Jacob's Ladder (1990/I)

Calificación de los usuarios:

7.5/10   

Director:

Adrian Lyne

Guionista (WGA):

Bruce Joel Rubin (written by)

Fecha de Lanzamiento:

2 noviembre 1990 (USA)

Género:

Drama | Horror | Misterio | Suspenso

Frase comercial:

The most frightening thing about Jacob Singer's nightmare is that he isn't dreaming.

Plot:

A traumatized Vietnam war veteran finds out that his post-war life isn't what he believes it to be when he's attacked by horned creatures in the subway and his dead son comes to visit him.

Plot Keywords:

Vietnam | Subway | New York | Flashback | Army

Premios:

2 wins

Comentarios de los usuarios:

A visual masterpiece of horror and conspiracy.

Reparto

Tim Robbins	...	Jacob Singer
Elizabeth Peña	...	Jezzie
Danny Aiello	...	Louis
Matt Craven	...	Michael
Pruitt Taylor Vince	...	Paul
Jason Alexander	...	Geary
Patricia Kalember	...	Sarah
Eriq La Salle	...	Frank
Ving Rhames	...	George
Brian Tarantina	...	Doug
Anthony Alessandro	...	Rod
Brent Hinkley	...	Jerry
S. Epatha Merkerson	...	Elsa
Suzanne Shepherd	...	Hospital Receptionist
Doug Barron	...	Group Leader

También conocida como:

Dante's Inferno
La escalera de Jacob (Spain) [es]

Duración:

115 min

País:

USA

Idioma:

Inglés

Color:

Color (Technicolor)

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby SR

Clasificación:

Argentina:16 | Iceland:16 | Portugal:M/16 | Singapore:PG (cut) | Philippines:R-18 | Netherlands:12 | Australia:M | Canada:18A | Finland:K-16 | France:-12 | Germany:16 | South Korea:18 | Sweden:15 | UK:18 | USA:R

Locaciones de Filmación:

New York, USA

Compañía:

Carolco Pictures

Trivialidades:

In Bruce Joel Rubin's original screenplay, all of the demons who appear throughout the film were typical biblical demons with horns, wings, cloven hooves etc. Director Adrian Lyne felt that this kind of imagery could very easily come across as comic, which would destroy the film. He felt that the fact that the imagery was so far from human lessened its impact, and as such, he decided he wanted the demons to be humanesque, but not quite human. During his research into this (which was when he discovered the photography of Joel-Peter Witkin), Lyne came across the Thalidomide scandal. Thalidomide was a drug made available for purchase from 1957 to 1961. Ostensibly, it was designed to treat pregnant women; primarily as an antiemetic to combat morning sickness, and secondarily as a sleeping aid. However, prior to its release, inadequate clinical tests were carried out, leading to roughly 10,000 children in Africa and Europe being born with severe physical deformities because their mothers had taken thalidomide during their pregnancy. The most common defects were phocomelia, dysmelia, amelia and polymelia; all conditions which affect the appearance of the limbs. During his research, Lyne studied the Thalidomide case, and came to feel that the birth defects caused by the drug represented the perfect starting place for his redesign of Rubin's demons. The Thalidomide scandal was also the inspiration for David Cronenberg's Scanners (1981).

Errores:

Micrófono Boom visible: Numerous times, most noticeable in a mirror.

Citas:

Louis: If you're frightened of dying, and you're holding on, you'll see devils tearing your life away. If you've made your peace, then the devils are really angels, freeing you from the Earth.

Conexiones de Película:

Referenced in Max Payne (2001) (VG)

Banda de Sonido:

HEARING SOLAR WINDS / Part 3: Arc Descents

A visual masterpiece of horror and conspiracy.

This is easily one of Adrian Lyne's best films. Tim Robbins is excellent and the visual affects were just awesome. I saw this movie for the first time in the theatre and it blew me away. I've seen it many times after that, purely for the visuals that were done so well. The plot twists and turns as it spirals downward slowly revealing the truth and keeps you guessing all the way to the surprising ending. This is a dark, violent, beautiful movie that I recommend to all people who love horror, and just a smart story that will keep you in suspense until the very end.