Martin Fallon is an IRA bomber who tries to blow up a troop truck but instead kills a bus load of school children. He loses heart and quits the movement and goes to London trying to leave ... See full summary »
The familiar story of Lieutenant Bligh, whose cruelty leads to a mutiny on his ship. This version follows both the efforts of Fletcher Christian to get his men beyond the reach of British ... See full summary »
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
The movie opens in a Los Angeles convenience store one late Monday night, where a smalltime drug dealer named Nick (Aaron Eckhart) is trying to decide what coffee brand to buy. His ex-lover... See full summary »
Martin Fallon is an IRA bomber who tries to blow up a troop truck but instead kills a bus load of school children. He loses heart and quits the movement and goes to London trying to leave the U.K. and start a new life. The IRA wants him back (he knows too much) and the local crime boss, Meehan, will only help him if he performs one last hit, on a rival crime boss. When Fallon does perform the hit, he is seen by a catholic priest. He refuses to kill an innocent again and must find a way to escape the police without killing the priest who can identify him. Written by
John Vogel <firstname.lastname@example.org>
Completely (and rather unjustly) forgotten today, this is an offbeat, interesting dramatic thriller based on a book that seems to lift its basic idea from Alfred Hitchcock's "I Confess" (actually, I haven't seen "I Confess" yet, but everybody knows its premise). The movie has a great cast and makes an earnest attempt to combine psychodrama with more traditional thriller elements. The main problem is that, once the basic situation has been (elaborately) set up, the story seems to get stalled and has nowhere to go. There is also a subplot, involving Liam Neeson in an early role as Mickey Rourke's old comrade in the IRA, that's ultimately just a waste of time. (**)
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