| Fotos (ver todos los 74 | slideshow) | Videos (see all 2) |
Dirigida por | |||
| Tim Burton | |||
Créditos del guión(WGA) | ||
| Bob Kane | (Batman characters) | |
| Sam Hamm | (story) | |
| Sam Hamm | (screenplay) and | |
| Warren Skaaren | (screenplay) | |
Música original por | |||
| Danny Elfman | |||
Fotografía por | |||
| Roger Pratt | (director of photography) | ||
Montaje por | |||
| Ray Lovejoy | |||
Casting | |||
| Marion Dougherty | |||
Diseño de producción por | |||
| Anton Furst | |||
Dirección artística | |||
| Terry Ackland-Snow | |||
| Nigel Phelps | |||
| Leslie Tomkins | (supervising art director) (as Les Tomkins) | ||
Decorados | |||
| Peter Young | |||
Diseño de vestuario por | |||
| Bob Ringwood | |||
| Tony Dunsterville | (uncredited) | ||
Departamento de maquillaje | |||
| Lynda Armstrong | .... | makeup artist | |
| Nick Dudman | .... | makeup designer: Joker | |
| Paul Engelen | .... | chief makeup artist | |
| Suzy Evans | .... | trainee makeup artist | |
| Colin Jamison | .... | chief hair stylist | |
| Janet Jamison | .... | hair stylist | |
| Rick Provenzano | .... | hair stylist: Ms. Basinger | |
| Suzanne Reynolds | .... | prosthetic makeup artist | |
| Barry Richardson | .... | hair stylist | |
Dirección de producción | |||
| Pat Harrison | .... | unit manager | |
Ayudante de dirección | |||
| Derek Cracknell | .... | first assistant director | |
| Steve Harding | .... | assistant director: second unit (as Steven Harding) | |
| Nikolas Korda | .... | second assistant director: second unit | |
| Melvin Lind | .... | second assistant director | |
| Peter MacDonald | .... | second unit director (as Peter Macdonald) | |
| Steve Millson | .... | third assistant director: second unit | |
| Julian Wall | .... | second assistant director | |
| Ken Shane | .... | additional assistant director: second unit (uncredited) | |
Departamento de Arte | |||
| David Allday | .... | draughtsman (as Dave Allday) | |
| Les Andrews | .... | dressing propman | |
| Terry Apsey | .... | construction manager | |
| Barry Arnold | .... | chargehand stand-by props | |
| Dave Baynham | .... | stand-by plasterer | |
| Ronald Bede | .... | hod stagehand (as Ron Bede) | |
| Les Benson | .... | dressing propman | |
| Brian Bishop | .... | scenic artist | |
| Michael Boone | .... | assistant art director | |
| Julian Caldow | .... | draughtsman | |
| Jenny Chartres | .... | art department assistant (as Jenny Gregoire) | |
| Bruce Cheesman | .... | dressing propman | |
| Paul Cheesman | .... | stand-by propman | |
| Bill Dady | .... | stand-by stagehand | |
| Georgia Dilley | .... | art department junior | |
| Noel Farrell | .... | stand-by rigger | |
| Colin Fox | .... | chargehand drapesman | |
| Peter Godfrey | .... | dressing propman | |
| Mark Harris | .... | draughtsman | |
| Emma Harrison | .... | scenic artist | |
| Robert Hill | .... | dressing propman | |
| Danny Hunter | .... | dressing propman | |
| Clive Ingleton | .... | decor and lettering artist | |
| Michael King | .... | construction buyer (as Mike King) | |
| Martin Laing | .... | draughtsman | |
| John Lanzer | .... | production buyer | |
| Roy Martin | .... | stand-by painter | |
| Libby McCullugh | .... | scenic artist | |
| Keith Muir | .... | stand-by stagehand: second unit | |
| Cleo Nethersole | .... | supervising drapesman | |
| John New | .... | assistant construction manager | |
| Ron Newvell | .... | hod rigger (as Ronald Newvell) | |
| Mike Nugent | .... | hod carpenter (as Michael Nugent) | |
| Roy O'Connor | .... | supervising propman | |
| Dave Philpott | .... | stand-by carpenter: second unit (as David Philpott) | |
| John Ralph | .... | assistant art director | |
| Jeff Reid | .... | stand-by carpenter | |
| Danny Skundric | .... | dressing propman | |
| Suzanna Smith | .... | draughtsman | |
| Adrian Start | .... | head scenic painter | |
| Eric Strange | .... | stand-by propman: second unit | |
| Don Taylor | .... | hod master plasterer | |
| Bradley Torbett | .... | stand-by propman | |
| Charles Torbett | .... | property master | |
| Keith Vowles | .... | chargehand stand-by propman: second unit | |
| Brian West | .... | prop storeman | |
| Paul Whitelock | .... | stand-by painter: second unit | |
| Michael White | .... | production illustrator | |
| Clive Wilson | .... | dressing propman | |
| John Wilson | .... | chargehand drapesman | |
| Peter Wright | .... | decor and lettering artist | |
| Kevin Phipps | .... | art director: models (uncredited) | |
| Edward T. Reiff Jr. | .... | set constructor (uncredited) | |
| David Russell | .... | storyboard artist (uncredited) | |
Departamento de sonido | |||
| David Allen | .... | sound mixer: second unit | |
| David Brill | .... | sound maintenance | |
| Paula Connor | .... | assistant sound editor | |
| Tony Dawe | .... | sound mixer | |
| John Falcini | .... | second assistant sound re-recording mixer | |
| Pat Gilbert | .... | assistant sound editor | |
| Leonard Green | .... | assistant sound editor (as Lenny Green) | |
| Eddy Joseph | .... | sound editor | |
| Ray Merrin | .... | assistant sound re-recording mixer | |
| Rocky Phelan | .... | foley editor | |
| Bill Rowe | .... | sound re-recording mixer | |
| John Samworth | .... | boom operator | |
| David Sharpe | .... | assistant sound editor | |
| Don Sharpe | .... | supervising sound editor | |
| Paul Smith | .... | dialogue editor | |
| Derek Trigg | .... | additional sound editor | |
| Don Wortham | .... | boom operator: second unit | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Efectos especiales | |||
| Ron Burton | .... | senior special effects technician (as Ronald Burton) | |
| Philip Clark | .... | special effects technician (as Phil Clark) | |
| Terence J. Cox | .... | special effects technician (as Terry Cox) | |
| Steve Crawley | .... | wire effcts technician | |
| Peter Dawson | .... | senior special effects technician | |
| Kevin Draycott | .... | special effects technician | |
| Michael Dunleavy | .... | senior special effects technician | |
| John Evans | .... | special effects supervisor | |
| Ken Gittens | .... | special effects technician (as Kenneth Gittens) | |
| Simon Hewitt | .... | assistant special effects technician | |
| Brian Lince | .... | senior special effects technician | |
| Ray Lovell | .... | senior special effects technician | |
| Digby Milner | .... | senior special effects technician | |
| Kenneth Morris | .... | senior special effects technician (as Ken Morris) | |
| Robert Nugent | .... | senior special effects technician | |
| Melvyn Pearson | .... | special effects technician (as Mervyn Pearson) | |
| Ian Rossiter | .... | assistant special effects technician | |
| Andrew Smith | .... | special effects technician | |
| Barry Whitrod | .... | senior special effects technician | |
| Mark Meddings | .... | model unit supervisor (uncredited) | |
Visual Effects | |||
| Dennis Bartlett | .... | travelling matte cameraman | |
| Steven Begg | .... | special effects technician: visual effects unit (as Stephen Begg) | |
| Angus Bickerton | .... | motion control cameraman: visual effects unit | |
| Janice Body | .... | rotoscope artist: visual effects unit | |
| Grant Branton | .... | video operator: visual effects unit | |
| Richard Brierley | .... | clapper loader: visual effects unit | |
| Mark Bullimore | .... | model maker: visual effects unit | |
| Eddie Butler | .... | sculptor/modeller (as Edward Butler) | |
| Roy Button | .... | unit manager: visual effects unit | |
| Wally Byatt | .... | camera operator: visual effects unit | |
| Ray Caple | .... | matte artist: visual effects unit | |
| Darryl Carter | .... | carpenter: visual effects unit | |
| Peter Chiang | .... | art director: visual effects unit | |
| Brenda Coxon | .... | production accountant: visual effects unit | |
| Carol De Jong | .... | model maker: visual effects unit (as Carole De Jong) | |
| Dave Docwra | .... | additional opticals | |
| Doug Ferris | .... | additional matte artist | |
| Susie Ford | .... | visual effects production manager (as Susan Ford) | |
| Mark Gardiner | .... | matte cameraman | |
| Mark Gill | .... | assistant visual effects editor | |
| José Granell | .... | model maker: visual effects unit (as Jose Granell) | |
| John Grant | .... | additional matte cameraman | |
| Antony Hunt | .... | optical cameraman: visual effects unit | |
| Faisal Karim | .... | model maker: visual effects unit | |
| Chris Kenny | .... | motion control cameraman: visual effects unit (as Chris F. Kenny) | |
| Stephen Lloyd | .... | buyer: visual effects unit | |
| Roger Lofting | .... | financial controller: visual effects unit | |
| Derek Meddings | .... | special visual effects | |
| Anthony Moore | .... | rigger: visual effects unit | |
| John Morgan | .... | camera operator: visual effects unit | |
| Karl Morgan | .... | clapper loader: visual effects unit | |
| Terry Reed | .... | model workshop supervisor: visual effects unit | |
| Chrissie Richardson | .... | assistant accountant: visual effects unit (as Christine Richardson) | |
| John Rogers | .... | gaffer: visual effects unit | |
| Robbie Scott | .... | model maker: visual effects unit (as Robert Scott) | |
| Neil Sharp | .... | optical cameraman: visual effects unit | |
| Keith Short | .... | sculptor/modeller | |
| Karl Simmonds | .... | special effects technician: visual effects unit | |
| Roy Spencer | .... | senior special effects technician: visual effects unit | |
| Nigel Stone | .... | motion control cameraman: visual effects unit | |
| Peter Talbot | .... | motion control cameraman: visual effects unit | |
| Jonathan Taylor | .... | focus puller: visual effects unit | |
| Micky Thomas | .... | best boy: visual effects unit | |
| Leigh Took | .... | matte artist: visual effects unit | |
| Ian Townsend | .... | stagehand: visual effects unit | |
| Ron Walden | .... | model maker: visual effects unit | |
| David Watkins | .... | focus puller: visual effects unit | |
| Peter Watson | .... | visual effects coordinator | |
| Paul Wilson | .... | visual effects photographer: visual effects unit | |
| Russ Woolnough | .... | visual effects editor | |
| Jason Wrenn | .... | clapper loader: visual effects unit | |
| Jean-Pierre Trevor | .... | matte artist (uncredited) | |
Departamento de Animación | |||
| Martin Gaskell | .... | models and animation (uncredited) | |
Departamento de reparto | |||
| Sally Wignall | .... | casting assistant | |
Departamento de vestuario | |||
| Len Alexander | .... | wardrobe assistant | |
| Graham Churchyard | .... | assistant costume designer | |
| Annie Crawford | .... | wardrobe supervisor | |
| Yvonne Hellin | .... | wardrobe assistant: second unit | |
| Linda Henrikson | .... | costumes: Ms. Basinger | |
| Joe Hobbs | .... | wardrobe assistant: second unit | |
| William Todd Jones | .... | wardrobe assistant (as William Todd-Jones) | |
| Tommy Nutter | .... | tailor: Mr. Nicholson's clothes | |
| Dylan Stone | .... | wardrobe runner | |
| David Whiteing | .... | wardrobe assistant | |
Departamento de Edición | |||
| Jaime Estrada Torres | .... | second assistant editor | |
| Simon Harris | .... | first assistant editor | |
| Laura Lovejoy | .... | second assistant editor | |
| Ben Palmer | .... | second assistant editor | |
Departamento de Música | |||
| Bob Badami | .... | music editor | |
| Steve Bartek | .... | orchestrator | |
| Robin Clarke | .... | music editor | |
| Michael Dilbeck | .... | music supervisor | |
| Graham Farrow | .... | assistant music editor | |
| Eric Tomlinson | .... | music scoring mixer | |
| Shirley Walker | .... | conductor | |
| Bob Bain | .... | musician: guitar (uncredited) | |
| Percy Faith | .... | conductor: "A Summer Place" (uncredited) | |
| Steven Scott Smalley | .... | orchestrator (uncredited) | |
Departamento de Transporte | |||
| Roy Clarke | .... | production driver | |
| Brian Hathaway | .... | production driver | |
| Steve Hill | .... | production driver | |
| Tommy Lee | .... | production driver | |
| Peter Lewsey | .... | production driver | |
| Colin Morris | .... | production driver | |
| John Sargeant | .... | action vehicles | |
| Billy Turner | .... | production driver | |
| Billy Willmott | .... | production driver | |
Otros miembros del equipo | |||
| Margaret Adams | .... | production coordinator | |
| David Allan | .... | physiotherapist | |
| Gordon Arnell | .... | publicist | |
| Rosie Bedford-Stradling | .... | unit nurse (as Rosie Bedford Stradling) | |
| Linda Bowen | .... | assistant accountant | |
| Judy Britten | .... | publicity assistant | |
| Chris Brock | .... | location manager | |
| Max Brown | .... | production runner | |
| Jo Burn | .... | assistant: Mr. Kenny | |
| Maggie Choyce | .... | assistant script supervisor | |
| Diane Christian | .... | assistant accountant | |
| Mathew Claridge | .... | production runner | |
| Amanda Coroon | .... | accounting assistant | |
| Val Demeter | .... | assistant: Mr. Burton | |
| Hilary Fagg | .... | script supervisor: second unit | |
| Val Farmer | .... | assistant production accountant | |
| Tricia Fisher | .... | publicity assistant | |
| Gerald Fitzsimon | .... | assistant production accountant (as Gerard Fitzsimon) | |
| Mary Holdsworth | .... | script supervisor: second unit | |
| Bob Kane | .... | project consultant | |
| Reza Karim | .... | prosthetic technician | |
| Katie Ladyko | .... | assistant: Mr. Keaton | |
| Cheryl Leigh | .... | script supervisor | |
| Annie Marshall | .... | assistant: Mr. Nicholson | |
| Carl Newman | .... | movement double | |
| Terry Shane | .... | floor runner | |
| Mike Smith | .... | supervising production accountant | |
| Charles Staffell | .... | projectionist: rear projection | |
| Stefan Stankowski | .... | follow focus: second unit | |
| Costas Charitou | .... | opticals: Image to Image (uncredited) | |
| Richard Morrison | .... | title designer (uncredited) | |
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| The Dark Knight | Batman Begins | Batman Returns | Batman: Mask of the Phantasm | Batman Forever |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| Artículos Noticiosos | IMDb Acción section | IMDb USA section |
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In a Gotham City overrun by crime a new menace exists. In the shadows and rooftops a giant bat is terrorising the criminals who live in the night. Elsewhere crime boss Grissom's right hand man Jack Napier is trapped in a chemical factory by police. With Batman's intervention Napier is accidentally dropped into a vat of chemical. Considered dead he later turns up, scarred and twisted with a new sense of humour. Calling himself the Joker he takes over the city's gangs and begins to terrorise the city. Millionaire Bruce Wayne begins relationship with reporter Vicky Vale and finds himself personally drawn into conflict with the Joker as both himself and his alter-ego.
This was very much a huge blockbuster and had a great deal riding on it in terms of merchandising and a possible franchise. As such Burton always seemed like a risk - although his dark toned work and complex characters probably made him a great choice. The film starts promisingly, many questions are asked - is Wayne totally balanced? What drives him to become the bat? etc - and the tone of the movie is darker than a friendly blockbuster. This is continued by the investigation by reporters Vale and Knox, but starts to wane (pardon the pun) with the development of Vale as a love interest and the hamming of The Joker. At some point the film loses the character complexities and decides to become a straight up good v's evil with plenty of effects and gadgets. That said it's still very dark and the set pieces are well handled. In fact it's the best of the Batman franchise so far.
The problem is that it lacks a bite for Batman fans. I've always felt that Batman was always a few steps away from the criminals he's chasing, surely he can't be totally balanced and right in the head? Here these questions are half touched but never developed.
Keaton is an unlikely Batman, but is the best so far. He deals well with Wayne's past when it is brought up, but is an unlikely action hero. Nicholson is pure ham, but is good for it. He hogs all the best lines and is clearly enjoying himself - the only downside being that he regularly eclipses Keaton's Batman. Basinger's Vale is built up far too much and should have been cut out of the story rather than become a key part of it. The rest of the cast are good and I always like to see Tracey Walters in a big screen film!
Overall this is a good stab at the Batman legend. It's dark tone gives it the feel of the comics without the characterisation, but at the end of the day it comes down to good guy v's bad guy.