| Fotos (ver todos los 23 | slideshow) | Videos |
Dirigida por | |||
| John Carpenter | |||
Créditos del guión | ||
| Ray Nelson | (short story "Eight O'Clock in the Morning") | |
| John Carpenter | (screenplay) (as Frank Armitage) | |
Producida por | |||
| Andre Blay | .... | executive producer | |
| Larry J. Franco | .... | producer (as Larry Franco) | |
| Shep Gordon | .... | executive producer | |
| Sandy King | .... | associate producer | |
Música original por | |||
| John Carpenter | |||
| Alan Howarth | |||
Fotografía por | |||
| Gary B. Kibbe | (director of photography) | ||
Montaje por | |||
| Gib Jaffe | |||
| Frank E. Jimenez | |||
Dirección artística | |||
| William J. Durrell Jr. | |||
| Daniel A. Lomino | (as Daniel Lomino) | ||
Decorados | |||
| Marvin March | |||
Departamento de maquillaje | |||
| Elle Elliott | .... | hair stylist | |
| Francisco X. Pérez | .... | makeup artist (as Frank Carrisosa) | |
Dirección de producción | |||
| Stratton Leopold | .... | unit production manager | |
| Alan Levine | .... | unit production manager | |
Ayudante de dirección | |||
| Larry J. Franco | .... | first assistant director (as Larry Franco) | |
| Artist W. Robinson | .... | second assistant director (as Artist Robinson) | |
| B. Scott Senechal | .... | dga trainee (as Scott Senechal) | |
Departamento de Arte | |||
| Jack Eberhart | .... | lead man | |
| Dick Girod | .... | paint foreman (as Richard Girod) | |
| Sean Haworth | .... | art department assistant | |
| Richard M. Kerns | .... | assistant property (as Richard Kerns) | |
| Frank Leasure | .... | propmaker | |
| Ernie Millanponce | .... | stand-by painter | |
| Vic Petrotta Jr. | .... | property master (as Victor Petrotta Jr.) | |
| Gregori Renta | .... | swing | |
| John Sweeney | .... | assistant property | |
| Kenneth Truby | .... | labor foreman | |
| Michael Wright | .... | construction foreman | |
| Luigi Mugavero | .... | set dresser (uncredited) | |
Efectos especiales | |||
| Michael Arbogast | .... | special effects assistant | |
| Roy Arbogast | .... | special effects coordinator | |
| David Blitstein | .... | special effects assistant | |
| Jim Danforth | .... | special photographic effects | |
| William Lee | .... | special effects assistant | |
Cámara y Departamento Eléctrico | |||
| Kevin Arnold | .... | electrician | |
| Sidney Ray Baldwin | .... | still photographer (as Sidney Baldwin) | |
| Sanford Barr | .... | electrician | |
| Bruce Birmelin | .... | still photographer | |
| Clyde E. Bryan | .... | first assistant camera: second camera | |
| Ron Cardarelli | .... | key grip (as Ronald Cardarelli) | |
| Larry D. Davis | .... | second assistant camera (as Larry Davis) | |
| Robert DePerna | .... | electrician | |
| Anthony Di Mase | .... | grip (as Anthony DiMase) | |
| Jud Kehl | .... | camera operator | |
| John T. Kennedy | .... | best boy electrician (as John Kennedy) | |
| Jeffrey Norvet | .... | first assistant camera | |
| John Palka | .... | best boy grip | |
| Robin Roberts | .... | grip | |
| Richard Smock | .... | electrician | |
| Ken Spencer | .... | gaffer (as Kenneth Spencer) | |
| Raymond Stella | .... | camera operator: second camera (as Raymond N. Stella) | |
| Raymond Stella | .... | panaglide operator (as Raymond N. Stella) | |
| Dave Wachtman | .... | dolly grip (as David Wachtman) | |
Departamento de reparto | |||
| Barbara Harris | .... | voice casting | |
Departamento de vestuario | |||
| Robert Lewis Bush | .... | costumer (as Robert Bush) | |
| Robin Michel Bush | .... | costume supervisor (as Robin Bush) | |
| John Melvin Young | .... | costumer (as John Young) | |
Departamento de Edición | |||
| Gary Burritt | .... | negative cutter | |
| Phil Downey | .... | color timer | |
| Margaret Goodspeed | .... | assistant film editor | |
| Frederick Wardell | .... | assistant film editor (as Fred M. Wardell) | |
| Richard Alderete | .... | assistant editor (uncredited) | |
Departamento de Transporte | |||
| George Bess | .... | driver | |
| Fred Brookfield | .... | driver | |
| James R. Brown | .... | driver (as Jim Brown) | |
| Russ Buckens | .... | driver | |
| Bob Cromwell | .... | driver | |
| James Langhorne | .... | driver (as Jim Langhorne) | |
| Stephen A. Latina | .... | driver (as Steve Latina) | |
| Leo Loa | .... | driver | |
| John Marendi | .... | driver | |
| Dennis McLaughlin | .... | driver (as Denny McLaughlin) | |
| Frank Mielcarek | .... | driver | |
| Thomas M. Reposar | .... | driver (as Mike Reposar) | |
| Tim Roslan | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
Otros miembros del equipo | |||
| Rick Chavez | .... | craft service (as Richard Chavez) | |
| Karin Costa | .... | assistant: Mr. Carpenter | |
| Maurice Costello | .... | first aid | |
| James Deeth | .... | helicopter pilot | |
| Mathew Dunne | .... | production associate | |
| Billie Don Evans | .... | helicopter pilot | |
| Joy Ewing | .... | production accountant | |
| T.Z. Garrison | .... | stand-in | |
| E. Barry Haldeman | .... | production legal counsel (as E. Barry Haldeman, Esq.) | |
| Sandra Holden | .... | assistant: Mr. Franco | |
| Sandy King | .... | script supervisor | |
| Ken Lavet | .... | location manager | |
| Gregory Parrish | .... | stand-in | |
| Marian Shambo | .... | production coordinator | |
| Jill L. Smith | .... | production legal counsel (as Jill L. Smith, Esq.) | |
| Mark A. Stankevich | .... | production legal counsel (as Mark A. Stankevich, Esq.) | |
| Larry Sulkis | .... | producer: commercials | |
| Angel Trujillo | .... | caterer | |
| Michael Forino | .... | production assistant (uncredited) | |
| Lynnanne Zager | .... | voices (uncredited) | |
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| Transformers | Total Recall | Night of the Comet | V for Vendetta | Watchmen |
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Acción section | IMDb USA section | Add this title to MyMovies |
An unemployed man in the 80s (of the WWF variety, complete with Mel-mullet) shows up in the big city looking for work, American Dream intact. He finds a "Hooverville"-like (perhaps Reaganville!) community that takes him in and finds work in construction. He notices that several of the providers are ostensibly up to no good and hold meetings at the local church. He stumbles upon a secret door and finds a stash of...80s sunglasses! After the community is destroyed by the police, our baffled working-class hero pops on a pair of the glasses, which allows him see the world as it really is, and wake up out of his sleeeepy false consciousness! Was Carpenter reading up on his Marx? Maybe! Either way, this sci-fi/action flick is fantastic, cheesy, and clever. "They Live" was obviously influenced by the excess of the 80s, but doesn't come across as dated and actually seems very relevant to the current cultural climate in the US. There are various flaws (namely, the creepy-in-a-bad-way Meg Foster and her character), but overall this is an excellent, amusing, and entertaining film. My Rating: 9.5/10