"Dekalog" Dekalog, jeden (1989)

Calificación de los usuarios:

8.3/10   

Director:

Krzysztof Kieslowski

Escritores:

Krzysztof Kieslowski (writer)
Krzysztof Piesiewicz (writer)

Series de televisión:

"Dekalog" (1989)

Fecha de lanzamiento original:

10 diciembre 1989 (Temporada 1, Episodio 1)

Género:

Drama

Plot:

"I am the Lord thy God; thou shalt have no other God but me." Ten-year-old Pawel and his father Krzysztof...

Plot Keywords:

Computer | Frozen Lake | Religion | Young Boy | Chess

Comentarios de los usuarios:

Amazing...

Reparto

Henryk Baranowski	...	Krzysztof
Wojciech Klata	...	Pawel
Maja Komorowska	...	Irena
Artur Barcis	...	Man in the sheepskin
Maria Gladkowska	...	Girl
Ewa Kania	...	Ewa Jezierska
Aleksandra Kisielewska	...	Woman
Aleksandra Majsiuk	...	Ola
Magda Sroga-Mikolajczyk	...	Journalist
listado alfabético del resto del reparto:
Maciej Borninski
Agnieszka Brustman	...	Chess player
Maciej Slawinski
Anna Smal-Romanska
Bozena Wróbel
Piotr Wyrzykowski

También conocida como:

"The Decalogue": I Am the Lord Thy God (#1.1) (USA)
"El decálogo": Amarás a Dios sobre todas las cosas (Argentina) [es]

Duración:

53 min | USA:55 min | Argentina:57 min

País:

Poland

Idioma:

Polaco

Color:

Color

Sonido:

Mono

Clasificación:

Argentina:16

Locaciones de Filmación:

Warsaw, Poland

Compañía:

Sender Freies Berlin (SFB)

Errores:

Personal o Equipo Visible: In the scene where Krzysztof is in the bathroom and looks in the mirror to see the ambulance, the top of the head of the camera operator is also visible in the mirror.

Amazing...

I've seen parts one, seven, and eight. Of the three Part One is definitely the most moving. Somehow it just seemed so realistic. It really drove the point of human logic being fallible. In fact, I was so absorbed in the movie that immediately after watching it I almost felt like I had been the one involved in the spiritual crisis.

I really appreciate how Kieslowski managed to convey the essence of the first commandment (Thou shalt have no other God before me) without being preachy. In fact, religion hardly came into play at all. This gave the film a more universal appeal, by expressing themes that are relevant to those outside of the Christian religion.

The cinematography is impressive, especially this one scene where an ink blot appears from nowhere on the main character's work. It really sets the stage for the ending.

Of all Kieslowski's works that I have seen so far, this is easily the one I appreciate the most.