The Little Mermaid (1989)

Calificación de los usuarios:

7.5/10   

Directors:

Ron Clements
John Musker

Escritores:

John Musker (written by) and
Ron Clements (written by) ...

Fecha de Lanzamiento:

17 noviembre 1989 (USA)

Género:

Animación | Familia | Fantasía | Musical | Romance

Frase comercial:

Somewhere under the sea and beyond your imagination is an adventure in fantasy.

Plot:

A mermaid princess makes a faustian bargain with an unscrupulous seahag in order to meet a human prince on land.

Plot Keywords:

Mermaid | King | Sea | Sea Witch | Prince

Premios:

Won 2 Oscars. Another 9 wins & 6 nominations

Comentarios de los usuarios:

Among the best fantasy films of all time

Reparto

Rene Auberjonois	...	Louis (voice)
Christopher Daniel Barnes	...	Eric (voice)
Jodi Benson	...	Ariel (voice)
Pat Carroll	...	Ursula (voice)
Paddi Edwards	...	Flotsam & Jetsam (voice)
Buddy Hackett	...	Scuttle (voice)
Jason Marin	...	Flounder (voice)
Kenneth Mars	...	Triton (voice)
Edie McClurg	...	Carlotta (voice)
Will Ryan	...	Seahorse (voice)
Ben Wright	...	Grimsby (voice)
Samuel E. Wright	...	Sebastian (voice)
Hamilton Camp	...	Additional Voices (voice)
Debbie Shapiro Gravitte	...	Additional Voices (voice) (as Debbie Shapiro)
Robert Weil	...	Additional Voices (voice)

También conocida como:

La sirenita (Argentina) (Peru) (Spain) [es]

Duración:

83 min

País:

USA

Idioma:

Inglés | Francés

Color:

Color (Technicolor)

Relación de Aspecto:

1.66 : 1

Sonido:

70 mm 6-Track (70 mm prints) (original release) | DTS (re-release) (1997) | Dolby Digital (re-release) (1997) | Dolby (35 mm prints) (original release) | SDDS (re-release) (1997)

Clasificación:

Singapore:G | Iceland:L | West Germany:o.Al. | Canada:G (Quebec) | Portugal:M/4 | South Korea:Todo | New Zealand:G | Argentina:Atp | Australia:G | Belgium:KT | Canada:G | Chile:TE | Finland:K-6/3 | France:U | Netherlands:AL | Peru:PT | Spain:T | Sweden:Btl | UK:U | USA:G (PCA #29385) | West Germany:0 (re-release) | Ireland:G | Brazil:Livre

Compañía:

Walt Disney Pictures

Trivialidades:

Deleted scenes: An extended "Fathoms Below" sequence in which it is revealed that Ursula is Triton's sister; alternate version of "Poor Unfortunate Souls" explaining why Ursula was banished by Triton; a scene just before the concert in which Sebastian finds out Ariel is missing; extended scene of Sebastian lost in Eric's castle; Sebastian giving additional advice to Ariel at bedtime; and the fight with Ursula to the ending with no dialog.

Errores:

Misceláneos: When Prince Eric and Max the dog are first seen, the ship's balustrade that Max's paws are resting on is clearly visible through his paws.

Citas:

[first lines]
Prince Eric: Isn't this great? The salty sea air, the wind blowing in your face... aaah, the perfect day to be at sea!
Grimsby: [leaning over rail] Oh, yes... urp... delightful.

Conexiones de Película:

Referenced in Finding Nemo (2003)

Banda de Sonido:

Poor Unfortunate Souls

Among the best fantasy films of all time

The mermaid herself is charming. She is animated with real passion - and voiced with real passion too, by Jodi Benson, who provides a powerful argument that whoever provides the speaking voice should also provide the singing voice. She is an innocent heroine but by no means a colourless one. That the prince should fall in love with her, on just seeing her and hearing her voice, is entirely credible.

The same could not be said for Andersen's original mermaid, who is a very cold fish indeed, solely concerned with grabbing immortality, considering the prince as no more than a handy means to it. It's this (and the high value placed on Christianity at the expense of decency) that makes Andersen's ending so insufferable. Obviously, another ending had to be found; and while it must be said that the big ending Musker and Clements came up with is a weak one, it must also be said that it's an improvement.

Musker and Clements still have a problem with their finales (witness `Aladdin' and `Hercules'), but they have countervailing strengths, and those strengths are most apparent here. The songs are all exceptionally staged (the well-known `Under the Sea' actually being the least effective), the comedy is sharp and well-timed, and - more obviously here than anywhere else - they really believe in what they're doing. They give credit to Howard Ashman for this and they could be right; whatever the reason, an air of innocence and sincerity pervades `The Little Mermaid' which makes it - and her - utterly irresistible.