Directed by
John Boorman |
Writing Credits
John Boorman | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
John Boorman | ... | producer |
Michael Dryhurst | ... | co-producer |
Jake Eberts | ... | executive producer |
Edgar F. Gross | ... | executive producer |
Music by
Peter Martin |
Cinematography by
Philippe Rousselot | ... | director of photography |
Editing by
Ian Crafford |
Casting By
Mary Selway |
Production Design by
Anthony Pratt |
Art Direction by
Don Dossett |
Set Decoration by
Joanne Woollard | ... | (as Joan Woollard) |
Costume Design by
Shirley Russell |
Makeup Department
Joan Carpenter | ... | hair stylist |
Anna Dryhurst | ... | makeup artist |
Second Unit Director or Assistant Director
Andy Armstrong | ... | assistant director |
Michael Dryhurst | ... | second unit director |
Melvin Lind | ... | assistant director |
Julian Wall | ... | assistant director |
Ken Shane | ... | additional third assistant director (uncredited) |
Art Department
George Ball | ... | property master |
Maurice Jones | ... | propman |
Ted Michell | ... | scenic artist |
Syd Nightingale | ... | construction manager |
Kevin Phipps | ... | assistant art director (as Keiron Phipps) |
Graeme Purdy | ... | propman |
Gary Tomkins | ... | draughtsman |
Mark White | ... | white trux chalky |
Mal Zawadzki | ... | painter |
Martin Laing | ... | art department assistant (uncredited) |
Roy Pembrooke | ... | props (uncredited) |
Bob Sherwood | ... | stand-by propman (uncredited) |
Sound Department
Don Brown | ... | sound maintenance |
Ron Davis | ... | sound editor |
Peter Handford | ... | sound recordist |
John Hayward | ... | sound mixer |
Paul Smith | ... | dialogue editor |
John Stevenson | ... | boom operator |
Lionel Strutt | ... | adr mixer (uncredited) |
Special Effects by
Michael Collins | ... | special effects |
Rodney Fuller | ... | special effects |
Philip Stokes | ... | special effects designer (as Phil Stokes) |
Joe Fitt | ... | special effects technician (uncredited) |
Martin Gutteridge | ... | special effects supervisor (uncredited) |
Visual Effects by
Alan Church | ... | optical camera (uncredited) |
Stunts
Stuart St Paul | ... | stunts |
Camera and Electrical Department
Ronald Anscombe | ... | camera focus |
Murray Close | ... | still photographer |
Chuck Finch | ... | gaffer |
Tommy Finch | ... | best boy (as Tom Finch) |
Mike Fox | ... | camera operator |
Bill Geddes | ... | camera grip |
John Harris | ... | additional photographer |
Jason Wrenn | ... | assistant camera |
George Binnersley | ... | focus puller (uncredited) |
Jamie Harcourt | ... | focus puller: second unit (uncredited) |
Ronald Lenoir | ... | chargehand rigger (uncredited) |
Costume and Wardrobe Department
Sue Honeybourne | ... | wardrobe assistant |
Steve Hubbard | ... | wardrobe master |
James Langan | ... | wardrobe assistant |
Editorial Department
Pat Brennan | ... | assistant film editor |
Location Management
Peter Cotton | ... | location manager |
Music Department
Michael Clifford | ... | music editor |
Peter Martin | ... | conductor / orchestrator |
Helen Sava | ... | music researcher |
Script and Continuity Department
Elaine Schreyeck | ... | script supervisor |
Transportation Department
Mark White | ... | transportation: white trux/d&d transport |
Additional Crew
Telsche Boorman | ... | drama coach: children |
Sheila Collins | ... | production coordinator |
Lynda Levy | ... | unit publicist |
Norma Paulsen | ... | production liaison |
John Porter | ... | Worldwide Distribution Director |
John Taylor | ... | aerial coordinator |
Anthony Van Laast | ... | choreographer |
John Chambers | ... | finance executive (uncredited) |
Ray Hanna | ... | pilot (uncredited) |
Pauline Hume | ... | graphic artist: titles (uncredited) |
Adam Samuelson | ... | louma crane technician (uncredited) |