| Photos (see all 30 | slideshow) | Videos |
| Richard Dreyfuss | ... | Pete Sandich | |
| Holly Hunter | ... | Dorinda Durston | |
| Brad Johnson | ... | Ted Baker | |
| John Goodman | ... | Al Yackey | |
| Audrey Hepburn | ... | Hap | |
| Roberts Blossom | ... | Dave | |
| Keith David | ... | Powerhouse | |
| Ed Van Nuys | ... | Nails | |
| Marg Helgenberger | ... | Rachel | |
| Dale Dye | ... | Don | |
| Brian Haley | ... | Alex | |
| James Lashly | ... | Charlie | |
| Michael Steve Jones | ... | Grey | |
| Kim Robillard | ... | Air Traffic Controller | |
| Jim Sparkman | ... | Dispatcher | |
| Doug McGrath | ... | Bus Driver | |
| Shereil L. Bowens | ... | Child on Bus | |
| Acencion Fuentes | ... | Child on Bus | |
| Todd Jacobson | ... | Child on Bus | |
| DeMarious T. Morganfield | ... | Child on Bus | |
| Mike O'Neal | ... | Ground Pounder #1 | |
| Larry Landless | ... | Ground Pounder #2 | |
| Steve Shatnyski | ... | Ground Pounder #3 | |
| James Pruitt | ... | Ground Pounder #4 | |
| Joseph McCrossin | ... | Mechanic #1 | |
| J.D. Souther | ... | The Singer | |
| David Jackson | ... | Band | |
| David Kitay | ... | Band | |
| Gene Strimling | ... | Band | |
| Roy E. Harrison | ... | Fisherman #1 (as Roy Harrison) | |
| Ted Grossman | ... | Fisherman #2 | |
| Gerry Rothschild | ... | Carl the Barkeep | |
| Loren Smothers | ... | Bartender | |
| Taleena Ottwell | ... | Bar Girl |
Dirigida por | |||
| Steven Spielberg | |||
Créditos del guión(WGA) | ||
| Chandler Sprague | (story "A Guy Named Joe") and | |
| David Boehm | (story "A Guy Named Joe") | |
| Dalton Trumbo | (screenplay "A Guy Named Joe") | |
| Frederick Hazlitt Brennan | (screenplay adaptation "A Guy Named Joe") | |
| Jerry Belson | (screenplay) | |
Producida por | |||
| Kathleen Kennedy | .... | producer | |
| Frank Marshall | .... | producer | |
| Steven Spielberg | .... | producer | |
| Richard Vane | .... | co-producer | |
Música original por | |||
| John Williams | |||
Fotografía por | |||
| Mikael Salomon | |||
Montaje por | |||
| Michael Kahn | |||
Casting | |||
| Lora Kennedy | |||
Diseño de producción por | |||
| James D. Bissell | (as James Bissell) | ||
Dirección artística | |||
| Christopher Burian-Mohr | |||
Decorados | |||
| Jackie Carr | |||
Diseño de vestuario por | |||
| Ellen Mirojnick | |||
Departamento de maquillaje | |||
| Don L. Cash | .... | makeup artist | |
| Carolyn Elias | .... | hair stylist | |
| Susan V. Kalinowski | .... | hair stylist | |
| James Lee McCoy | .... | makeup artist (as James McCoy) | |
| Dione Taylor | .... | hair stylist (as Dione Taylor-Demsky) | |
Dirección de producción | |||
| Martin Cohen | .... | post-production supervisor: Amblin | |
| Gary Daigler | .... | unit production manager | |
Departamento de sonido | |||
| Sandina Bailo-Lape | .... | sound effects editor | |
| Willie D. Burton | .... | sound mixer | |
| Ben Burtt | .... | sound designer | |
| Ben Burtt | .... | sound re-recording mixer | |
| Gloria D'Alessandro | .... | dialogue editor | |
| Teresa Eckton | .... | sound effects editor | |
| Ken Fischer | .... | sound effects editor | |
| Robert W. Harris | .... | cable person | |
| Ruth Hasty | .... | assistant sound effects editor | |
| Tim Holland | .... | sound effects editor | |
| Richard Hymns | .... | supervising sound editor | |
| Marvin E. Lewis | .... | boom operator | |
| Robert Marty | .... | assistant sound effects editor (as Bob Marty) | |
| Marilyn McCoppen | .... | dialogue editor | |
| Shawn Murphy | .... | sound re-recording mixer | |
| Larry Oatfield | .... | assistant sound effects editor (as E. Larry Oatfield) | |
| Philip Olbrantz | .... | apprentice sound effects editor | |
| Terrence Peck | .... | assistant sound effects editor (as Terry Peck) | |
| Martha Pike | .... | assistant sound effects editor | |
| E. Jeane Putnam | .... | assistant sound effects editor | |
| Gary Rydstrom | .... | sound re-recording mixer | |
| Michael Silvers | .... | dialogue editor | |
| David Slusser | .... | foley recordist | |
| Karen Spangenberg | .... | dialogue editor | |
| Gary Summers | .... | sound re-recording mixer | |
| Ewa Sztompke | .... | assistant sound effects editor | |
| Randy Thom | .... | foley artist | |
| Randy Thom | .... | sound re-recording mixer | |
| Dennie Thorpe | .... | foley artist | |
| Gwendolyn Yates Whittle | .... | assistant sound effects editor | |
Efectos especiales | |||
| Jay Bartus | .... | forest fire special effects | |
| Frank Ceglia | .... | forest fire special effects | |
| Bill Cobb | .... | forest fire special effects | |
| Mike Edmonson | .... | special effects foreman | |
| Bob Finley III | .... | key pyrotechnician | |
| Lloyd Hamlett | .... | forest fire special effects | |
| Jeff Jarvis | .... | forest fire special effects foreman | |
| Mike Reedy | .... | special effects foreman | |
| Mike Reedy | .... | special effects gang boss | |
| Gintar Repecka | .... | special effects | |
| Andrew Sebok | .... | forest fire special effects | |
| Michael P. Stipe | .... | forest fire special effects | |
| Michael Wood | .... | special effects supervisor | |
| Michael Meier | .... | pyrotechnician (uncredited) | |
| Michael Smith | .... | pyrotechnician (uncredited) | |
Visual Effects | |||
| Jon Alexander | .... | optical cameraman | |
| Carl Assmus | .... | visual effects construction chief | |
| Charles Bailey | .... | chief model maker | |
| Barbara Brennan | .... | rotoscope supervisor | |
| Terry Chostner | .... | visual effects cameraman | |
| Robbie Clot | .... | visual effects rigger | |
| Steve Collins | .... | visual effects transportation captain | |
| Michael Cooper | .... | optical line-up | |
| Elise Couvillion | .... | visual effects second camera assistant | |
| Robert Dougherty | .... | visual effects electrician | |
| Dick Dova | .... | visual effects key grip (as Richard Dova Spah) | |
| Jim Dyck | .... | model aircraft engineering | |
| Bob Fernley | .... | lab technician | |
| Bob Finley III | .... | visual effects gaffer | |
| Joe Fulmer | .... | visual effects best boy grip | |
| Michael Fulmer | .... | model supervisor | |
| John Gazdik | .... | visual effects camera assistant | |
| Bill George | .... | visual effects art director | |
| Brian Gernand | .... | model maker: ILM | |
| Michael Gleason | .... | visual effects editor | |
| Monty Hancock | .... | model aircraft engineering | |
| Jack Haye | .... | visual effects set dresser | |
| David Heron | .... | visual effects gantry rig design | |
| Andy Hershkind | .... | model aircraft engineering | |
| Edward Hirsh | .... | visual effects project manager | |
| Tony Hudson | .... | modeler: ILM | |
| Rod M. Janusch | .... | visual effects best boy pyrotechnician (as Rod Janusch) | |
| Ed Jones | .... | executive in charge of post-production: ILM | |
| Ira Keeler | .... | model maker | |
| Paul Kraus | .... | model maker | |
| Keith London | .... | visual effects set dresser | |
| Kim Marks | .... | visual effects camera operator | |
| Patrick McArdle | .... | visual effects camera assistant | |
| Roni McKinley | .... | visual effects coordinator (Roni L. McKinley) | |
| Carl Miller | .... | visual effects camera assistant | |
| George Miller | .... | model aircraft engineering | |
| Craig Mohagen | .... | visual effects best boy pyrotechnician | |
| Robert J. Mooney | .... | miniature unit coordinator | |
| Jim Morris | .... | visual effects producer | |
| Hiro Narita | .... | visual effects director of photography | |
| Dan Nelson | .... | visual effects best boy rigger | |
| Bruce Nicholson | .... | visual effects supervisor | |
| Michael Ohta | .... | visual effects grip | |
| Michael Olague | .... | visual effects electrician | |
| Jeff Olson | .... | visual effects key sets (as Jeffrey Olson) | |
| Martin Rosenberg | .... | visual effects cameraman | |
| Scott Ross | .... | visual effects general manager | |
| Penny Runge | .... | visual effects key production assistant | |
| Tony Sommers | .... | model maker | |
| Bruce Vecchitto | .... | optical supervisor | |
| Danny Wagner | .... | model maker: ILM | |
| Wayne Baker | .... | assistant camera: underwater miniatures (uncredited) | |
Especialistas | |||
| Dave Bartholomew | .... | stunts (as David Bartholomew) | |
| Janet Brady | .... | stunts | |
| R.J. Chambers | .... | stunts | |
| Tom Elliott | .... | stunts | |
| Eddie Hice | .... | stunts | |
| Robert Jauregui | .... | stunts (as Bob Jaurequi) | |
| Jeff Jensen | .... | stunts | |
| Steven Lambert | .... | stunt coordinator | |
| Paul M. Lane | .... | stunts (as Paul Lane) | |
| Bernie Pock | .... | stunts | |
| David Powledge | .... | stunt double (uncredited) | |
Casting Department | |||
| Helen Dollan | .... | extras casting: Montana | |
| Helen Mayer | .... | local extras casting | |
Costume and Wardrobe Department | |||
| Elaine Maser | .... | costumer: women | |
| Jennifer L. Parsons | .... | costumer supervisor | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Patrick Crane | .... | assistant editor | |
| Michelle Fandetti | .... | post-production assistant: Amblin | |
| Brad Goodman | .... | post-production coordinator: Amblin | |
| Scot Scalise | .... | assistant editor | |
| Jim Schurmann | .... | color timer | |
| Colin Wilson | .... | assistant editor | |
| L. James Langlois | .... | assistant editor (uncredited) | |
Music Department | |||
| Sandy DeCrescent | .... | music contractor | |
| Shawn Murphy | .... | score mixer | |
| Herbert W. Spencer | .... | orchestrator | |
| Kenneth Wannberg | .... | music editor | |
Transportation Department | |||
| Tim Roslan | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
Otros miembros del equipo | |||
| Janie Allison | .... | production assistant | |
| Arne Anderson | .... | production assistant | |
| Robert Banas | .... | choreographer (as Bob Banas) | |
| Renny Berger | .... | production assistant | |
| Kevin Berman | .... | location security | |
| James D. Bissell | .... | forest fire plates director | |
| Sue Bokobza | .... | assistant production accountant | |
| Don Buchanan | .... | pilot: picture plane | |
| Michael J. Burmeister | .... | location manager | |
| Cynthia Curtiss | .... | unit production assistant: Montana | |
| Gregg L. Daniel | .... | production assistant | |
| Jeff DeSmet | .... | production assistant | |
| Lisa Donnelley | .... | unit production assistant: Montana | |
| Susan Dowaliby | .... | unit production secretary: Montana | |
| Jim Ealy | .... | first aid | |
| Mike Fantasia | .... | US forest service coordinator: Montana | |
| Patricia Fay | .... | unit location manager: Montana | |
| Fred Gabrielli | .... | caterer | |
| Ron Garlick | .... | pilot: picture plane | |
| James W. Gavin | .... | pilot: picture plane | |
| Dow Griffith | .... | location manager | |
| Donald Hansard Sr. | .... | process coordinator | |
| Vincent Heileson | .... | production accountant | |
| Steve Hinton | .... | pilot: picture plane | |
| Joe Johnston | .... | aerial sequence designer | |
| Michael Lucker | .... | production assistant | |
| Denny Lynch | .... | pilot: picture plane | |
| John Maloney | .... | pilot: picture plane | |
| Christine Mathews | .... | production assistant: Washington | |
| Dana Mayer | .... | assistant: Mr. Spielberg | |
| Walter M. McCormick | .... | projectionist | |
| Jim McCown | .... | pilot: picture plane | |
| Denise Morgan | .... | assistant production accountant | |
| Sharon Morov | .... | production coordinator | |
| Heather Murphy | .... | production secretary: Washington | |
| Dan Nichols | .... | production liaison: Washington | |
| Ramon Pahoyo | .... | craft service | |
| Julie Pitkanen | .... | script supervisor | |
| Lonnie Porro | .... | unit production liaison: Montana | |
| Bonne Radford | .... | production controller | |
| Mary T. Radford | .... | assistant: Mr. Marshall | |
| Anne S. Reilly | .... | unit publicist (as Anne Reilly) | |
| Grey Rembert | .... | production associate | |
| Charles R. Renneisen | .... | pilot: picture plane | |
| Paul 'Sled' Reynolds | .... | animal trainer | |
| Robert P. Schlaefli | .... | pilot: picture plane | |
| Darrell Schmidt | .... | pilot: picture plane | |
| Sandra Sharkey-Knox | .... | unit nurse: Montana | |
| Jo Shilling | .... | assistant: Ms. Kennedy | |
| Robin Skelton | .... | production associate | |
| Wendy Spurrier | .... | unit production assistant: Montana | |
| Rob Stevens | .... | assistant production coordinator | |
| Brian Steward | .... | production assistant | |
| Andre van Commenee | .... | physiotherapist | |
| Dara Weintraub | .... | assistant: Mr. Vane (as Dara L. Weintraub) | |
| Ken Wyene | .... | production assistant: Washington | |
| Miaojun Yuan | .... | production assistant | |
| Camille Cellucci | .... | production assistant (uncredited) | |
| Jack Gallagher | .... | location scout (uncredited) | |
| Michelle Hartly | .... | location coordinator (uncredited) | |
| Steven Talmy | .... | production assistant (uncredited) | |
| Russ Tanaka | .... | set medic (uncredited) | |
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I'll just be honest here --- when I originally saw Always at the cinema in 1989, it was just a few months after my big brother passed away prematurely at the age of forty, and I'm not at all afraid to say that I cried like a baby. Like so many Americans, I have watched far too many films that i have taken to heart, but you know, Always is probably one of the final American films to ever really explore and display such deep human issues as unconditional love, mortality, and what a hero really is -- and isn't. It may be mushy, romantic, and a bit flawed, but I am proud that Spielberg made this bitter-sweet film -- I just saw it again and, if anything, it comes across as even more humane and honest in today's America of aggression, greed, and "relative" truth. If you've ever really, honestly, been so in love and committed to someone that you were willing to unconditionally put their needs before you own, or if you've ever lost anyone who meant the world to you, check it out. It changed my life when I first saw it because it made consider death in a new light... and it is about to totally change my life again as I have decided to live every moment for the rest of it as honest and decent and true to myself as possible --something that few of us today are willing to admit is lacking in our lives.