Directed by William Wyler (1986)

Director:

Aviva Slesin

Release Date:

1 mayo 1986 (USA)

Genre:

Documentary

Plot:

A tribute to director William Wyler consisting of interviews and excerpts from his many classic films.

Plot Keywords:

Independent Film | Character Name In Title

Awards:

Nominated for Primetime Emmy. Another 1 nomination

Comentarios de los usuarios:

Adequate intro to Wyler

Cast

A. Scott Berg	...	Himself (narrator / interviewer)
Bette Davis	...	Herself
Samantha Eggar	...	Herself
Greer Garson	...	Herself
Lillian Hellman	...	Herself
Audrey Hepburn	...	Herself
Charlton Heston	...	Himself
John Huston	...	Himself
Laurence Olivier	...	Himself
Gregory Peck	...	Himself
Ralph Richardson	...	Himself
Terence Stamp	...	Himself
Barbra Streisand	...	Herself
Margaret Tallichet	...	Herself (as Talli Wyler)
Billy Wilder	...	Himself
William Wyler	...	Himself

También conocida como:

Director: William Wyler (Venezuela) [es]
Dirigida por William Wyler (Venezuela) [es]

Duración:

60 min

País:

USA

Idioma:

English

Color:

Black and White | Color

Sonido:

Mono

Company:

Tatge Productions

Quotes:

Billy Wilder: I'm no pushover. I laugh at Hamlet.

Movie Connections:

Features The Big Country (1958)

Adequate intro to Wyler

This is a good introduction to the work of one of cinema's finest and most professional directors. Although Wyler was sometimes criticised for having no discernible style of his own (he was no auteur, and I imagine he probably though the very notion ridiculous), he was famed for his meticulous approach to film-making, and willingness to have a crack at almost anything. As he himself said, he didn't want to just make the same film over and over -- he wanted to try different genres and make as many varied movies as he could.

This documentary features interviews with Wyler himself (recorded just three days before his death -- you can't possibly get tighter timing than that!), along with his wife and many of the stars he worked with over his long decades as a Hallywood A-list director. We don't get huge insights into the man behind the camera, but we learn a bit about his personal life, his background, his enthusiastic approach to living. There are also lots of clips from his better known films.

What shines through is Wyler's dedication to his work, his insistence on getting scenes right. He was (in)famous for making his actors do a shot numerous times -- there are legends that he sometimes did 40, 50, 60 or more takes of certain scenes. Charlton Heston and Wyler question the accuracy of those claims, but other actors insist they were no exaggeration. Either way, there's no doubt he was a perfectionist -- or that those he bossed around respected and admired him regardless of how badly he treated them on set. As Gregory Peck pointed out, every actor wanted to work with Wyler, because more actors won Oscars in his films than any other director's!!! This will be of only passing interest to hardcore Wyler fans, who would love to learn more about the man, to perhaps see dailies of him at work (if any exist), to see even more of that final interview. But as a quick way of getting familiar with his work, it does the business, and does it quite well. Because he eschewed the whole auteur approach to movie-making, Wyler has been somewhat marginalised over the years -- I think critics prefer directors with a one-track vision, as that makes it easier for them to write about! But as the testimonies on display here prove -- from the likes of heavyweights like Billy Wilder, John Ford, Laurence Olivier and Bette Davis -- Wyler's name should be revered with the very best of Hollywood's directors.