| Fotos (ver todos los 12 | slideshow) |
| Rick Moranis | ... | Wayne Szalinski | |
| Matt Frewer | ... | Russell 'Russ' Thompson, Sr. (Big Russ Thompson) | |
| Marcia Strassman | ... | Diane Szalinski | |
| Kristine Sutherland | ... | Mae Thompson | |
| Thomas Wilson Brown | ... | Russell 'Russ' Thompson, Jr. (Little Russell Thompson) (as Thomas Brown) | |
| Jared Rushton | ... | Ronald 'Ron' Thompson | |
| Amy O'Neill | ... | Amy Szalinski | |
| Robert Oliveri | ... | Nick Szalinski | |
| Carl Steven | ... | Tommy Pervis | |
| Mark L. Taylor | ... | Donald 'Don' Forrester | |
| Kimmy Robertson | ... | Gloria Forrester | |
| Lou Cutell | ... | Dr. Brainard | |
| Laura Waterbury | ... | Female Cop | |
| Trevor Galtress | ... | Male Cop | |
| Martin Aylett | ... | Harold Boorstein | |
| Janet Sunderland | ... | Lauren Boorstein | |
| listado alfabético del resto del reparto: | |||
| Frank Welker | ... | (voice) | |
| Patrick Brown | ... | (uncredited) | |
| Craig Richard Nelson | ... | Professor Frederickson (uncredited) | |
Dirigida por | |||
| Joe Johnston | |||
Créditos del guión(WGA) | ||
| Stuart Gordon | (story) & | |
| Brian Yuzna | (story) & | |
| Ed Naha | (story) | |
| Ed Naha | (screenplay) and | |
| Tom Schulman | (screenplay) | |
Producida por | |||
| Penney Finkelman Cox | .... | producer | |
| Jon Landau | .... | co-producer | |
| Thomas G. Smith | .... | executive producer | |
| Brian Yuzna | .... | co-producer | |
Música original por | |||
| James Horner | |||
Fotografía por | |||
| Hiro Narita | |||
Montaje por | |||
| Michael A. Stevenson | |||
Casting | |||
| Mike Fenton | |||
| Lynda Gordon | |||
| Judy Taylor | |||
Diseño de producción por | |||
| Gregg Fonseca | |||
Dirección artística | |||
| Dorree Cooper | |||
| John Iacovelli | |||
Decorados | |||
| Macedonio Ramos | |||
Diseño de vestuario por | |||
| Carol Brolaski | |||
Departamento de maquillaje | |||
| Del Armstrong | .... | key makeup artist | |
| Magdalena Eriz | .... | makeup artist: Mexico | |
| Esperanza Gómez | .... | hair stylist: Mexico | |
| Francisco Jaramillo | .... | assistant hair stylist: men, Mexico | |
| Lynn Del Kail | .... | hair stylist | |
Dirección de producción | |||
| Andrew Z. Davis | .... | production manager | |
| Vicente Escrivá hijo | .... | production supervisor: Mexico (as Vicente Escriva) | |
| Belinda Uriegas | .... | production manager | |
| David Hoberman | .... | executive in charge of production: Walt Disney Studios (uncredited) | |
Departamento de Arte | |||
| Carmen Avila | .... | art department coordinator: Mexico (as Carmen C. Avila) | |
| Ann Bruice | .... | assistant designer | |
| Charles Collum | .... | construction coordinator | |
| Carol Lee Davis | .... | scenic painter (as Carole Lee Davis) | |
| Brad Einhorn | .... | property master | |
| Martin A. Kline | .... | production illustrator | |
| David Lowery | .... | storyboard artist | |
| Antonio Mata | .... | propman: Mexico | |
| Rick Moore | .... | storyboard artist | |
| Phillip Norwood | .... | storyboard artist | |
| Moises Pineda | .... | production buyer | |
| Denise Pizzini | .... | set dresser | |
| David Russell | .... | storyboard artist | |
| Peter A. Tullo | .... | props | |
| John Naulin | .... | insect construction supervisor (uncredited) | |
Departamento de sonido | |||
| Neal Burger | .... | dialogue editor (as Neal R. Burger) | |
| Fernando Cámara | .... | sound mixer: Mexico | |
| David E. Campbell | .... | sound re-recording mixer | |
| Carlyn Montes De Oca | .... | assistant sound effects editor | |
| Robert Deschaine | .... | adr mixer | |
| William Dotson | .... | sound editor | |
| George Fredrick | .... | dialogue editor | |
| Scott Martin Gershin | .... | sound designer | |
| Avram D. Gold | .... | supervising dialogue editor | |
| Victor Grodecki | .... | foley editor | |
| Per Hallberg | .... | assistant sound editor | |
| Ellen Heuer | .... | foley artist | |
| Chris Hogan | .... | sound editor | |
| Randy Kelley | .... | sound effects editor | |
| Lou Kleinman | .... | dialogue editor | |
| Mark Lanza | .... | assistant sound editor | |
| Mark R. La Pointe | .... | sound editor | |
| Greg Orloff | .... | foley artist | |
| Greg Orloff | .... | foley mixer | |
| John T. Reitz | .... | sound re-recording mixer | |
| John Roesch | .... | foley artist | |
| Gregg Rudloff | .... | sound re-recording mixer | |
| Wylie Stateman | .... | supervising sound editor | |
| Carolyn Tapp | .... | foley recordist (uncredited) | |
Efectos especiales | |||
| Peter Chesney | .... | mechanical effects coordinator (as Peter M. Chesney) | |
| Robert Clark | .... | creature shop supervisor | |
| Gunnar Ferdinandsen | .... | mold maker | |
| Linda Frobos | .... | miniatures creator | |
| Bruce D. Hayes | .... | key mechanical designer (as Bruce Hayes) | |
| Jurgen Heimann | .... | special effects | |
| David L. Hewitt | .... | special effects | |
| Sergio Jara | .... | special effects coordinator: Mexico | |
| James Kagel | .... | miniatures creator | |
| Jim Kundig | .... | special effects | |
| John McLeod | .... | special effects foreman | |
| David Mesloh | .... | mechanical fabrication | |
| Steve Sanders | .... | model maker | |
| Kirk Starbird | .... | miniatures creator | |
| Tim Turner | .... | special effects assistant: giant insects, Roark Productions (uncredited) | |
Visual Effects | |||
| Bob Ahmanson | .... | optical effects crew | |
| Dave Allen | .... | stop motion animator/stop motion ant crew | |
| Dave Allen | .... | stop motion animator: ant sequence (as David Allen) | |
| C. Mitchell Bryan | .... | model maker | |
| Lenny Dalrymple | .... | optical effects crew | |
| Mark Dornfeld | .... | optical line-up | |
| Roderic 'Mick' Duff | .... | model maker (as Roderic Duff) | |
| Syd Dutton | .... | matte artist | |
| Mark Freund | .... | optical cameraman: Illusion Arts | |
| Paul Gentry | .... | visual effects director of photography | |
| Craig Hayes | .... | designer & constructor: scorpion | |
| Emmet Kane | .... | optical effects crew | |
| Debra Ann Klegman | .... | model maker | |
| Peter Kuran | .... | special visual effects animation | |
| Michael Lawler | .... | visual effects cameraman | |
| Lynn Ledgerwood | .... | special rigging: Illusion Arts | |
| Bernardo F. Munoz | .... | optical effects crew (as Bernardo Munoz) | |
| Michael Muscal | .... | visual effects coordinator | |
| Bradford Plows | .... | model maker (as Brad Plows) | |
| Mark Sawicki | .... | matte photographer | |
| Stephen Scheutzow | .... | assistant visual effects coordinator | |
| David Sosalla | .... | miniatures supervisor | |
| Tom St. Amand | .... | stop motion animator | |
| Catherine Sudolcan | .... | special rigging: Illusion Arts | |
| Kevin Swigert | .... | optical effects crew | |
| Byron Werner | .... | rotoscope artist | |
| Mark Whitlock | .... | matte artist | |
| Peter Anthony Zamora | .... | model maker | |
| Jammie Friday | .... | animator: VCE, Inc. (uncredited) | |
| Joseph Thomas | .... | animation cameraman (uncredited) | |
Especialistas | |||
| Michael Cassidy | .... | stunt coordinator | |
| Mickey Cassidy | .... | stunts | |
| Anthony G. Schmidt | .... | stunts (as Anthony Schmidt) | |
| Cherie Tash | .... | stunts (as Cherie L. Tash) | |
| Bob Yerkes | .... | stunts | |
Departamento de Animación | |||
| Mike Hyatt | .... | rotoscope artist | |
| Brian Jennings | .... | digital animator: title sequence | |
| Brett B. White | .... | animation assistant | |
| Brett B. White | .... | assistant to animator | |
| Kevin Kutchaver | .... | animator (uncredited) | |
| Pat Sito | .... | checking: title sequence (uncredited) | |
Departamento de reparto | |||
| Claudia Becker | .... | casting: Mexico | |
| Jory Weitz | .... | casting: New York City | |
Departamento de vestuario | |||
| Robin Lewis-West | .... | costume supervisor | |
| Abel Melo | .... | wardrobe master: Mexico | |
Departamento de Edición | |||
| Carlyn Montes De Oca | .... | assistant film editor | |
| Lucy Hofert | .... | assistant editor (as Lucy Hofert Rose) | |
| Jacqueline Kinney | .... | apprentice editor | |
| Edgar Pavon | .... | assistant editor: Mexico | |
| Bruce Pearson | .... | color timer | |
| Carlos Puente | .... | assistant editor: Mexico | |
| Brian Ralph | .... | negative cutter | |
| William M. Steinberg | .... | first assistant editor | |
| James B. Woodson | .... | assistant editor | |
Departamento de Música | |||
| Jim Henrikson | .... | music editor | |
| Greig McRitchie | .... | orchestrator | |
| Shawn Murphy | .... | scoring mixer | |
| Frank Welker | .... | special vocal effects | |
| James Horner | .... | conductor (uncredited) | |
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| Honey I Blew Up the Kid | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | The Incredibles | The Goonies | Spy Kids |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Aventura section | IMDb USA section | Add this title to MyMovies |
This is a fun movie for the entire family. Well, of course, it's ridiculous but the kids will love it and you can laugh right along with them.
The absurd tale revolves around around a nutty scientist & dad named Wayne Szalinski who is working on a machine to miniaturize objects. When his two kids plus their two neighbouring friends (the Thompsons) wander into his lab, Wayne inadvertently shrinks the four of them. Then he accidentally tosses them out in the garbage, so the poor kids have to brave the dangers of the lawn to get back to the house. And can the well intended but crazy scientist figure out how to bring the youngsters back to full size again? (Personally, my favourite aspect of the movie is the nutty father.)
The story has plenty of adventure and danger as the teensy weensy younguns brave the perils of the jungle (actually their lawn). They face thunderstorm like risks of potentially drowning in the lawn sprinkler or being attacked by giant ants, bees, & other bugs. Not to mention the lawn mower!
Avoid the TV series of the same name, but this movie has some good family messages involving the two sets of parents (the Szalinskis & the Thompsons) as well as the kids. And of course there's lots of hilarity and adventure. It should be rated higher than it is and fully deserved its popularity at the time. This film put the phrase 'Honey, I shrunk (or whatever) the kids' into people's everyday vocabulary!