September (1987)

Calificación de los usuarios:

6.4/10   

Director:

Woody Allen

Guionista:

Woody Allen (written by)

Fecha de Lanzamiento:

18 diciembre 1987 (USA)

Género:

Drama

Plot:

At a summer house in Vermont, neighbor Howard falls in love with Lane, who's in a relationship with Peter, who's falling for Stephanie, who's married with children.

Plot Keywords:

Weekend | Actress | Reflection | Guilt | Unrequited Love

Comentarios de los usuarios:

Unforgettable

Reparto

Denholm Elliott	...	Howard
Dianne Wiest	...	Stephanie
Mia Farrow	...	Lane
Elaine Stritch	...	Diane
Sam Waterston	...	Peter
Jack Warden	...	Lloyd
Ira Wheeler	...	Mr. Raines
Jane Cecil	...	Mrs. Raines
Rosemary Murphy	...	Mrs. Mason

También conocida como:

Septiembre (Spain) [es]

Duración:

82 min

País:

USA

Idioma:

Inglés | Francés

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

Mono

Clasificación:

Iceland:L | Netherlands:AL | Australia:PG | Finland:S | USA:PG | Singapore:PG

Locaciones de Filmación:

Kaufman Astoria Studios - 3412 36th Street, Astoria, Queens, New York City, New York, USA

Trivialidades:

One of the main plot thrusts of "September" is taken from the life of Lana Turner, whose daughter killed her gangster lover in the 50s.

Errores:

Continuidad: Peter's tie when talking to Lloyd.

Citas:

Diane: Jesus! Look at my hands. Now really, I am too young for liver spots. Maybe I can merge them into a tan.

Conexiones de Película:

Referenced in Wild Man Blues (1997)

Banda de Sonido:

Just One More Chance

Unforgettable

Between his serio-comic reminiscence Radio Days and the searing adult drama Another Woman, Woody Allen made September, a reflective, introspective chamber-piece on his favourite themes of childhood, adultery, love and loss. One imagines that the chilly critical and public response will shift to one of admiration and wonder as the years shift, such is the haunting power of this masterpiece.

Mia Farrow plays Lane, an unsuccessful photographer recovering from a breakdown in her autumnal apartment, the golds and rusts of the season chiming with the forlorn tone of the story. She falls in love with a visiting writer (Waterston), who appears to be drifting away from her, since he is besotted with Lane's sister Stephanie (Wiest). Barely taking an interest is the sisters' self-absorbed mother (Stritch) and her insecure third husband (Warden). Denholm Elliot rounds out the principal cast as a kind family friend, his love for Lane unspoken.

There are many great moments in this complex, brilliant film, but two in particular remain long in the mind. First is the "love scene" between Waterston and Wiest. Wiest says - torn - that to begin an affair would be "impossible" and exits. Then, slowly, she turns and walks back into the room, shutting the door. Wiest has never been better than in this film, than in this moment. A startling, beautifully realised epiphany, boiled down to a look, a bow and a smile. The second great sequence comes with the shattering denouement, which I shan't spoil for you here.

Allen's straight dramas certainly aren't for all tastes, but for those who can take them the rewards are vast. There has never been a screenwriter with a better ear for dialogue and in his "serious" films, Allen creates fascinating, utterly believable characters. The performances are pitch-perfect throughout, with Wiest, Farrow and Stritch all on career-best form. As always Allen's use of lighting and music is spot-on; here he showcases Art Tatum and Bernie Leighton, providing an evocative soundtrack to an unforgettable film.

Simply brilliant.