Don Johnson is a personal hero of mine. One of my prized possessions is a framed, autographed copy of his 1987 album, “Heartbeat”, which I have hanging on my living room wall. Being a child of the eighties, I always thought he was the coolest of the cool. As a youngster, I got into Miami Vice in a big way through re-runs, and I loved him in action flicks like 1989’s Dead-Bang, and 1991’s Best Movie You Never Saw fave Harley Davidson and the Marlboro Man. Plus, there was Nash Bridges!
This week, Johnson, who’s been carving out a terrific niche for himself as a character actor in recent years, stars alongside Michael Shannon and Kate Hudson in the comedy-drama A Little White Lie. In it, Johnson plays a famous writer whose big personality hides a certain degree of insecurity. I was lucky enough to sit with Johnson for a great interview where,...
This week, Johnson, who’s been carving out a terrific niche for himself as a character actor in recent years, stars alongside Michael Shannon and Kate Hudson in the comedy-drama A Little White Lie. In it, Johnson plays a famous writer whose big personality hides a certain degree of insecurity. I was lucky enough to sit with Johnson for a great interview where,...
- 2/28/2023
- by Chris Bumbray
- JoBlo.com
Director John Frankenheimer.
I'm often asked which, out of the over 600 interviews I've logged with Hollywood's finest, is my favorite. It's not a tough answer: John Frankenheimer.
We instantly clicked the day we met at his home in Benedict Canyon, and spent most of the afternoon talking in his den. A friendship of sorts developed over the years, with visits to his office for screenings of the old Kinescopes he directed for shows like "Playhouse 90" during his salad days in live television during the 1950s.
We hadn't spoken for nearly a year in mid-2002 when the phone rang. It was John, who spoke in what can only be described as a "stentorian bark," like a general. "Alex!" he exclaimed. "John Frankenheimer." He could sense something was amiss with me. It was. My screenwriting career had stalled. My marriage was progressing to divorce. I had hit bottom. John knew that...
I'm often asked which, out of the over 600 interviews I've logged with Hollywood's finest, is my favorite. It's not a tough answer: John Frankenheimer.
We instantly clicked the day we met at his home in Benedict Canyon, and spent most of the afternoon talking in his den. A friendship of sorts developed over the years, with visits to his office for screenings of the old Kinescopes he directed for shows like "Playhouse 90" during his salad days in live television during the 1950s.
We hadn't spoken for nearly a year in mid-2002 when the phone rang. It was John, who spoke in what can only be described as a "stentorian bark," like a general. "Alex!" he exclaimed. "John Frankenheimer." He could sense something was amiss with me. It was. My screenwriting career had stalled. My marriage was progressing to divorce. I had hit bottom. John knew that...
- 7/6/2015
- by The Hollywood Interview.com
- The Hollywood Interview
Smack dab in the middle of his fourth decade as a filmmaker, auteur John Frankenheimer would release what would stand as one of his last notable titles with 52 Pick-Up in 1986. The 80s were not really kind to the veteran director, having knocked out one of his silliest titles in 1979 with the environmental horror film Prophecy prior to helming some other oddities, like the Scott Glenn/Toshiro Mifune film The Challenge (1982), the Michael Caine thriller The Holcraft Experiment (1985) and then Dead Bang (1989) with Don Johnson. But it would be his adaptation of this Elmore Leonard novel, a black mail neo noir that really stands out amongst his later works.
Harry Mitchell (Roy Scheider) is a Los Angeles entrepreneur. He’s got a great life, lots of money, a beautiful wife (Ann-Margret) about to enter into the political arena, and a sprawling home. But when three criminals led by pornographer Alan Raimy...
Harry Mitchell (Roy Scheider) is a Los Angeles entrepreneur. He’s got a great life, lots of money, a beautiful wife (Ann-Margret) about to enter into the political arena, and a sprawling home. But when three criminals led by pornographer Alan Raimy...
- 3/10/2015
- by Nicholas Bell
- IONCINEMA.com
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