extra (uncredited) | |
Dirigida por | |||
| Martin Scorsese | |||
Créditos del guión | ||
| Walter Tevis | (novel) | |
| Richard Price | (screenplay) | |
Producida por | |||
| Irving Axelrad | .... | producer | |
| Barbara De Fina | .... | producer | |
| Dodie Foster | .... | associate producer | |
Fotografía por | |||
| Michael Ballhaus | (director of photography) | ||
Montaje por | |||
| Thelma Schoonmaker | |||
Casting | |||
| Gretchen Rennell | |||
Diseño de producción por | |||
| Boris Leven | |||
Decorados | |||
| Karen O'Hara | (as Karen A. O'Hara) | ||
Diseño de vestuario por | |||
| Richard Bruno | |||
Departamento de maquillaje | |||
| Brian J. Kossman | .... | hair stylist | |
| Kathe Swanson | .... | key hair stylist (as Käthe Müller Swanson) | |
| Lillian Toth | .... | makeup artist | |
| Monty Westmore | .... | key makeup artist | |
Dirección de producción | |||
| Dodie Foster | .... | production manager | |
| Daniel J. Heffner | .... | executive in charge of production | |
| Mic Fabus | .... | post-production manager: Chicago (uncredited) | |
Ayudante de dirección | |||
| Richard Feld | .... | second assistant director | |
| Judith Friedman | .... | second second assistant director (as Judith S. Friedman) | |
| Phil Marco | .... | second unit director | |
| Joseph P. Reidy | .... | first assistant director (as Joseph Reidy) | |
| Jeanne Caliendo | .... | second assistant director (uncredited) | |
Departamento de Arte | |||
| Jeffrey R. Renfrow | .... | property master | |
| Kenneth Turek | .... | lead man (as Ken Turek) | |
| Andrew Zawacki | .... | construction coordinator | |
| David Gianneschi | .... | swing gang (uncredited) | |
| Paul Stanwyck | .... | head painter (uncredited) | |
Departamento de sonido | |||
| Michael Barry | .... | foley engineer | |
| Miriam Biderman | .... | assistant sound editor | |
| Ron Bochar | .... | sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Michael DiCosimo | .... | stereo sound consultant: Dolby | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Richard Goldberg | .... | sound editor (as Dick Goldberg) | |
| Thomas A. Gulino | .... | sound editor (as Thomas Gulino) | |
| Skip Lievsay | .... | supervising sound editor | |
| Marissa Littlefield | .... | assistant sound editor | |
| Harry Peck Bolles | .... | sound editor | |
| Doris Soraci | .... | assistant sound editor | |
| Jess Soraci | .... | sound editor | |
| Steven Visscher | .... | assistant sound editor | |
| Christopher Weir | .... | assistant sound editor | |
| Glenn Williams | .... | sound mixer | |
| Jeffrey A. Williams | .... | boom operator (as Jeffrey Williams) | |
| Robert Yano | .... | assistant sound editor | |
Efectos especiales | |||
| Curtiss Smith | .... | special effects (as Curt Smith) | |
Especialistas | |||
| Eddie J. Fernandez | .... | stunts (as Eddie Fernandez) | |
| Rick Le Fevour | .... | stunt coordinator (as Rick LeFevour) | |
| Rick Le Fevour | .... | stunts | |
| Stacy Logan | .... | stunts | |
| Rich Wilkie | .... | stunts (as Richard M. Wilkie) | |
| Rick Le Fevour | .... | stunt double: Tom Cruise (uncredited) | |
Cámara y Departamento Eléctrico | |||
| Donald Carlson | .... | first assistant camera (as Donald C. Carlson) | |
| Robert C. Carlson | .... | second assistant camera | |
| Peter J. Donoghue | .... | key grip | |
| Mel P. Mack | .... | best boy | |
| Frank Miller | .... | camera operator (as Frank M. Miller) | |
| James A. Miller | .... | gaffer (as Jim Miller) | |
| John Robert Miller | .... | dolly grip (as John R. Miller) | |
| Ron Phillips | .... | still photographer (as Ronald W. Phillips) | |
| Frank Byrne | .... | additional second assistant camera (uncredited) | |
Departamento de reparto | |||
| Jane Alderman | .... | casting: Chicago | |
| Shelley Andreas | .... | casting: Chicago | |
| Catherine Holzer-Ballowe | .... | extras casting assistant (uncredited) | |
Departamento de vestuario | |||
| William Loger | .... | costume supervisor | |
| Cheryl Weber | .... | costumer (as Cheryl A. Weber) | |
| Laurie Riley | .... | costumer (uncredited) | |
Departamento de Edición | |||
| Mike Goodman | .... | second assistant editor (as Michael Goodman) | |
| Rose Kuo | .... | assistant editor | |
| James Y. Kwei | .... | first assistant editor | |
| Ed O'Malley | .... | assistant editor (as Edward M. O'Malley) | |
| Christopher Tellefsen | .... | assistant editor | |
Departamento de Música | |||
| Gary Chang | .... | music arranger: additional electronic music | |
| Willie Dixon | .... | special music participation | |
| Gil Evans | .... | orchestrator | |
| Todd Kasow | .... | music editor | |
| Robert Nichols | .... | assistant music editor (as Bob Nichols) | |
Departamento de Transporte | |||
| George DiLeonardi | .... | transportation captain (as George Di Leonardi) | |
Gracias | |||
| Marion Billings | .... | special thanks | |
| James Hendricks | .... | special thanks | |
| Harold L. Simonsen | .... | special thanks (as Harold Simonsen) | |
| Shari Simonsen | .... | special thanks | |
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| The Hustler | Road House | Catch Me If You Can | Poolhall Junkies | Lost in Translation |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Paul Newman reprised his role of Eddie Felson from "The Hustler" (1961), on all short lists of great movies, to star in "The Color of Money", a worthy sequel in the way "Rocky II" was to "Rocky" -- not a great movie, but very good.
Eddie, advancing in years, has apparently left the hustling circuit for a more respectable job as a liquor wholesalesman. On his route, he encounters a brash, obnoxious pool shark named Vincent (Tom Cruise) and his girlfriend (Mary Mastrantonio). Vincent has the talent, but not the brains or knowledge, to be another great hustler, so Eddie, his desire for the circuit reignited, offers to stake Vincent and teach him the ropes, in exchange for a substantial piece of the winnings. At first, Vincent's ego and obnoxiousness threaten his development, but he soon learns all of Eddie's tricks -- and a few of his own. By the time of the big tournament at the end of the movie, Eddie and Vince have split ways -- and find themselves on a collision course.
I just realized that "The Color of Money" is my favorite Tom Cruise movie, but not my favorite Paul Newman movie (which could well be "The Hustler"). I re-viewed this movie recently after a long discussion with some friends about the difference between a movie star and an actor, and the few living legends that are both (besides Newman, I'd include Jack Nicholson and Robert de Niro). As always, Newman, even with such a huge public persona, disappears into the role of the middle-aged grifter, heartbroken how far his game has fallen in the days since he left the pool hall circuit. But he also makes the other performers around him shine. Cruise's trademark cockiness shines through in Vincent. Besides Mastrantonio, one of my favorite actresses Helen Shaver turns in a nice performance as Eddie's girlfriend, and Forest Whitaker first appeared on my radar in his short time on screen.
The other star of the movie is the game. While Scorsese didn't make his movie into the character study of "The Hustler", he uses the pool tables and balls as a medium for many artistic scenes. If you are someone who enjoys looking at beautiful movies, you won't be disappointed. And there might even be some real pool players -- you never know...
The story is good, not great. "The Color of Money" is not cut from the same felt as "The Hustler", and does not try to be. It is a movie about pool, not a character study. I don't think I would be up to repeated viewings as frequent as "The Hustler", but it's a fine way to spend an evening watching Newman and Cruise shoot pool.