Dorado, El (1988)

Director:

Carlos Saura

Writers:

Carlos Saura (screenplay)
Carlos Saura (story)

Release Date:

20 abril 1988 (Spain)

Genre:

Drama

Plot:

Plot Keywords:

El Dorado | Amazon River | Conquistador

Awards:

9 nominations

Comentarios de los usuarios:

Slow road to madness

Cast

Omero Antonutti	...	Aguirre
Lambert Wilson	...	Ursúa
Eusebio Poncela	...	Guzmán
Gabriela Roel	...	Inés
Inés Sastre	...	Elvira
José Sancho	...	La Bandera
Patxi Bisquert	...	Pedrarías
Francisco Algora	...	LLamoso
Féodor Atkine	...	Montoya
Abel Vitón	...	Henao
Francisco Merino	...	Alonso Esteban
Mariano González	...	Zalduendo
Gladys Catania	...	Juana
Alfredo Catania	...	Vargas
Gustavo Rojas	...	Carrión
Wilson Morera	...	Uiraluru
Rodolfo Cisneros	...	Duarte
Luis Fernández Gómez	...	García de Arce
Gerardo Arce	...	Vallazar
David González	...	Munguia
José Solano	...	Cirujano
Adrián Díaz	...	Miranda
Rubén Pagura	...	Juglar
Franklin Hueso	...	Guitarrista
Haydee de Lev	...	Mujer Española

Dirigida por
Carlos Saura

Créditos del guión (in alphabetical order)
Carlos Saura		screenplay
Carlos Saura		story

Producida por
Andrés Vicente Gómez	....	producer

Música original por
Alejandro Massó

Fotografía por
Teodoro Escamilla

Montaje por
Pedro del Rey

Diseño de producción por
Terry Pritchard

Dirección artística
Peta Button

Diseño de vestuario por
Gerardo Vera

Dirección de producción
Víctor Albarrán	....	production manager
Pablo Buelna	....	unit production manager

Ayudante de dirección
José M. Garasino	....	third assistant director
Carmen Martínez	....	second assistant director
Carlos Saura Medrano	....	assistant director

Departamento de sonido
Ralph Thiekötter	....	adr recordist

Efectos especiales
Reyes Abades	....	special effects

Production Companies

• Canal+
• Chrysalide Film
• Compañía Iberoamericana de TV
• France 3 Cinéma
• Iberoamericana Films Producción
• Radiotelevisione Italiana
• SACIS
• Televisión Española (TVE)
• Union Générale Cinématographique (UGC)

Distributors

• Compañía Iberoamericana de TV

También conocida como:

A peso d'oro (Italy)

Duración:

149 min

País:

Spain | France | Italy

Idioma:

Español

Color:

Color

Aspect Ratio:

2.35 : 1

Sonido:

Dolby

Filming Locations:

Costa Rica

Company:

Canal+

Movie Connections:

Remake of Aguirre, der Zorn Gottes (1972)

Slow road to madness

Shot in Costa Rica in 1988, 'El Dorado' is one of a rare breed, a Spanish film about its own role in America in the 16th century. However, this film doesn't tell a story of glory and conquest, but one of failure and slow descent into madness.

The story is about an expedition down the Orinoco river in 1560, undertaken by Spanish soldiers with the aim of finding the famed land of El Dorado, where gold is supposedly plentiful. I suppose that it is not a spoiler to say that the place doesn't exist and that what the expeditioners find is something completely different.

The film is 142 minutes long, and not exactly action-packed, so a prospective viewer should realise that the leisurely pace is meant to reflect the utter boredom provoked by the long days of the uneventful days in the journey, but this, as in many expeditions, is punctuated by moments of high intensity and tension in which the travellers will have to react to the challenges thrown at them by the jungle... or by themselves. In this sense the film is a study on how to face (or not) insurmountable obstacles in extreme conditions, in particular when greed, pride and lust are thrown into the mix.

The filming on location does half the job for the film-makers. The river and the jungle are like one additional character, and one can feel the stuffy Old-worlders slowly stewing under their heavy shirts and armour as the days pass. But I find a bit of fault with the way Lope de Aguirre, the main character, is played. The film goes for understated menace from a quietly unscrupulous man, which ends up adding to the slowness of the film. Of course, that's the director's choice, but I feel that a bit of energy and feeling of danger coming from the villain of the piece would have been welcome.

All in all, it's an effort that meant a lot for Spanish cinema in the 1980s, coming only four years before the 5th centenary of the discovery of America and just a decade into full democracy after the Franco dictatorship. But it if has to be enjoyed, one must come with Apocalypto Mode shut off.